Los Angeles Times' Scores

For 16,524 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16524 movie reviews
  1. Department Q: The Keeper of Lost Causes is a darkly compelling, skillfully crafted cold case thriller.
  2. Eventually, The Blackcoat’s Daughter connects the pieces and ends strongly, though Perkins smartly spends more creative energy on crafting creepy situations than on pointing toward the payoff.
  3. Leena Yadav’s Parched is a bright jewel of a film, surprisingly funny, fresh and upbeat in the way it takes on the complicated and often dark topic of sexual politics in rural India. T
  4. They both saw themselves, "Dying to Know" posits, as adventurers exploring alternate realities, and hearing where they ended up is a trip all by itself.
  5. Even during the gunfight, this always remains a character piece: a thoughtful, imaginative movie about stubbornly authoritarian professionals, protecting their territories.
  6. Absolutely Fabulous: The Movie is a raucously funny, often endearing, subversively feminist, bloody good time.
  7. Director Maurice Dekkers stops far short of shooting “food porn” here, instead deftly capturing the often spare beauty of Redzepi and company’s rarefied concoctions including, yes, ants on a shrimp.
  8. Although the beguiling spell begins to wear off before reaching its full two-hour length, the film’s got style for days thanks to Biller’s affection for classic — as well as not-so-classic — cinema.
  9. A chilling, surprisingly effective crime thriller.
  10. An absorbing and atmospheric entry in what we might as well term the “red snow” genre.
  11. Considering its subject often enjoys the simple wonder inherent in characters who look into the distance, Richard Linklater: Dream Is Destiny does an extra-fine job of looking back with similarly rich and appreciative curiosity.
  12. Against considerable odds, Wang managed to smuggle the various media out of China and back to her New York base where she adroitly edited it into a quietly powerful first feature about the untapped potential for bearing witness in our social media-driven society.
  13. Unlike the highly charged “Sicario” and other recent drug trade-themed movies, the film, shot in New Mexico, eschews explosive confrontations and political judgments in favor of complex, thoughtfully portrayed characters and tense, compelling situations.
  14. Lots of documentaries these days will tell you to be afraid, to be very afraid, but few will scare you as coolly and as convincingly as Command and Control.
  15. [A] richly rewarding tribute.
  16. Despite the tale’s potential for an overly broad and crass approach to its loaded setup, Branciforte’s sly, incisive writing and even-handed take on his authentic characters instead errs on the side of wit, candor and a kind of hip sophistication.
  17. As the intriguing documentary Harry Benson: Shoot First demonstrates, the fact that an art-for-art's sake modus operandi is alien to Benson makes his work and the personality and philosophy behind it more compelling than they would otherwise be.
  18. Split doesn’t just revive Shyamalan’s career; it resurrects his brand.
  19. The clips Armstrong and her team have rounded up make us appreciate how, in a whole range of situations, costumes express character.
  20. An equal-opportunity energizer, director Boyle adds zip to everything he touches, and his familiarity with the material and the characters makes it easier for him to bring even the unlikeliest moments to full life. In the world of sequels, that counts for a lot.
  21. The Tenth Man is a low-key charmer, an unlooked-for combination of Jane Austen and Isaac Bashevis Singer. With a twist of Buenos Aires thrown into the mix.
  22. Neither Heaven Nor Earth is a case of the inexplicable rendered without forced mysticism or explanation, but rather explored with a clinical dramatic focus that somehow boosts the eeriness.
  23. History is not neat and tidy, however much we wish it could be, and Olympic Pride, American Prejudice is more than adept at getting to the truth about perhaps the most mythologized event of the modern Olympic movement.
  24. Crisply and efficiently put together by writer-director Zandvliet, Land of Mine has the inherent edge-of-your-seat concern about what kind of damage the bombs will inflict on which of these boys, but it is the psychological qualities of the situation that hold the greatest interest.
  25. Had the movie been just a little more thought through, it could have been a new classic. Antibirth is still quite good, though, with memorably surreal imagery and an abrasive texture that enhances Perez’s overall vision. As a portrait of a middle America full of forgotten people and ruined civilizations, this is one of the year’s scariest movies.
  26. If there is a through line that unites all the women in Abortion: Stories Women Tell, it’s that they take the potential responsibilities of parenthood very seriously. And no matter how tough and self-reliant they are, this decision is always an impossible one, and one that the outside world's unbending attitudes do not make any easier.
  27. Dancer becomes a gentle inquiry into how a gifted performer disrupts his life in order to test his passion.
  28. The film may not be restrained but stars Taraji P. Henson, Octavia Spencer and Janelle Monáe are powerfully effective and its little-known true story is so flabbergasting that resistance is all but futile.
  29. Kiki often casts a rueful gaze, but it’s also exuberant and alive, and never despairing. It leaves you with the bracing sense that however tough and resilient its subjects might be forced to become, their hope of a better, more tolerant future will never go out of style.
  30. Equal Means Equal is a lot to process, but offers an unflinching look at the fight for equal civil rights for all.

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