Los Angeles Times' Scores

For 16,536 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16536 movie reviews
  1. A melodramatic third act strains to reconcile the film's disparate parts, and the feel-good ending is not quite earned. Still, the film offers a few lessons for those inclined to hear them.
  2. Gout undermines his own spiky, ambitious narrative with all the visual interference, as dazzling as it often is.
  3. The bizarro plot threads, and dippy characters fail to connect in any rewarding way, resulting in a largely unfunny film that proves as repetitive and tedious as the 1971 Philip Glass snippet that provides its entire score.
  4. While all the naturalistic overtones might suggest faith-based Terrence Malick, those committed performances keep the film involving, however recognizably those echoes might resonate.
  5. It's gritty and grim, but Animals is also a gripping portrait of young junkies in love.
  6. The documentary is not so much a call to action as a moving portrait of individuals who devote their lives to understanding the environmental shifts that all too soon might manifest themselves on our own altered shorelines.
  7. Between the gorgeous locations (New Zealand subs for Colorado), a credible emotional core, some effectively droll dialogue and a well-staged finale, Slow West is worth a look.
  8. The film proves much more valuable as a historical allegory than as a musical survey.
  9. Crushingly listless and at times as off-putting as a needle scratching vinyl, this corkscrew tale of questionable (and questioned) parenting, youthful misjudgments, grudges and disappointments doesn't even have the disciplined domestic-evil allure of a Lifetime movie.
  10. Dark Star might have been more fascinating had Sallin delved deeper into his place as an artist.
  11. Despite the pedestrian screenplay (by Jimenez and Audrey Diwan), Dujardin and Lellouche are magnetic performers who slip easily into their antagonistic roles.
  12. Director Bradley King and his co-writer, B.P. Cooper, manage to overcome their shoddy premise as the plot progresses assuredly and persuasively.
  13. Sjöberg is so enamored with the dancing and overall positivity that moves and platitudes fairly dominate, when the movie could have used more narrative cohesion and engagement with his subjects.
  14. [An] enjoyable, relatable documentary.
  15. Groundswell Rising is an undeniably passionate but frustratingly one-sided examination of the controversial method of gas extraction.
  16. Director Brett Haley, who co-wrote the film with Marc Basch, has managed to create a film about those final years that gets to the heart of things like loss and love without patronizing or parody. No small thing to create a movie whose cast is mostly in their 70s yet whose story is so relatable whatever your age.
  17. It would be hard to imagine a more entertaining corrupt-cop documentary than The Seven Five, a slick and fascinating portrait of disgraced New York policeman Michael Dowd.
  18. From the beginning, the filmmakers promise an affectionate look at the man, and in that they deliver.
  19. That cost can be seen in the tight strain on Hawke's face. An actor with the gift of gab (most notably in his collaborations with Richard Linklater), Hawke here delivers a nuanced turn as a man on the threshold of emotional ruin.
  20. The comedy choir wars are more intense, more absurd and more lowbrow fun than ever in Pitch Perfect 2. It is almost impossible not to be amused by the cutthroat world of competitive a cappella.
  21. Mad Max: Fury Road will leave you speechless, which couldn't be more appropriate. Words are not really the point when it comes to dealing with this barn-burner of a post-apocalyptic extravaganza in which sizzling, unsettling images are the order of the day.
  22. This energetic film satisfyingly brings viewers up to speed on Newman's remarkably enduring career detour.
  23. When it plays to its strengths, the film, like the band, mines pure '80s gold.
  24. Though the story is drawn in broad strokes and overloaded with melodrama, director Mat Whitecross' exuberant feature understands the communal joy and personal necessity of rock 'n' roll.
  25. This treatise on what to expect when you're not expecting offers up biting cultural satire with a hearty dose of humanity and humor to boot.
  26. Unless you're on this spiritually noodling movie's wavelength — an easier proposition when the great McKee is singing (she wrote the music with Akin) — this is narratively thin, tone-poem stuff
  27. If bare-knuckle fights are what you seek, director Ekachai Uekrongtham certainly delivers. But the film scarcely scratches the surface of the horrors of human trafficking.
  28. First-time director Daniel Duran, working from a screenplay by Oscar Torres that abounds in the maudlin and risible, isn't able to lift the ham-handed material to a place where it might ring true.
  29. Where the story falters, though, the performers admirably hold one's attention.
  30. What a pleasure to see a simple, finely tuned dramedy about real adults with real emotions in a real-life situation.

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