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For 5,171 reviews, this publication has graded:
  • 59% higher than the average critic
  • 3% same as the average critic
  • 38% lower than the average critic
On average, this publication grades 4.5 points higher than other critics. (0-100 point scale)
Average Movie review score: 69
Highest review score: 100 The Only Living Pickpocket in New York
Lowest review score: 0 Pixels
Score distribution:
  1. Positive: 3,572 out of 5171
  2. Mixed: 1,333 out of 5171
  3. Negative: 266 out of 5171
5171 movie reviews
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  1. I Am Michael
    Anchored by a remarkably convincing performance by James Franco in the lead role, I Am Michael manages to explore Glatze's story without condemning him, even as it foregrounds the troubling nature of his path.
    • 72 Metascore
    • 67 Critic Score
    Dope
    Dope provokes a discussion about the dichotomy between societal expectations of the race-defined self, as well as the democratic American right to be who you want to be — but it's an unfocused and tangential one, limited by the trappings of comedy and the flash of the hip-hop aesthetic.
  3. James White
    Despite the cerebral formalism that pushes it forward, Mond has made a genuine tearjerker.
  4. The Duke of Burgundy
    Strickland generates a discomfiting quality that keeps the mystery of his world in play. Above all else, he taps into the intangible elements of sexual attraction by bathing them in ambiguities.
  5. The Witch
    The Witch becomes a focused portrait of fixed rituals crumbling in the face of inexplicable forces, evoking the fear of change lurking in the shadows at every moment. Despite the setting, its scares are uniquely contemporary.
  6. The Diary of a Teenage Girl
    As told through Heller’s acutely sensitive vision, the result is less off-putting and more of an authentic insight into a perspective grossly underrepresented in American cinema.
    • 44 Metascore
    • 25 Critic Score
    The Bronze
    For a comedy of such misjudged tones, Rauch is best when she plays up Hope's dramatic tendencies rather than her comedic side.
    • 78 Metascore
    • 83 Critic Score
    Ex Machina
    The director ensures this chamber piece of moral conundrums never seems too heavy-handed; his fluids camera roams through each room so that at no time does the theatrical set-up feel like a limitation.
  9. It's All So Quiet
    Stillness dominates, from the first shots of cornfields at sunrise to the final one that finds Helmer lying among them. When "It's All So Quiet" comes full circle, the title is virtually an understatement.
  10. When Evening Falls on Bucharest or Metabolism
    Metabolism contains enough moments that reward patience to balance off the eventual teetering off of its strengths.
  11. Appropriate Behavior
    Appropriate Behavior isn’t a narrative about ethnicity or even LGBT struggles in the traditional sense, but rather a means of exploring the problems that result from reinforcing those very barriers. In the process, it introduces a thoroughly modern voice.
  12. Tales of the Grim Sleeper
    Tales from the Grim Sleeper concludes by offering up the haunting possibility that even if the killer has been caught, the systemic failures that let him get away with it for so long remain firmly in place.
    • 56 Metascore
    • 91 Critic Score
    Little Accidents
    Little Accidents takes its time, but Holbrook’s confident performance makes his story riveting throughout, reflecting both the gravity of his situation and the enormous consequences his choice will have on the entire town — certain individuals in particular.
    • 66 Metascore
    • 83 Critic Score
    An Open Secret
    An Open Secret is an incisive and utterly unflinching look at a subject too rarely scrutinized.
  15. Dying of the Light
    While its bleak assessment of American intelligence operatives imbues the story with some modicum of topicality, the specifics never keep pace. The movie becomes a bland action-drama lacking the sophistication to deal with its weightier themes. As a promising endeavor hacked to pieces, the movie's fate mirrors its anti-hero's own failed ambition.
  16. Unbroken
    Jolie keeps the narrative afloat thanks to first-rate craftsmanship, a few well-honed moments of bonafide suspense, and a terrifically restrained Jack O'Connell in the lead role. While it only hints at the sweeping epic that never fully materializes, Unbroken offers further proof that Jolie's directorial instincts pass muster alongside her other talents.
  17. Exodus: Gods and Kings
    Exodus: Gods and Kings illustrates a typical contradiction of commercial entertainment: By playing it safe, the movie fails to enrich the material, and never captures the energy that has made its narrative so captivating for millennia.
  18. Horse Money
    A rich, almost impermeably strange example of Costa's slow-burn approach to abstract storytelling, Horse Money is more subdued and cryptic than its predecessors, to the point where it might be more appropriately described as a cinematic tone poem.
    • 71 Metascore
    • 75 Critic Score
    Remote Area Medical
    Remote Area Medical lays bare the injustice of a system that fails to provide for those who need it most.
  20. Virunga
    Ever as it casts their future prospects in doubt, Virunga concludes by envying the apes’ perspective most of all.
  21. Little Feet
    There and gone with the fleeting nature of its youngest character's attention span, Little Feet ultimately feels more like an insightful sketch than a full-fledged movie, but it nonetheless leaves a major impression.
  22. Story of My Death
    Serra's typically cerebral direction has a more vibrant quality due to the clarity of his images, though certain drawn-out sequences have an alienating effect on the drama. Still, Story of My Death manages to connect its profound aims with a devious atmosphere to match the turn of the century backdrop.
  23. Merchants of Doubt
    Part of the problem with Merchants of Doubt is also part of its own argument: You can't reason someone out of a position they didn't reason themselves into, and a dispiriting number of people are less interested in facts than they are in confirming their own biases.
  24. Big Eyes
    A well-intentioned and resolutely minor period drama, "Big Eyes" isn't exactly a catastrophe, but its bland depiction of a fascinating story perhaps better served by the documentary treatment shows no evidence of the visionary creator behind the camera.
    • 52 Metascore
    • 100 Critic Score
    We Are the Giant
    It turns material that could have resulted in a sporadic narrative into a profound statement that the Arab Spring is a continuation of humanity's constant efforts to make a better, more just world.
  26. American Sniper
    Propulsive battle sequences in which sandstorms make the fog of war quite literal are the ostensible focus of American Sniper, but the real tension comes from our anticipation of how they'll affect the life this sharpshooter is reluctant to return to until he feels he's done everything he possibly can.
  27. The Gambler
    For all the hundreds of thousands of dollars being thrown around, The Gambler is much closer to a friendly game of poker with some loquacious, quick-witted friends than a glimpse at the gambling world’s dark underbelly. Neither is it a preachy moral tale.
  28. Before I Disappear
    Before I Disappear features several moments of genuine emotion in an otherwise underwhelming plot involving the main character coming out of his shell. It's a heartfelt journey, but we've seen it before, without the excess distractions.
  29. Thou Wast Mild and Lovely
    Decker's narrative work practically celebrates a willingness to follow outright silly pathways in order to arrive at unsettling results.
  30. A Most Violent Year
    The filmmaker is ultimately better at constructing nuanced environments and troubled figures than making every piece of the equation gel as a whole. But that's a minor issue in the overall tapestry of Chandor's carefully designed world.
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