For 5,171 reviews, this publication has graded:
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59% higher than the average critic
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3% same as the average critic
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38% lower than the average critic
On average, this publication grades 4.5 points higher than other critics.
(0-100 point scale)
Average Movie review score: 69
| Highest review score: | The Only Living Pickpocket in New York | |
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| Lowest review score: | Pixels |
Score distribution:
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Positive: 3,572 out of 5171
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Mixed: 1,333 out of 5171
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Negative: 266 out of 5171
5171
movie
reviews
- By Date
- By Critic Score
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Reviewed by
Eric Kohn
Gyllenhaal's alarmingly effective presence is enough to act circles around the soapy narrative of a fallen athlete's comeback so tightly that it crumbles in the very first act.- IndieWire
- Posted Jul 21, 2015
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Reviewed by
Eric Kohn
Gabriel never entirely compliments its eponymous subject with a story that can match his erratic mentality, but Howe's restrained approach is refreshingly unsentimental, never once creating the possibility of an easy resolution to the situation.- IndieWire
- Posted Jul 9, 2015
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Edited by writer-director Levin, Runoff is the kind of film that finds power and pleasure in silence; many of its best scenes come in careful, long, quiet scenes of revelation or desperation.- IndieWire
- Posted Jul 8, 2015
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Reviewed by
Eric Kohn
With time, the filmmaker achieves a small miracle by stringing together the movie's concise segments into an emotional whole.- IndieWire
- Posted Jul 7, 2015
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Reviewed by
Eric Kohn
This is an idea familiar to anyone who has waded through Bigelow's universe of conspiratorial agendas in which no good deed goes unpunished, and might not be a good deed at all. Cartel Land plants that dilemma in our backyard, and ends with the tangible perception that it won't go away anytime soon.- IndieWire
- Posted Jul 6, 2015
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Reviewed by
Eric Kohn
Magic Mike XXL keeps its aspirations low enough to satisfy only the simplest of expectations; at the end of the day, it's just another party, but sometimes a party is just good enough.- IndieWire
- Posted Jun 29, 2015
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Reviewed by
Eric Kohn
While not aspiring to the heights of the texts underscoring his work, Piñero displays a daring formalism that transcends its many inspirations to find its own unique rhythms.- IndieWire
- Posted Jun 22, 2015
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Reviewed by
Eric Kohn
Pull back from the moment-to-moment thrill of Inside Out and it gets very deep: The scenario implicitly questions standard definitions of free will by suggesting that we're all slaves to ghosts in the machine.- IndieWire
- Posted Jun 16, 2015
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Trevorrow, like so many directors given the responsibility of delivering a straightforward blockbuster designed to satisfy bottom-line expectations, struggles to find the balance between silly and serious.- IndieWire
- Posted Jun 10, 2015
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Reviewed by
Eric Kohn
As with every beautiful, unearthly segment of "Pigeon," the only certainty is life's endlessly puzzling nature.- IndieWire
- Posted Jun 2, 2015
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Liz Shannon Miller
The film's primary delights are found in either fleeting moments of comedy or Jeremy Piven continuing to crush the role he was born to play -- pure raging id coupled with enough human decency to make him... perhaps not likable, but watchable, for sure.- IndieWire
- Posted Jun 1, 2015
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Equally hobbled by an amateurish script and vaguely defined characters, the movie's long list of mediocrities have an anonymous quality, as though the director has been completely reborn as a hack.- IndieWire
- Posted May 28, 2015
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- Critic Score
Strauch creates enormous drama from the clips at her disposal — not just the Boenish material, but movie clips and found footage, all of which is deftly handled.- IndieWire
- Posted May 27, 2015
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Reviewed by
Eric Kohn
A remarkable refashioning of the Holocaust drama that reignites the setting with extraordinary immediacy, Son of Saul is both terrifying to watch and too gripping in its moment-to-moment to look away.- IndieWire
- Posted May 24, 2015
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This particular tale of sound and fury signifies more than nothing, but only just.- IndieWire
- Posted May 24, 2015
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Reviewed by
Eric Kohn
Maïwenn's evidently tight control over her performances once again shows its strength within the context of individual scenes, where the characters' attitudes often convincingly shift from blithe to furious in a matter of minutes. But the overall arc of their developing relationship fails to convince.- IndieWire
- Posted May 23, 2015
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Reviewed by
Eric Kohn
Not even Matthew McConaughey can sustain the mushy, amateurish story, which digs itself a deeper hole as it moves along. The established talents of both director and star only serve to magnify the many wrong moves that this stunning misfire takes.- IndieWire
- Posted May 23, 2015
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Eric Kohn
Though Villeneuve magnifies the pervasive dread surrounding the modern drug war, he's better at conveying the thrill of creeping through that battlefield than the complex set of interests sustaining it.- IndieWire
- Posted May 23, 2015
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Reviewed by
Eric Kohn
With each new twist, Sorrentino is always one step ahead of his audience, building a narrative that skips along at an enthralling pace.- IndieWire
- Posted May 23, 2015
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Eric Kohn
Portman's screenplay shortchanges the dramatic potential of the material in favor of a by-the-numbers period piece.- IndieWire
- Posted May 22, 2015
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- IndieWire
- Posted May 22, 2015
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Reviewed by
Eric Kohn
Love plays out like the fragmented outline for a more engaging movie. But the one found here lacks substance both on the level of story and graphic reveals.- IndieWire
- Posted May 21, 2015
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Reviewed by
Eric Kohn
Dancing around melodrama rather than confronting it head-on, Uncertain Terms hides its revelations in the textures of each scene. It places drama in the context of everyday life.- IndieWire
- Posted May 21, 2015
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Reviewed by
Eric Kohn
An alternately wise, melancholic and good-humored look at people surrounded by support but nonetheless alienated by their incapacity to confront their problems.- IndieWire
- Posted May 20, 2015
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Reviewed by
Eric Kohn
With its luscious 35mm photography and playful depiction of passionate lovers reaching a breaking point, the swift 72-minute drama delivers a satisfying riff on moody, intimate material Garrel has mined to richer effect many times before.- IndieWire
- Posted May 20, 2015
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Littered with clever dialogue, a beautifully constructed narrative, as well as moments that shift between the energizing and sheer terror, there are a slew of endearing qualities worth sifting through.- IndieWire
- Posted May 20, 2015
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- Critic Score
The Human Centipede III (Final Sequence) is just as repulsive, but far louder, and in color.- IndieWire
- Posted May 19, 2015
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Reviewed by
Eric Kohn
Although wobbly in parts like so many cinematic anthologies, Garrone's alternately silly and entrancing adaptation of Giambattista Basile's Neapolitan stories provides a welcome gothic antidote to more stately treatments of similar material.- IndieWire
- Posted May 18, 2015
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Reviewed by
Eric Kohn
A nuanced tale of mutual attraction that reflects a filmmaker and cast operating at the height of their powers, rendering complex circumstances in strikingly personal terms.- IndieWire
- Posted May 18, 2015
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Bird has crafted a gorgeous world rife with creativity and inventive images. A Spielbergian sense of candid awe and wonder permeates each scene with a nostalgic edge.- IndieWire
- Posted May 17, 2015
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