Los Angeles Times' Scores

For 16,524 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16524 movie reviews
  1. Though the Meru climbing and outdoor footage is spectacular, it is the personal struggle of each of the climbers, and the candid way they talk about them on camera, that give this film its considerable impact.
  2. Small, smart and inescapably independent, People Places Things has its own offbeat and charmingly low-key way of seeing the world.
    • 69 Metascore
    • 80 Critic Score
    The movie is as entertaining as it is educational.
  3. Don't mistake a lack of flash for an absence of substance. The story told here couldn't be more significant or more timely.
  4. Maneuvering shrewdly within the boundaries of the traditional canon and aided by the impeccable performance of Ian McKellen, Bill Condon directs an elegant puzzler that presents the sage of Baker Street dealing with the one thing he's never had to contend with before: his own emotions.
  5. Whaley nicely calibrates this wistful dramedy's emotional quotient, never allowing sentiment to turn into sap.
  6. Like any good purveyor of noir, Boyle, who wrote the film with Joel Clark and Michael Lerman, understands that identifying someone is only one endgame while the mystery of identity is naggingly, tragically endless.
  7. She's Lost Control is a quiet triumph, a true herald of a distinctive and necessary voice in cinema.
  8. As a first film, it is incredibly accomplished, its influences (French New Wave, Wong Kar-Wai) apparent but integrated.
  9. An Honest Liar isn't simply a career recap or a fond portrait; the movie takes exhilarating turns as directors Justin Weinstein and Tyler Measom follow present-day developments in Randi's personal life.
  10. A delicately written, boisterously performed movie about the difficult people who dare us to care about them.
  11. Maysles' portrait of Iris Apfel, a 93-year-old self-described "geriatric starlet," is surprisingly memorable, graced with an unforced but unmistakable charm.
  12. While this buoyant account of his brief but eventful life might feel like a rock climber's "Man on a Wire," the Oscar-winning 2008 documentary about tightrope walker Philippe Petit, director Marah Strauch gives the film an exhilarating uplift of its own.
  13. Frequently laugh-out-loud funny and tangibly tender where it ought to be, the immensely satisfying screwball romp feels freshly contemporary even as it largely conforms to genre conventions.
  14. [Hancock] turns the unlikely subject of a fast-food chain into a quasi-religious satire, a parable of American striving and, ultimately, a study of artisanal integrity gradually caving in to commercial compromise.
  15. Under their all-encompassing tutelage the band originally billed as the High Numbers would go on to international renown as the Who, and the extent to which Lambert & Stamp can take credit for that transformation is thoughtfully weighed in this revealing film.
  16. Co-writer and director Maxime Giroux's Felix and Meira is an unusual love story that, though shrouded in chill and shadow, has moments of true loveliness.
  17. A strikingly poetic documentary that illustrates the push and pull of life's opposing forces.
  18. Field amazes with her gameness, range and commitment.
  19. While the filmmaker's trademark mixture of talking heads, archival footage and investigative ethos is familiar, Gibney is certainly good at what he does, and "Steve Jobs" is at its best in providing a brisk summation of the man's life. Or, more accurately, lives, for Jobs seemed to have been more people than one would have thought possible.
  20. Learning to Drive is a richly observed, crosscultural character study that coasts along pleasurably on the strengths of its virtuoso leads.
  21. With an unassuming directness, Moretti...toggles between work and life pressures in a way that finds the curious feelings and epiphanies that bind the two, and somehow give meaning to the whole dance.
  22. In its best moments, this gag-a-minute Bat-roast serves as a reminder that, in the right hands, a sharp comic scalpel can be an instrument of revelation as well as ridicule.
  23. The film is an exploration of art as a way through immense and complex emotions. It is unexpectedly a breathtaking reminder of life's joys — in nature, in friendship and, in a particularly buoyant scene, in the bark of a deceased friend's poodle.
  24. The Adderall Diaries is a complex, absorbing, at times profound look at how we choose to remember our past. Wh
  25. A compelling documentary that's short on running time but long on emotion.
  26. What a pleasure to see a simple, finely tuned dramedy about real adults with real emotions in a real-life situation.
  27. It's gritty and grim, but Animals is also a gripping portrait of young junkies in love.
  28. Irrational Man never does make sense of the inscrutable Abe, just as most people, Allen included, remain mysteries to themselves and others. This finally reveals the film to be neither comedy nor drama, but an all too human horror story where the monster is within.
  29. For a movie that all but demands that you swoon into its arms, La La Land doesn’t always seem to know exactly how to surrender to itself.

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