If you've never been to a midnight screening of Rocky Horror, please go. It's a delight. And if you can't make it, this Blu-ray attempts to bring that experience home. Just don't watch the film without, at least, some form of audience participation. It's just not much fun without it.

The writers are comic geniuses, and the experience is so enjoyable that upon viewing This Island Earth's non-MST3K version, a grin will cross your face as you remember this parody masterpiece.

It's pleasant, and while it's a bit sloppy, I rather enjoy the unclean look of the animation.

Bill & Ted Face the Music is a pleasant escape for the quarantine-stricken, a sweet and entertaining romp that defies expectations by largely recapturing what worked about the series so many years later.

Featuring one of Tom Cruise's best performances in recent years, American Made is a darkly funny, dizzying crime film that nevertheless ultimately feels inconsequential and overly familiar.

V/H/S/Beyond is the most cohesive, best arranged, and most creatively complementary V/H/S yet. Here’s hoping we get a bundle of found-footage mayhem like this one every Halloween for the foreseeable future.

Operation Mincemeat turns an absurd chapter in World War II history into a dour homework assignment.

Krysten Ritter, along with Winslow Fegley and Lidya Jewett, provide enough pizazz to keep Nightbooks afloat, creating an engaging supernatural hostage scenario.

Ron’s Gone Wrong is a weird, quirky family comedy that pushes all the right buttons. Unexpectedly poignant, it asks some big questions about growing up in the age of social media.

The Dragon Ball franchise’s first 3D CG-animated feature film is a fun, low-stakes love letter to Gohan fans with exciting momentum as well as room for some moving sentimentality amidst earth-shattering fights.

Returning to cinema with a heartfelt look at the creative process, Michel Gondry dives back into filmmaking without a safety net, channeling all his artistic angst through an onscreen alter ego.

Covenant’s framework and exciting action put enough new spins on the series’ most reliable touchstones that the cast is able to carry it through to a satisfying end.

The charming, skillful storyteller George Lazenby himself is the best reason to watch Becoming Bond. The reenactments, while often funny and involving, simply can't hold a candle to the man and his anecdotes.

While it's not as wonderfully weird as it could have been, the latest SpongeBob movie still delivers silly, family fun.

The Courier is a tense, well-executed spy drama that wisely focuses on character and performance more than thrills, knowing that if we actually care about these men it will drastically heighten every narrowed glance, near miss, and frightful chase. It's not always the freshest adventure, but that's when the acting carries the piece and breathes life into these unlikely heroes.

Men, from Ex Machina and Annihilation director Alex Garland, is a folk-horror movie about gendered trauma that quickly falls apart. It skillfully builds tension in its first half — with the help of brilliant lead performances — only to have that tension dissipate when its inventive metaphors become consumed by traditional staging and literal explanations.

The LEGO Movie 2 isn’t quite as funny or as brilliantly executed as the original, but it’s an ambitious, likable sequel. Kids will enjoy it and adults will appreciate that the filmmakers took it seriously, and tried to say something meaningful. Just don’t think about it too much, because the LEGO universe is often weird and confusing.

It’s more than a creature feature, but never in a way that undercuts the main event: Some truly startling above-and-underwater sequences.

The setup is forgettable, but Stopmotion builds to a grotesque and darkly beautiful finale that’s a great showcase for stop-motion animator Robert Morgan.

Be sure to watch the film all the way through the end credits for a clever post-credit cookie (a rarity for this era).

With scenes of natural disaster grounded in a human point of view, Lee Isaac Chung's spiritual sequel transcends its visual shortcomings, and proves to be a wildly fun and effective summer blockbuster worth watching on the biggest and loudest screen.

Strange World may fumble its environmentalist themes, but its story of fathers and sons is fairly touching.

It's a frequently fascinating and often moving film despite its many, often glaring, flaws.

One of the most original films of the year so far, The Art of Self-Defense is a searing critique of male violence, and the notion of power at large, told through a traditional kung fu flick set in present day America. Dryly funny, the film also carries a wisdom that makes Riley Stearns a talent to watch.

Alice, Darling is a measured, affecting observation of a young woman finally coming to grips with how much an emotionally toxic romantic relationship has viscerally changed her.

Drop is a tightly plotted and unpretentious thrill ride.

The Good Nurse shines a light on the inherent darkness of a for-profit healthcare system while exploring the even darker recesses that allow a serial killer to thrive. Based on a true story, it’s a terrifying examination of systemic failures, not to mention a wild cover-up from self-interested hospitals.

Writer-director Elijah Bynum fills the screen with some impressive imagery, but it’s all in service of an ugliness that Magazine Dreams cops out on depicting.