For 16,536 reviews, this publication has graded:
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56% higher than the average critic
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6% same as the average critic
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38% lower than the average critic
On average, this publication grades 2.2 points lower than other critics.
(0-100 point scale)
Average Movie review score: 63
| Highest review score: | Sand Storm | |
|---|---|---|
| Lowest review score: | Saw VI |
Score distribution:
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Positive: 8,706 out of 16536
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Mixed: 5,813 out of 16536
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Negative: 2,017 out of 16536
16536
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Gary Goldstein
A melodramatic third act strains to reconcile the film's disparate parts, and the feel-good ending is not quite earned. Still, the film offers a few lessons for those inclined to hear them.- Los Angeles Times
- Posted May 14, 2015
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Reviewed by
Robert Abele
Gout undermines his own spiky, ambitious narrative with all the visual interference, as dazzling as it often is.- Los Angeles Times
- Posted May 14, 2015
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Reviewed by
Michael Rechtshaffen
The bizarro plot threads, and dippy characters fail to connect in any rewarding way, resulting in a largely unfunny film that proves as repetitive and tedious as the 1971 Philip Glass snippet that provides its entire score.- Los Angeles Times
- Posted May 14, 2015
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Reviewed by
Michael Rechtshaffen
While all the naturalistic overtones might suggest faith-based Terrence Malick, those committed performances keep the film involving, however recognizably those echoes might resonate.- Los Angeles Times
- Posted May 14, 2015
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Reviewed by
Gary Goldstein
It's gritty and grim, but Animals is also a gripping portrait of young junkies in love.- Los Angeles Times
- Posted May 14, 2015
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Michael Rechtshaffen
The documentary is not so much a call to action as a moving portrait of individuals who devote their lives to understanding the environmental shifts that all too soon might manifest themselves on our own altered shorelines.- Los Angeles Times
- Posted May 14, 2015
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Reviewed by
Gary Goldstein
Between the gorgeous locations (New Zealand subs for Colorado), a credible emotional core, some effectively droll dialogue and a well-staged finale, Slow West is worth a look.- Los Angeles Times
- Posted May 14, 2015
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Reviewed by
Martin Tsai
The film proves much more valuable as a historical allegory than as a musical survey.- Los Angeles Times
- Posted May 14, 2015
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Robert Abele
Crushingly listless and at times as off-putting as a needle scratching vinyl, this corkscrew tale of questionable (and questioned) parenting, youthful misjudgments, grudges and disappointments doesn't even have the disciplined domestic-evil allure of a Lifetime movie.- Los Angeles Times
- Posted May 14, 2015
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Martin Tsai
Dark Star might have been more fascinating had Sallin delved deeper into his place as an artist.- Los Angeles Times
- Posted May 14, 2015
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Robert Abele
Despite the pedestrian screenplay (by Jimenez and Audrey Diwan), Dujardin and Lellouche are magnetic performers who slip easily into their antagonistic roles.- Los Angeles Times
- Posted May 14, 2015
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Reviewed by
Martin Tsai
Director Bradley King and his co-writer, B.P. Cooper, manage to overcome their shoddy premise as the plot progresses assuredly and persuasively.- Los Angeles Times
- Posted May 14, 2015
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Reviewed by
Robert Abele
Sjöberg is so enamored with the dancing and overall positivity that moves and platitudes fairly dominate, when the movie could have used more narrative cohesion and engagement with his subjects.- Los Angeles Times
- Posted May 14, 2015
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- Los Angeles Times
- Posted May 14, 2015
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Reviewed by
Michael Rechtshaffen
Groundswell Rising is an undeniably passionate but frustratingly one-sided examination of the controversial method of gas extraction.- Los Angeles Times
- Posted May 14, 2015
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Betsy Sharkey
Director Brett Haley, who co-wrote the film with Marc Basch, has managed to create a film about those final years that gets to the heart of things like loss and love without patronizing or parody. No small thing to create a movie whose cast is mostly in their 70s yet whose story is so relatable whatever your age.- Los Angeles Times
- Posted May 14, 2015
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Reviewed by
Michael Rechtshaffen
It would be hard to imagine a more entertaining corrupt-cop documentary than The Seven Five, a slick and fascinating portrait of disgraced New York policeman Michael Dowd.- Los Angeles Times
- Posted May 14, 2015
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Reviewed by
Betsy Sharkey
From the beginning, the filmmakers promise an affectionate look at the man, and in that they deliver.- Los Angeles Times
- Posted May 14, 2015
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Reviewed by
Glenn Whipp
That cost can be seen in the tight strain on Hawke's face. An actor with the gift of gab (most notably in his collaborations with Richard Linklater), Hawke here delivers a nuanced turn as a man on the threshold of emotional ruin.- Los Angeles Times
- Posted May 14, 2015
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Betsy Sharkey
The comedy choir wars are more intense, more absurd and more lowbrow fun than ever in Pitch Perfect 2. It is almost impossible not to be amused by the cutthroat world of competitive a cappella.- Los Angeles Times
- Posted May 14, 2015
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Reviewed by
Kenneth Turan
Mad Max: Fury Road will leave you speechless, which couldn't be more appropriate. Words are not really the point when it comes to dealing with this barn-burner of a post-apocalyptic extravaganza in which sizzling, unsettling images are the order of the day.- Los Angeles Times
- Posted May 14, 2015
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Michael Rechtshaffen
This energetic film satisfyingly brings viewers up to speed on Newman's remarkably enduring career detour.- Los Angeles Times
- Posted May 7, 2015
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Reviewed by
Michael Rechtshaffen
When it plays to its strengths, the film, like the band, mines pure '80s gold.- Los Angeles Times
- Posted May 7, 2015
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Reviewed by
Sheri Linden
Though the story is drawn in broad strokes and overloaded with melodrama, director Mat Whitecross' exuberant feature understands the communal joy and personal necessity of rock 'n' roll.- Los Angeles Times
- Posted May 7, 2015
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Reviewed by
Katie Walsh
This treatise on what to expect when you're not expecting offers up biting cultural satire with a hearty dose of humanity and humor to boot.- Los Angeles Times
- Posted May 7, 2015
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Robert Abele
Unless you're on this spiritually noodling movie's wavelength — an easier proposition when the great McKee is singing (she wrote the music with Akin) — this is narratively thin, tone-poem stuff- Los Angeles Times
- Posted May 7, 2015
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Reviewed by
Martin Tsai
If bare-knuckle fights are what you seek, director Ekachai Uekrongtham certainly delivers. But the film scarcely scratches the surface of the horrors of human trafficking.- Los Angeles Times
- Posted May 7, 2015
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Reviewed by
Sheri Linden
First-time director Daniel Duran, working from a screenplay by Oscar Torres that abounds in the maudlin and risible, isn't able to lift the ham-handed material to a place where it might ring true.- Los Angeles Times
- Posted May 7, 2015
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Reviewed by
Robert Abele
Where the story falters, though, the performers admirably hold one's attention.- Los Angeles Times
- Posted May 7, 2015
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Reviewed by
Gary Goldstein
What a pleasure to see a simple, finely tuned dramedy about real adults with real emotions in a real-life situation.- Los Angeles Times
- Posted May 7, 2015
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