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For 1,750 reviews, this publication has graded:
  • 68% higher than the average critic
  • 4% same as the average critic
  • 28% lower than the average critic
On average, this publication grades 2.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 The Dark Knight
Lowest review score: 19 Leatherface
Score distribution:
  1. Positive: 1,089 out of 1750
  2. Mixed: 587 out of 1750
  3. Negative: 74 out of 1750
1750 movie reviews
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  1. The Nut Job 2: Nutty by Nature
    The Nut Job 2 is one of those rare examples in which the sequel is technically better than the original, but it’s still not a compliment.
  2. Ingrid Goes West
    The film manages to look at its characters with empathy and understanding, while simultaneously refusing to endorse their actions. And because of that, Matt Spicer’s directorial debut proves to be one of the more successful takes on the social media generation to hit the silver screen.
  3. The Hitman's Bodyguard
    The film knows what it is, and lives in its ridiculous skin with an infectious, gleeful attitude. Unfortunately, The Hitman’s Bodyguard also doesn’t know when to say goodbye, and as a result, overstays it’s welcome.
    • 93 Metascore
    • 100 Critic Score
    Inside Llewyn Davis
    The times they are a-changin’ but the Coens keep bringing the hits back home. A masterpiece.
  5. An Inconvenient Sequel: Truth to Power
    While not as powerful as its predecessor, An Inconvenient Sequel: Truth to Power is a compelling documentary.
  6. Detroit
    Kathryn Bigelow's new docudrama Detroit emphasizes immediacy and brutality over historical context.
    • 34 Metascore
    • 50 Critic Score
    The Dark Tower
    The Dark Tower is a thoroughly average take on some truly incredible source material. While the fantastic leads do the best with what they’re given, it’s ultimately not enough to compensate for a lack of time spent building characters and their motivations in the script.
  8. Logan Lucky
    With his latest directorial effort, Soderbergh has made a film that not only constantly pokes fun at its own characters and their lives, but finds a way to imbue each of them with a soul and heart along the way.
  9. The Emoji Movie
    Despite the talents and charisma of its voice cast, The Emoji Movie fails to deliver on any of its intended messages or themes, with a final act that goes back on everything it had originally been trying to say.
    • 59 Metascore
    • 60 Critic Score
    Killing Ground
    Killing Ground is a well-made movie that, at times, is just too plain ugly. It may be mild compared to other “torture porn,” but it still won’t sit very well with everyone who watches it.
    • 43 Metascore
    • 70 Critic Score
    Death Note
    What’s frustrating is that with better lead performers and a tighter script, Wingard could have made a great adaptation. Instead it settles when it should have soared.
  12. Atomic Blonde
    Atomic Blonde is one of the best action films of the year.
    • 94 Metascore
    • 95 Critic Score
    Dunkirk
    Dunkirk is a monumental, unconventional, and frequently stunning war movie.
  14. Valerian and the City of a Thousand Planets
    Valerian and the City of a Thousand Planets showcases plenty of cool creatures and ideas for sci-fi fans to savor, but if only the movie's central characters and their relationship were as exciting and interesting as all that impressive eye candy.
  15. Wish Upon
    Wish Upon is the successor to the Final Destination franchise that no one asked for.
  16. The Big Sick
    Kumail Nanjiani and Emily V. Gordon have told their own story in a funny, highly engaging way that doesn’t feel precious or sanitized, but instead is relatable and engrossing from start to finish. And you’ll laugh a hell of a lot.
    • 30 Metascore
    • 80 Critic Score
    The House
    The House isn’t quite another Will Ferrell classic but it’s a solid comedy offering that’s well put together and very funny. It’s as smart as it is stupid, it’s very entertaining, it delivers on what you’d expect it to and holds a few neat surprises.
  18. The Little Hours
    The Little Hours is an enjoyable comedy that wears a little too thin by the time it’s over.
  19. Spider-Man: Homecoming
    Spider-Man: Homecoming is sweet, witty, and fast-moving fun.
  20. Officer Downe
    Officer Downe has nearly every element it needs to be an over-the-top, gross-out, truly funny, deeply weird, comic book adaptation, and some driving music to boot. These disparate elements, however, never jell into a single whole.
    • 28 Metascore
    • 50 Critic Score
    Survivor
    The film is particularly disappointing as McTeigue also directed V for Vendetta, a much sharper, much more intriguing, much more thought-provoking look at our post-9/11 world.
  22. V/H/S: Viral
    The fact that V/H/S Viral frequently substitutes laughs for scares means that the film will disappoint hardcore fright fans. But if you like your horror mixed with laughs, this anthology threequel is a blast.
  23. Despicable Me 3
    Thanks to the charming nature of the characters and their genuine good heartedness, Despicable Me 3 manages to be an entertaining enough film to feel like a decent continuation of the previous two chapters.
  24. The Beguiled
    It may not be Coppola’s most thought-provoking or emotional outing to date, but it’s a chilling and stunningly well-made one nonetheless.
    • 86 Metascore
    • 85 Critic Score
    Baby Driver
    Even though the story isn't as impactful as its stylized packaging, Wright creates a delightful new film that is sure to satisfy his legions of fans.
  26. War for the Planet of the Apes
    War for the Planet of the Apes is an excellent closing act to this rebooted trilogy, but also one that does enough world-building that the series can potentially continue from here – and it’s a rare case where, after three movies, we’re left wanting more.
  27. Transformers: The Last Knight
    The Last Knight is the loudest and most explosively dull installment yet.
  28. Annabelle: Creation
    Annabelle: Creation is the rare horror sequel that improves upon the original, featuring more engaging protagonists and a far less problematic ending.
  29. 47 Meters Down
    There are a few occasionally effective scares along the way, but the cliched characters and downright idiotic motivations make 47 Meters Below sink before it even has the chance to swim.
  30. Rough Night
    Rough Night is a movie that, perhaps, is a lot like one of these parties – it manages to be remembered not as the best time ever, but fondly.
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