L.A. Weekly's Scores

For 3,750 reviews, this publication has graded:
  • 46% higher than the average critic
  • 3% same as the average critic
  • 51% lower than the average critic
On average, this publication grades 8.7 points lower than other critics. (0-100 point scale)
Average Movie review score: 56
Highest review score: 100 A Bread Factory Part Two: Walk With Me a While
Lowest review score: 0 Deuces Wild
Score distribution:
3750 movie reviews
  1. It's a romantic comedy in which both the romance and the comedy are turned to such muted levels that any lower would require closed captioning.
  2. Notable for its power of surprise and its refusal to immediately clarify the confusion of these lost souls.
    • 82 Metascore
    • 90 Critic Score
    Cronenberg holds up a mirror, but he leaves it up to us to recoil at what we see.
  3. This is one of those rare times when a credit-heavy gathering of top film talents actually manages to produce a work of art.
  4. What's appealing about Bond is precisely its unhip classicism -- its promise of clean, crisp excitement delivered without the interference of whiplash-inducing camera pyrotechnics, attention-deficient editing patterns, gratuitous color tinting and/or ear-splitting rock ballads.
    • 83 Metascore
    • 90 Critic Score
    All this helps to shape Pálfi’s crudely bombastic but impressive philosophical view of the body as landscape and art, a source of personal discovery, wonder and annihilation.
  5. This is classical activist filmmaking of the first order, a movie with the power to turn hearts, change minds and, just maybe, right the wayward course of an entire city.
  6. Crowe has made a hugely entertaining, nearly pitch-perfect film about rock & roll.
    • 68 Metascore
    • 90 Critic Score
    Springall also deftly weaves the film's most dramatic moments with lighthearted comedy, and the result may be Mexico's best film in years.
  7. The movie survives beautifully both as an elegant thriller and as a study of the twisted infantilism that shapes the fanatic heart.
  8. In its formal daring and exquisite style, the movie is itself an act of resistance against what Godard sees as a modern triumphalist culture that turns historical truth to lies and love to images created to make money.
  9. Trueba reveals his subject organically, letting the music speak for itself.
  10. A true rarity, Murderous Maids is an intelligent, moral shocker.
    • 90 Metascore
    • 90 Critic Score
    It's our great good fortune, and Pekar's, that this movie -- which won the Grand Jury Prize at this year's Sundance Film Festival, followed by the FIPRESCI Award at Cannes -- is as true to the dyspeptic spirit of its source as anyone could have imagined.
  11. eXistenZ gives us Cronenberg at his wittiest, and Leigh at her most vulnerable and fascinating.
  12. A small masterpiece of tone and form.
  13. An exquisite metaphor for the high cost and higher returns of an enduring marriage.
    • 65 Metascore
    • 90 Critic Score
    From its riveting opening to its gripping conclusion, . . . So Goes the Nation is arguably the most intelligent, kinetic analysis of the modern election process since "The War Room."
  14. Testud, who learned to speak Japanese phonetically for the role, is nothing short of sublime, her expressive face morphing from tear-stained frustration to slaphappy delirium with the speed of lightning flashing across the Tokyo sky.
  15. Belongs to the small rank of hip-hop films that actually have something to say -- and that say it with both style and intellectual bite.
  16. Breathtaking stuff that freezes the toes, harrows the soul and turns the viewer's seat into a foot-wide ledge over a yawning chasm.
  17. Lucas is a major figure, and Revenge of the Sith may be some kind of historic achievement -- the first movie in which it is fully impossible to tell where flesh ends and digital paint begins.
  18. Where Okiura leads the art of animation into truly uncharted territory is in his character work, the precise behavioral strokes that bring people to life in two dimensions.
  19. It's all about having your intelligence -- emotional, spiritual, cerebral -- respected. Garcia does that; Place Vendôme does that.
  20. Perhaps because this is director Yoji Yamada's 77th movie, every aspect of his filmmaking is placidly assured and meaningful.
  21. A scathing, darkly funny political essay wrapped inside a tragic love story (or vice versa).
  22. Pi
    A triumph of low-end production design, shot in sizzling, solarized black and white, and driven by a propulsive, insinuating score, Pi is a horror movie that makes you think and an indie film that makes you squirm.
  23. Not only relates the astounding story of the expedition and its unimaginable hardships, it presents a thoughtful study of a time when there were adventurers who might actually respond to an advertisement reading "Men wanted for hazardous journey. Low wages, bitter cold . . ."
  24. Maddin's genius is so inescapably idiosyncratic that his work seems destined to remain a cult taste. Although Dracula won't change that, I hasten to add that this is the most inventive vampire picture of the last 80 years.
  25. The story is as wonderful in the showing as it is in the telling, by an African griot (oral historian) who stirs our tragicomic passage from birth to death, into a simple clay pot.

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