Los Angeles Times' Scores

For 16,524 reviews, this publication has graded:
  • 56% higher than the average critic
  • 6% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 2.3 points lower than other critics. (0-100 point scale)
Average Movie review score: 63
Highest review score: 100 Sand Storm
Lowest review score: 0 Saw VI
Score distribution:
16524 movie reviews
  1. Although their work involves interviewing eyewitnesses and gathering photographic evidence to build a case for violations of international law, the procedural stuff tells just half of E-Team's compelling story.
  2. The moral of Moana is that playing it safe can have its limits. It’s hard not to agree, even when this lovely, reassuring hug of a movie doesn’t entirely heed its own advice.
  3. Writer-director Barnaby weaves a surprising amount of tenderness into the fabric of violence, as well as a good measure of magic realism, to keep the gritty story engaging.
  4. Happy Valley is especially good at revealing a mass desire to shift blame, showing how everyone the scandal touched wanted to focus on the aspect that made them the least responsible.
  5. A seriously satisfying superhero movie, one that, rife with lines like "the stench of your fear is making my soldiers hungry," actually feels like the earnest comic books of our squandered youth.
  6. For wannabe, seasoned pro and curious observer alike, these tales from the creative front lines are, like good TV, as insightful as they are entertaining.
  7. "Antarctica" is successful because it operates on two complementary levels, the epic visuals whose grandeur can stagger you and the small-scale personal stories of the people who live and work down there.
  8. Satiric, surreal, unexpected and at times wildly funny, Zero Motivation is a savage black comedy that eviscerates an unexpected target: the Israeli army.
  9. We look to documentaries like The Invisible Front — dense with detail, straightforward in laying out the issues — to put history in perspective. And in this case to illuminate a little-known page from it.
  10. The film is anchored by two riveting performances from Castillo and Lange.
  11. A richly absorbing historical docudrama.
  12. What might seem unlikely to endure beyond standard sketch length proves surprisingly resilient in the hands of directors Clement and Waititi, the team responsible for the equally droll "Flight of the Conchords."
  13. Masterfully keying the compact performances into a striking lighting scheme that often bathes the musicians and dancers in warm golden or somber indigo hues representing the cycle of life, Saura's spare, elegant staging and the fluid, intimate cinematography by the great Vittorio Storaro ("Apocalypse Now") create an intoxicating effect.
  14. Intimate and unusual behind-the-scenes look at the creation of a ballet, it may sound rarefied but has enough moments of truth and beauty to engage general audiences.
  15. Brown spent nearly four years so that we would witness Brawner's transformation firsthand. Rather than the after-school special that this film easily could have been, we get so much more out of it.
  16. Drenched in nostalgia, this loving tribute to the unsung heroes of cinema has immense appeal.
  17. The film offers a valuable life lesson in the powers of determination and timing, but most of all it's darned entertaining.
  18. The film flirts with upper-class stereotypes, but in the nuanced writing and the work of the strong cast, led by a terrific Valeria Bruni Tedeschi, it goes far deeper.
  19. The film is as much a provocative exposé of Franklin, who awaits trial on murder charges and has proclaimed his innocence, as it is a vivid portrait of a community long plagued by drugs, crime, poverty and desperation.
  20. The combined exceptional work of star Leonardo DiCaprio and nonpareil cinematographer Emmanuel Lubezki create so much verisimilitude and beauty that it compels us to pay more attention to this glimpse of a dark, unsettling kill-or-be-killed world.
  21. PK
    A biting, whip-smart satire on the thorny subject of organized religion, the Bollywood musical "PK" enlightens and provokes through outrageous slapstick.
  22. Impressively, Gangs of Wasseypur manages its sprawling story lines deftly and maintains a brisk pace throughout its daunting length. The performances are uniformly excellent, even if no character in Part 1 is at all likable.
  23. It deals with friendship, loneliness, abandonment and forgiveness, and though its curious narrative arc means you're never sure exactly where it's going, the film works up a considerable emotional charge by the end.
  24. Grossman doesn't step back for a broader, contextualizing view of the Middle East; the film contains a single comment on the 1948 war's ramifications for displaced Palestinians. But as an oral history of the pilots' experiences, it's indispensable.
  25. The story of Captain Underpants is funny, fresh and frantic, playing with format and genre, adding meta, self-reflective winks. The film is propelled by its hyperactive energy and quirky style...and the combustible chemistry between the two leads.
  26. In a way, the movie is a tug of war between the fruits of exhaustive research into old-world madness — which plays out most prominently in the richly possessed performances (particularly Taylor-Joy and young Scrimshaw) and the evocative frontier trappings — and an entertainer's pulpier instincts.
  27. Kelly, who is credited with Stacey Miller for the screenplay, is shrewd enough to keep the movie from being a dramatized op-ed piece about betrayal, instead making roiling uncertainty, loneliness and melancholy the marquee emotions.
  28. Australian Mendelsohn (sporting a pitch-perfect American accent) and Reynolds are terrific, each wrapping himself up in the material like a well-worn favorite sweater.
  29. Directors Bryan Carberry and Clay Tweel stick with this story long enough to emotionally deepen the proceedings and show us how the struggle changes lives in profound ways no one could have anticipated.
  30. Fear of retaliation often keeps faculty and administration from speaking up for students or talking at all, and six university presidents declined to be interviewed here. If it does nothing else, The Hunting Ground should make that kind of evasion more difficult in the future.

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