IGN's Scores

For 1,751 reviews, this publication has graded:
  • 68% higher than the average critic
  • 4% same as the average critic
  • 28% lower than the average critic
On average, this publication grades 2.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 The Dark Knight
Lowest review score: 19 Leatherface
Score distribution:
1751 movie reviews
  1. Using the strength of its powerful and interesting villain to set the stakes higher than ever, Avengers: Infinity War successfully brings together the past 10 years of Marvel movies into a largely effective cocktail of super-heroic dramatics.
  2. Although inspired by an interesting post-modern true crime story, and featuring an unexpectedly depressive performance from Jim Carrey, Dark Crimes is a dull, dark, depressing film with very little on its mind.
  3. Meow, it may feel familiar, but that doesn’t mean you won’t have fun along the way with Super Troopers 2.
  4. Blumhouse’s Truth or Dare is what happens when high concepts crash. The audience is here to watch people play a deadly game of Truth or Dare, and yet the film’s truths and dares are unremarkable, and the players are mostly boring.
  5. Rampage doesn’t really offer much of anything new as a giant monster movie, a video game adaptation, or a Dwayne Johnson vehicle, but it still checks all the boxes expected from it, offering one just enough entertainment value to not make you completely hate it.
  6. When is a murder mystery not about the murder or the mystery? When it's as beautiful-looking as Gemini.
  7. At its worst, First Match is a gripping drama centered on the relationship between a teen and her estranged father. At its best, it’s an emotional ride with a soul. Its inevitable praise is a testament to the powerful performances therein.
  8. This is a film about pain, and it forces the audience to live in and work through that pain. And it’s absolutely worth the effort. By the end it’s a transformative experience.
  9. Taylor Schilling does her best here to keep things alive and afloat but The Titan insists on languishing in unremarkable material way too long.
  10. Unsane is a creepy little thriller, with a concept that could terrify just about anybody, and a plot that wobbles but ultimately stays on the rails. Claire Foy gives a standout performance and Steven Soderbergh’s intimate visual style sells the idea that we are watching something horribly sinister get revealed.
  11. Not as annoying as it looks, but hardly a stirring or imaginative entertainment, Sherlock Gnomes has a comfortable home right in the middle of the road.
  12. Game Over, Man! is a sloppy production, with screaming and bullying used as a placeholder for actual jokes. The characters are such enormous jerks that they probably don’t deserve to succeed, at anything, so it’s hard to want to follow their adventures through an entire film.
  13. One of Wes Anderson’s best movies, an imaginative and amusing travelogue through incredible settings, populated by wonderful characters, with a lot of heart and even a little insight. You can feel the love radiating off of this movie, like a hug from your own beloved pet.
    • 44 Metascore
    • 65 Critic Score
    Pacific Rim Uprising is a loyal, if unremarkable, successor to the giddy original.
    • 48 Metascore
    • 55 Critic Score
    Tomb Raider fails to develop interesting characters or motives but at least offers viewers some fun action.
    • 64 Metascore
    • 75 Critic Score
    Everything in Ready Player One ties together into an action-packed, upbeat, hero’s journey that keeps the film moving along at a thrilling pace. While it’s not particularly emotional and I was disappointed by how many questions are left open by its shallow visits to the real world, it’s still a lot of fun.
    • 69 Metascore
    • 80 Critic Score
    While Blockers treads some familiar territory in its sex pact escapades, and occasionally buckles under the weight of its escalating insanity, its fresh perspective and stellar casting ensure a coming-of-age comedy that adds something vital to the genre.
    • 82 Metascore
    • 82 Critic Score
    It'll probably remind you of Jurassic Park mixed with Cloverfield, plus a dash of Aliens and a pinch of Buffy's "Hush," but between its unique approach and gleeful desire to shock you, you can't really be mad at it.
  14. It’s neither funny nor exciting enough to obscure what a miasma of unfocused randomness it is, even though the cast is clearly trying to make something out of all this half-baked material.
  15. Skillfully made, spooky, stylish, and featuring some quite good character work, The Strangers: Prey at Night stands much taller than the 2008 original. The central killers are plenty scary, and some of the images on display would make John Carpenter proud.
  16. It takes extremely familiar plot points and plays them straight, adding nothing new except the premise - a white American joining the Yakuza - which ultimately has very little to do with how the story unfolds. The film might be a functional crime drama but it’s an incredibly unremarkable one.
    • 53 Metascore
    • 67 Critic Score
    A Wrinkle in Time is ambitious, hopeful, and imaginative, but it’s also messy, overwrought, and oddly paced.
    • 48 Metascore
    • 65 Critic Score
    While there are flaws galore in this live-action movie version, you get a sense that the director has a real love for the original source material. The color schemes and costumes have exactly the right hues and texture, and the ambiance is engaging overall.
  17. While not exactly transcending the familiarity of its very predictable genre, The Ritual is a spooky, shadowy horror film with good character work, an excellent mood, some provocative themes, excellent lighting, and a scary... thing... that horror fans will love.
  18. Death Wish takes the serious topic of vigilante violence and reduces it to melodramatic hero worship, and it’s not even particularly good at that. The action is forgettable and the plot barely holds together.
  19. Red Sparrow is too disturbing and brutal to be popcorn entertainment, and by trying to make the uncomfortable storylines and interminable torture sequences palatable for the audience, it completely undermines its ability to operate as a serious drama.
  20. Mute tries to tell a transformative sci-fi story but struggles to find its footing with a less than stellar hero.
  21. It takes real intelligence to make the best dumb jokes. Game Night has plenty of both, combining skilled filmmaking and ridiculous gags in equal measure, and letting the seriousness and silliness play off of each other for maximum effect.
  22. Annihilation isn’t always as consistently well-executed or involving as it might have been, and it’s told in a manner that robs the story of some much needed life-or-death suspense, but overall it’s a bold undertaking that doesn’t play it safe and features some strong performances.
  23. Fifty Shades Freed concludes the trilogy as it began, with a romance you can’t believe in, endless montages of affluence, lousy dialogue, weak plotting, and - admittedly - a heck of a lot of sex.

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