For 3,750 reviews, this publication has graded:
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46% higher than the average critic
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3% same as the average critic
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51% lower than the average critic
On average, this publication grades 8.7 points lower than other critics.
(0-100 point scale)
Average Movie review score: 56
| Highest review score: | A Bread Factory Part Two: Walk With Me a While | |
|---|---|---|
| Lowest review score: | Deuces Wild |
Score distribution:
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Positive: 1,540 out of 3750
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Mixed: 1,542 out of 3750
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Negative: 668 out of 3750
3750
movie
reviews
- By Date
- By Critic Score
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- L.A. Weekly
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Reviewed by
Scott Foundas
One of the year's most imaginative and uniquely exciting pieces of cinema.- L.A. Weekly
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- Critic Score
Zodiac may be the perfect meeting of filmmaker and subject Â-- an obsessive's portrait of obsession that is, finally, a monument to irresolution.- L.A. Weekly
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Reviewed by
Ella Taylor
Terrifically entertaining specimen of Spielbergian sci-fi, incomparably better than "A.I." and as dark a movie as the director has made since "Schindler's List."- L.A. Weekly
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Reviewed by
Chuck Wilson
There's no denying the overwhelming force of the giant IMAX screen, as we're reminded that each of us is the coolest special effect ever.- L.A. Weekly
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Ella Taylor
This loving throwback to the paranoid thrillers of the ’70s is a beauty.- L.A. Weekly
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Hazel-Dawn Dumpert
Both visually and emotionally, a panoramic picture; Mehta wields a master's hand as she weaves together vistas of urban and pastoral India with thoughts on the nature of man as it keeps cycling out in the specifics of history.- L.A. Weekly
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I urge you to see the ineffably beautiful Three Times however you can, lest you go on thinking that Hou's greatness is merely the supposition of obscurantist critics intent on reserving their highest praise for those films that nobody else can actually see.- L.A. Weekly
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- L.A. Weekly
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Reviewed by
Hazel-Dawn Dumpert
That nothing more monumental than an everyday life has occurred to any of the subjects is perhaps the film's most compelling aspect.- L.A. Weekly
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Reviewed by
Chuck Wilson
The superb ensemble never plays for sympathy, and the movie isn't as depressing as it may sound. Its hushed, contemplative quality is oddly affecting.- L.A. Weekly
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Reviewed by
Scott Foundas
Tim Burton has taken a hallowed classic of the modern musical theater, hemmed in the narrative from well over two hours to well under, cast confessed nonsingers in the principal roles, and somehow managed to make something magical out of it- L.A. Weekly
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Reviewed by
Scott Foundas
Quite possibly the most buoyant, exuberant film ever made on such an unpleasant topic.- L.A. Weekly
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- L.A. Weekly
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Reviewed by
John Patterson
Very much a fully realized cinematic experience. John Turturro, even if you have to act less, be sure to direct more, and often.- L.A. Weekly
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Manohla Dargis
It is undeniable in its poignancy, an ecstatic vision of what might have been, though as much for its story as for the fact that the whole thing dissolves like a paper fan in rain, an evanescent masterwork.- L.A. Weekly
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The Coens have resurrected a hardscrabble California of wooden porches and gravel driveways, of rolling, oak-wreathed hills and one-lane roads, and of a restless people whose meager dreams are wrecked the moment money, sex or a bottle get in the way. Never has the past seemed so familiar.- L.A. Weekly
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- L.A. Weekly
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Reviewed by
Paul Malcolm
The first REALLY great mythic film of the summer has arrived.- L.A. Weekly
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Reviewed by
John Patterson
The inventive, often comically horrible fight set pieces will have you standing on your seat cheering like a Viking, and the result is a supremely kinetic and amusing guilty pleasure.- L.A. Weekly
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Ella Taylor
Deliciously wicked, strangely poetic portrait (adapted by Patrick McGrath from his own novel) of a schizophrenic man at once tyrannized and elevated by oedipal terrors.- L.A. Weekly
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Scott Foundas
Sketches was produced for PBS's American Masters series, but it's in theaters now and deserves to be seen on the largest possible screen.- L.A. Weekly
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Reviewed by
Chuck Wilson
While Parker and co-writer Catherine di Napoli are faithful to Melville’s plotline, they and a fully engaged supporting cast — have made the old boy's characters more quick-witted than any English Lit major would have thought possible.- L.A. Weekly
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Reviewed by
F. X. Feeney
The alchemy of good acting under the pressure of sublime film sense makes for a miracle in the hearts of the audience.- L.A. Weekly
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Hazel-Dawn Dumpert
Heartwarming here relies less on forced air than on Petter Næss’ delicate, clever direction -- and a wonderful, imaginative script by Axel Hellstenius.- L.A. Weekly
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Ella Taylor
Powerfully enigmatic study of the fundamental opacity of human relations.- L.A. Weekly
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Ernest Hardy
Victor Vargas has the look and feel of a neo-realist masterpiece, yet captures New York with a burnished authenticity not seen since the glory days of ’70s American cinema.- L.A. Weekly
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Reviewed by
Ella Taylor
Unfolds with such leisurely, terrible beauty, it takes a while to realize that what we are witnessing is the children's long slide into beggary, exacerbated by the slow torture of faint hope.- L.A. Weekly
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Reviewed by
Ella Taylor
Though Kippur seems a creature radically different -- more nakedly autobiographical, more naturalistic, more forgiving -- from Gitai's highly conceptual and stylized body of work, there are clear thematic continuities.- L.A. Weekly
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Reviewed by
Scott Foundas
Bujalski takes a sledgehammer to the carefully ordered surfaces and dramatic conventions of narrative cinema, favoring instead an unpredictability in which the crosscurrents of quotidian life collide on the screen in a series of brilliantly alive patterns.- L.A. Weekly
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Reviewed by