For 3,750 reviews, this publication has graded:
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46% higher than the average critic
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3% same as the average critic
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51% lower than the average critic
On average, this publication grades 8.7 points lower than other critics.
(0-100 point scale)
Average Movie review score: 56
| Highest review score: | A Bread Factory Part Two: Walk With Me a While | |
|---|---|---|
| Lowest review score: | Deuces Wild |
Score distribution:
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Positive: 1,540 out of 3750
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Mixed: 1,542 out of 3750
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Negative: 668 out of 3750
3750
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Manohla Dargis
The film's strength and its entertainment lie in John Myhre's production design, its generally appealing cast...and, perhaps most importantly, a canny degree of self-parody.- L.A. Weekly
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- L.A. Weekly
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Reviewed by
Ella Taylor
The true mystery is the journey itself, which will turn out to be one of the most spiritually enervating, and elevating, Outward Bound courses ever undertaken.- L.A. Weekly
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Reviewed by
Ella Taylor
A humane and precociously wise documentary by the young Los Angeles director Amir Bar-Lev.- L.A. Weekly
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Reviewed by
Robert Abele
Can now be appreciated not just as a minor classic of tragic destruction, but also as a somber exploration of conflicted postwar emotions.- L.A. Weekly
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Ella Taylor
What makes The Sea Inside such a riveting drama is that none of these relationships is sufficient to make Ramón want to go on living.- L.A. Weekly
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- L.A. Weekly
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Reviewed by
Scott Foundas
For those of us who find Lelouch an unbreakable habit -- the guiltiest of guilty pleasures -- watching And Now Ladies & Gentlemen comes close to sheer moviegoing bliss.- L.A. Weekly
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Reviewed by
Ella Taylor
And like all great family sagas, The Best of Youth, while tipping its hat to the painful confusion of living life forward, reels it backward to give it the thrilling significance of time and place.- L.A. Weekly
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Reviewed by
F. X. Feeney
We never seem to be looking at actors, but at people; never at scenes, but at life unrehearsed.- L.A. Weekly
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Chuck Wilson
The last-minute details of plot can't compete with the frightening intensity of Kiberlain's and Garcia's performances, which trace, with brilliant precision, the exhausting mix of brutality and grace inherent in the mother-daughter relationship.- L.A. Weekly
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Scott Foundas
The Last Winter won’t win many fans among those who place the saving of union jobs above the repairing of the ozone layer. But this is a horror movie with many inconvenient truths to tell about the ways in which we are willingly destroying our planet.- L.A. Weekly
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Scott Foundas
The comic, tragic and monumentally beautiful new film by writer-director Jia Zhangke (Platform).- L.A. Weekly
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- L.A. Weekly
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Reviewed by
Ella Taylor
The movie's strength lies in its portrayal of a many-sided genius, as manipulative as he was charming and persuasive, monomaniacal to a fault, generous and sweet yet utterly clueless about the emotional havoc he wrought in the name of science.- L.A. Weekly
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Reviewed by
Ella Taylor
The best of the Harry Potter films so far, Harry Potter and the Prisoner of Azkaban is also hands down the scariest, and the deepest.- L.A. Weekly
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Ella Taylor
Like "The Pianist," Fateless painstakingly builds up the reality of what it is like to be drawn into a perfectly arbitrary hell you can neither comprehend nor rationalize.- L.A. Weekly
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Ella Taylor
Venus may be a leering male fantasy, but it is also, improbably but persuasively, a love story as tender as it is transgressive. It's a wry celebration of the tyranny of beauty, and the tragicomic way in which desire outruns the betrayals of dying flesh.- L.A. Weekly
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- L.A. Weekly
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Ella Taylor
Another soulful gem from the peerless Japanese animator Hayao Miyazaki.- L.A. Weekly
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Reviewed by
Scott Foundas
Fiercely intelligent, terrifying and absurdly funny documentary.- L.A. Weekly
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Reviewed by
Ella Taylor
The kind of small film -- morally ambiguous, graceful in its admission of imperfect knowledge, at once specific and universal -- that expands our understanding of the emotional economy of family life, with its ebb and flow of love and hostility, secrecy and egregious candor. You must see this film.- L.A. Weekly
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- Critic Score
The film's extraordinary shifts from windswept sorrow (Mahmut watching from a distance as his ex-wife departs Istanbul for a new life in Canada) to deadpan comedy (the cousins' carefully engineered capture of a household rodent) are uniquely, triumphantly their maker's own.- L.A. Weekly
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Reviewed by
Ella Taylor
Not a campy movie. True, it has its ironies, but though you can read it ironically if you wish, Haynes' triumph is that it also plays beautifully straight.- L.A. Weekly
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Ernest Hardy
A dark, biting comedy-- funny, smart and full of unpredictable twist and turns.- L.A. Weekly
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- L.A. Weekly
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Reviewed by
Manohla Dargis
This unassuming, insistently entertaining documentary has the virtue of a great subject.- L.A. Weekly
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Ella Taylor
Personally, I wouldn’t take a toddler (unless he was the son of Tarantino) to this intermittently, legitimately terrifying tale of a boy and his Loch Ness monster. But everyone else should blow off "Alvin and the Chipmunks" and show up for the best kiddie picture of the season -- and, along with "Ratatouille," of the year.- L.A. Weekly
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Reviewed by
Ella Taylor
Caouette lifts his story clear out of the victimized whine that bogs down so many confessional memoirs and offers the viewer instead an intimate look inside his ravaged yet loving head, at once street-smart and haloed by the naiveté of a young saint.- L.A. Weekly
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Reviewed by
Ernest Hardy
A smart, seamless commentary on race, class and the expectations (or lack of) that are often attached to them. Kennedy is helped greatly by deep currents of heart and humor that pull you into the unfolding tale, and to the edge of your seat as the countdown to opening night begins.- L.A. Weekly
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