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For 1,735 reviews, this publication has graded:
  • 69% higher than the average critic
  • 4% same as the average critic
  • 27% lower than the average critic
On average, this publication grades 3 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 The Dark Knight
Lowest review score: 19 Leatherface
Score distribution:
  1. Positive: 1,077 out of 1735
  2. Mixed: 584 out of 1735
  3. Negative: 74 out of 1735
1735 movie reviews
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    • 30 Metascore
    • 80 Critic Score
    The House
    The House isn’t quite another Will Ferrell classic but it’s a solid comedy offering that’s well put together and very funny. It’s as smart as it is stupid, it’s very entertaining, it delivers on what you’d expect it to and holds a few neat surprises.
  2. The Little Hours
    The Little Hours is an enjoyable comedy that wears a little too thin by the time it’s over.
  3. Spider-Man: Homecoming
    Spider-Man: Homecoming is sweet, witty, and fast-moving fun.
  4. Officer Downe
    Officer Downe has nearly every element it needs to be an over-the-top, gross-out, truly funny, deeply weird, comic book adaptation, and some driving music to boot. These disparate elements, however, never jell into a single whole.
    • 28 Metascore
    • 50 Critic Score
    Survivor
    The film is particularly disappointing as McTeigue also directed V for Vendetta, a much sharper, much more intriguing, much more thought-provoking look at our post-9/11 world.
  6. V/H/S: Viral
    The fact that V/H/S Viral frequently substitutes laughs for scares means that the film will disappoint hardcore fright fans. But if you like your horror mixed with laughs, this anthology threequel is a blast.
  7. Despicable Me 3
    Thanks to the charming nature of the characters and their genuine good heartedness, Despicable Me 3 manages to be an entertaining enough film to feel like a decent continuation of the previous two chapters.
  8. The Beguiled
    It may not be Coppola’s most thought-provoking or emotional outing to date, but it’s a chilling and stunningly well-made one nonetheless.
    • 86 Metascore
    • 85 Critic Score
    Baby Driver
    Even though the story isn't as impactful as its stylized packaging, Wright creates a delightful new film that is sure to satisfy his legions of fans.
  10. War for the Planet of the Apes
    War for the Planet of the Apes is an excellent closing act to this rebooted trilogy, but also one that does enough world-building that the series can potentially continue from here – and it’s a rare case where, after three movies, we’re left wanting more.
  11. Transformers: The Last Knight
    The Last Knight is the loudest and most explosively dull installment yet.
  12. Annabelle: Creation
    Annabelle: Creation is the rare horror sequel that improves upon the original, featuring more engaging protagonists and a far less problematic ending.
  13. 47 Meters Down
    There are a few occasionally effective scares along the way, but the cliched characters and downright idiotic motivations make 47 Meters Below sink before it even has the chance to swim.
  14. Rough Night
    Rough Night is a movie that, perhaps, is a lot like one of these parties – it manages to be remembered not as the best time ever, but fondly.
  15. Cars 3
    While it feels like it could use a more nuanced antagonist and is hit or miss in the comedy realm, there’s a nice sense of closure here, too, which would make this a perfect and redemptive beat to end the story on – both for the characters and the franchise as a whole.
  16. It Comes at Night
    It Comes at Night is emotional, haunting dystopian horror that will leave you shaken.
    • 34 Metascore
    • 55 Critic Score
    The Mummy
    There are moments where it reaches out for horror and produces something interesting and distinct from Hollywood’s other blockbusters, but those moments are buried beneath unremarkable and, by the end, tedious action sequences.
  18. Captain Underpants: The First Epic Movie
    Thanks to a top-notch screenplay by Nicholas Stoller, Captain Underpants: The First Epic Movie manages to be both a faithful adaptation of Dav Pilkey’s source material and a fun-filled animated adventure suitable for all ages.
  19. Diary of a Wimpy Kid: The Long Haul
    Diary of a Wimpy Kid: The Long Haul is yet another disappointing attempt by Hollywood to deliver an adaptation worthy of its source material.
  20. Snatched
    Snatched has its fair share of laughs, but the film’s attempts at sustaining a legitimate emotional underpinning throughout are unsuccessful, thanks to a lackluster turn from Schumer, and some tiresome writing all across the board.
  21. King Arthur: Legend of the Sword
    The most frustrating thing about Ritchie's take on King Arthur is that it has all the necessary elements to be a great version of the story, but rather than giving them to the audience as such, they are put into a blender and thoroughly mixed.
  22. I Am Heath Ledger
    I Am Heath Ledger feels like a glancing take on the actor. It takes us through his professional life, and some of his personal one, but it never provides a full picture of him.
    • 65 Metascore
    • 73 Critic Score
    Alien: Covenant
    Covenant’s framework and exciting action put enough new spins on the series’ most reliable touchstones that the cast is able to carry it through to a satisfying end.
  24. Chuck
    Chuck doesn’t contribute anything new to the boxing drama that filmgoers haven’t already seen a hundred times before, but with a strong lead performance from Liev Schreiber and a dependable supporting cast, Chuck manages to bring the story of its protagonist to life with heart and respect.
  25. Becoming Bond
    The charming, skillful storyteller George Lazenby himself is the best reason to watch Becoming Bond. The reenactments, while often funny and involving, simply can't hold a candle to the man and his anecdotes.
  26. Pirates of the Caribbean: Dead Men Tell No Tales
    Pirates of the Caribbean: Dead Men Tell No Tales manages to be less bloated, dreary, and meandering than the last three entries have been, but it still suffers from many of the same wearisome, dredged-up villains and ho-hum action and comedy that have bedeviled the franchise since its second installment.
  27. Baywatch
    Baywatch wastes its attractive cast on tired jokes and nothing.
  28. War Machine
    After a while, rather than just being funny (in a dark way), it's questionable why one should sit through the whole thing.
  29. Wonder Woman
    Wonder Woman is leaps and bounds above the other three entries in the DCEU. With a dramatic setting, a few entertaining action scenes, and a strong supporting cast all working together to tell an inspirational Hero’s Journey, it more than offsets some occasionally uneven acting on Gadot’s part and some shaky technical aspects.
  30. Silent Night
    With a stunningly honest performance from the director’s son — Jojo Rabbit star Roman Griffin Davis — Silent Night balances the eccentricities of a Christmas get-together with nihilistic acceptance of certain doom, making for a film that’s both bleak and dryly funny.
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