It's difficult not to have the feeling of playing something incomplete and sloppy which ultimately, despite some good ideas, does not honor the big names in the horror world from which it is inspired.

Electronic Arts has basically published FIFA 19 on Switch, labelling it FIFA 20. FIFA 19 can be bought at a much cheaper price and offers the same content.

If you don't get fooled by the artificial increase in playtime caused by the multiplicity of modes and resources, you will quickly get bored.

A nice hide and seek concept that deserved inspired gameplay and some more polished graphics assets.

Trying something new doesn’t mean you’re necessarily doing something good. Behold The Quiet Man, who dares concern the topic of mutism. But despite its neo-noir atmosphere, The Quiet Man fails to draw attention.

Trying something new doesn’t mean you’re necessarily doing something good. Behold The Quiet Man, who dares concern the topic of mutism. But despite its neo-noir atmosphere, The Quiet Man fails to draw attention.

Quotation forthcoming.

Quotation forthcoming.

Quotation forthcoming.

Instead of being a true fun and accessible Mario Party-like game, Frantics remains an inconclusive attempt to make us laugh. Correction. We laugh, but at the game, not with it.

Less fun than Maison du Style, less educational than Young Stylist, Fashion Dreamer has everything to envy of its predecessors due to far too poor content and ultra-limited fun. If tirelessly offering outfits to NPCs and players without benefiting from any story input or real game objectives is enough for you, the experience may be right for you. For our part, we mainly remember a dressing game without much effort and above all extremely repetitive. In short, clearly one of the worst Nintendo Switch exclusives of the year.

One Piece: Grand Cruise is certainly a pretty game, but there’s nothing much to do in its big world. Nothing fun, in any case. It’s a boring, short and annoying game that hurts the One Piece franchise.

Quotation forthcoming.

TheNightfall is a low-budget game and only 5 minutes playing it is enough to understand that fact. Despite some nice puzzles and good sound-design, TheNightFall is technically outdated, repetitive and boring.

Quotation forthcoming.

Lost on Mars is simply a bad DLC. The weapons feel weak and generical, the fighting is dull and repetitive… Worse, the dialogue is terribly clumsy.

For this Switch version, Rollercoaster Tycoon has forgot everything that was important in the franchise: customization and management are as weak as the framerate on big parks and the interface isn’t user-friendly at all.

Lost on Mars is simply a bad DLC. The weapons feel weak and generical, the fighting is dull and repetitive… Worse, the dialogue is terribly clumsy.

Lost on Mars is simply a bad DLC. The weapons feel weak and generical, the fighting is dull and repetitive… Worse, the dialogue is terribly clumsy.

Poor production, so-so gameplay. No matter how you look at it, Castle of Heart is as dull as a generic sword sold by a random blacksmith.

An Action-RPG set in a gothic-fantasy-punk universe starring werewolves that tackles contemporary themes such as ecology was appealing, but Werewolf: The Apocalypse - Earthblood fails everything it does. Both technically and playfully, Cyanide's game is a real disappointment. The adventure is repetitive, the gameplay uninspired, the narrative reduced to its simplest form, and the execution antiquated. Only the soundtrack and the clashes between lycanthropes save this once-mythical creature from complete sinking.

If the game remains relatively playable in its scripted sequences, with a few hiccups here and there, the exploration in the open world is often laborious, even sometimes unplayable. Textures that don't display or are runny, pronounced aliasing, low definition, overdue framerate, freezes, lagging interface, crash ... these Fat versions are a striking proof that Cyberpunk 2077 should have never been anything but a next-gen game.

An Action-RPG set in a gothic-fantasy-punk universe starring werewolves that tackles contemporary themes such as ecology was appealing, but Werewolf: The Apocalypse - Earthblood fails everything it does. Both technically and playfully, Cyanide's game is a real disappointment. The adventure is repetitive, the gameplay uninspired, the narrative reduced to its simplest form, and the execution antiquated. Only the soundtrack and the clashes between lycanthropes save this once-mythical creature from complete sinking.

If the game remains relatively playable in its scripted sequences, with a few hiccups here and there, the exploration in the open world is often laborious, even sometimes unplayable. Textures that don't display or are runny, pronounced aliasing, low definition, overdue framerate, freezes, lagging interface, crash ... these Fat versions are a striking proof that Cyberpunk 2077 should have never been anything but a next-gen game.

An Action-RPG set in a gothic-fantasy-punk universe starring werewolves that tackles contemporary themes such as ecology was appealing, but Werewolf: The Apocalypse - Earthblood fails everything it does. Both technically and playfully, Cyanide's game is a real disappointment. The adventure is repetitive, the gameplay uninspired, the narrative reduced to its simplest form, and the execution antiquated. Only the soundtrack and the clashes between lycanthropes save this once-mythical creature from complete sinking.

Playing Zoro is nice and all but 90% of the content come from the original game, and it doesn’t have anything interesting to tell. If The Void Mirror Prototype fills some holes, it still feels empty.

Playing Zoro is nice and all but 90% of the content come from the original game, and it doesn’t have anything interesting to tell. If The Void Mirror Prototype fills some holes, it still feels empty.

Playing Zoro is nice and all but 90% of the content come from the original game, and it doesn’t have anything interesting to tell. If The Void Mirror Prototype fills some holes, it still feels empty.