My Hero Academia: Two Heroes is an entertaining but inconsequential feature film take on the popular anime.

Jung’s The Villainess offers enough action to make up for the otherwise confusing complexity of its storytelling.

This belated sequel lacks the wit and charm of its predecessor, resulting in a po-faced action flick that has "straight-to-DVD" written all over it.

Inkheart is one of those "family" movies that ins't necessarily for the entire family. While this is a decent audio and visual presentation, it's probably more suited to a younger audience (the inclusion of a full-screen version is a dead giveaway). Give it a rent if you're curious, but this title simply isn't substantial enough to recommend owning it.

Overall the biggest problem with What Just Happened is that its character studies and conflicts are so far inside the eye of Hollywood's celebrity-clad storm that its melancholy calm completely fails to interest anyone.

What Nolan and Co. have created doesn't just function as a thrill ride or even a terrific movie, but rather as a substantive and philosophical examination of why we need heroes, and then when we need them, what they mean.

Cleaner needed serious editing and instead, seems intent on being long and drawn out to prove some sort of point.

The only question Paul Schrader's murder mystery will leave you with is how long before you fall asleep?

Everything about this "movie" is a joke. What really pisses us off is the fact that: a) Ben is now white (yes, white!); b) there are people doing drugs; and c) there's a sex scene! What in the hell? Not making things any better is a simply ridiculous ending that just about abandons all hope for the movie's success.

The movie plays up sexual innuendo more than a group of junior high school kids, and it comes across almost as juvenile. Some of the jokes are indeed funny, but there aren't enough laughs to propel things through the dry spells.

Jim Brown: All American is visually impressive, but about halfway through the documentary it gets so defensive and excusive that it stalls. It's as if Lee is forming a defense case rather than exhibiting the man's life.

If Spirited Away can be considered the top anime film of this age, Castle of Cagliostro is most certainly its age-old counterpart, and a true masterpiece.

Stephen Sommers' throwback to adventure films and screwball comedies has managed to become a modern classic, and a paean to a type of movie that rarely gets made these days.

Alas, The Edge is a film that, quite ironically, loses it.

You know you are in trouble when the back cover of the DVD boasts that "There'll be a lot of thrillin' before Steel himself can start chillin'."

While playing with the trope he made famous, Wes Craven crafted a lighter, more self-reflective tone for Kevin Williamson’s script to shine a light on everything we love (and everything we think is kind of silly) about slasher movies.

Less neurotic than Woody and more fun than the average Sandra Bullock flick, it's a guy flick disguised as a chick flick.

There is a good story to further the violent adventures of Snake along; this is far from it. There are awesome, in-joke-with-your-friends guilty pleasures, and then there's Escape From L.A..

A harmless and fun dark comedy that you'll enjoy casually watching from time to time.

The film is a beautiful work of art to look at with some scenes that you just want to pull off the screen and have framed on your wall. Its use of color, character designs, and subtle CGI combine to create one of the best-looking traditionally animated films ever made.

If you're able to suspend disbelief, the film's strengths outweigh the many weaknesses. The action sequences are a lot of the fun. The adventure is exciting. And the story perfectly replicates the style and tone of a classic adventure or Saturday matinee serial.

A wonderful slice of pulp alien-invasion sci-fi with a dash of conspiracy thriller tossed in for good measure. It plays as a clever X-Files knockoff and as a funny camp classic all at the same time. Low budget sci-fi pictures like these are rarely this entertaining, or good for that matter.

Chinatown had sex, greed and water, Body Heat had sex, greed and high humidity, while Mulholland Falls has alluded-to sex, hats and cigarettes bundled with radiation sickness and anachronistic pop psychology references. (Palminteri spouts endless Sensitive Guy pabulum that's supposed to be ironic. It's not.) It's a mess and a shame, considering all the talent involved.

The writers are comic geniuses, and the experience is so enjoyable that upon viewing This Island Earth's non-MST3K version, a grin will cross your face as you remember this parody masterpiece.

What's so great about Brain Candy is what's great about every classic comedy: it's thoroughly quotable, infinitely watchable and so rich with detail that you'll be laughing at something new every time you watch it.

It's more oriented to the kiddies than Nightmare, but if you want something to watch with your little cousins or nieces or something that will give you something to enjoy as well as them, and you've already seen Tarzan 28 times, check this one out.

[A] one-note, flat comedy.

An entertaining, if a bit predictable, romantic comedy with a good cast. Expect anything more from it and you'll come away disappointed.