IGN's Scores

For 1,735 reviews, this publication has graded:
  • 69% higher than the average critic
  • 4% same as the average critic
  • 27% lower than the average critic
On average, this publication grades 2.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 The Dark Knight
Lowest review score: 19 Leatherface
Score distribution:
1735 movie reviews
    • 67 Metascore
    • 90 Critic Score
    Liz and the Blue Bird, while seemingly straightforward and simple, is one of the most structurally complex films about the necessity of communication for healthy relationships. It displays human insecurity and vulnerability in beautifully honest ways.
  1. You can admire the ambition of The Life of Chuck while still wondering if such a lightly philosophical story needed to make the leap to the screen – or if turning all of its prose into Nick Offerman voice-over was the best move. It’s less an adaptation, ultimately, than a glorified book on tape from a talented King superfan.
  2. Joaquin Phoenix gives an admirable performance as an interesting artist, whose life story otherwise gets the short shrift by this conventional drama with a frustratingly narrow focus.
  3. While its action is reliably thrilling and a few of its most exciting sequences are sure to hold up through the years, Mission: Impossible – The Final Reckoning tries to deal with no less than the end of every living thing on the planet – and suffers because of it. The somber tone and melodramatic dialogue miss the mark of what’s made this franchise so much fun for 30 years, but the door is left open for more impossible missions and the hope that this self-serious reckoning isn’t actually final.
  4. Black Panther: Wakanda Forever is at its most effective when paying tribute to its fallen king, and strong performances from the returning cast keep it afloat through its occasionally choppy plot.
  5. A modest French sci-fi fable whose messages about letting go aren’t half as moving as the images surrounding them.
  6. Run
    Deftly filmed and edited, Run is undoubtedly effective on the small screen, but few other films this year have built and held tension this expertly, so as to be immediately worthy of a room full of people reacting in unison.
    • IGN
  7. Smile 2 doesn’t quite match its sadistically effective predecessor in the scare department, because once you’ve seen one phantom doppelganger grinning like the Cheshire Cat, you’ve seen them all. But the movie works as a nasty portrait of the downside of music-biz fame, and it builds to an ending deserving of every crooked smile it earns.
    • 67 Metascore
    • 90 Critic Score
    The Time Machine is an old-fashioned adventure that tries to remain as true to the original text as it could (the ending of the book isn't the same here, along with various other additions and changes) with an excellent score, great special effects, and a story that keeps you watching thanks to the excellent narration throughout the film.
  8. A Simple Favor is a sharply dressed comedy-thriller, and the screenplay is even sharper. Anna Kendrick and Blake Lively dominate the screen in two of their best and funniest roles, and director Paul Feig is in rare form, using spry humor to make this subversive and creepy thriller more unusual and unpredictable.
  9. Blink Twice confirms that director Zoë Kravitz has an artful eye and ear: Her debut feature is full of creative compositions, heightened sound design, and clever editing. However, where she excels in creating atmosphere and mood, she falls very short as a screenwriter.
  10. The American remake of Speak No Evil mostly recaptures the squirmy dread of its shocking Danish inspiration… until it doesn’t.
  11. Featuring several stunning performances by its stars, with Jacob Tremblay shining brightest of them all, Wonder ends up being a much better and wiser film than its trailers or premise let on.
  12. Werewolves Within easily separates itself from the pack by delivering a quirky monster mystery filled with gentle laughs and massive maulings. Not every joke lands, and not every character fits, but overall it's an entertaining alternative to the season's more ghoulish and grim offerings.
  13. Missing owes its best moments to learning from 2018’s Searching, but is a bit of a downgrade in terms of Screenlife usage.
  14. The Imaginary fails to capitalisze on some great ideas and wonderful animation. While it will shine as one of the best-looking films of the year with its ambitious 2D animation, that gloss can only do so much for a story that abandons its most interesting elements for a tried and tired rendition of an animated fairytale.
  15. Even if it doesn't quite stand with the 36th Chambers and King Boxers, Last Hurrah for Chivalry is a very good movie, both because it features a great many well-executed fight scenes and explores the early days of Woo's cinematic style.
    • 66 Metascore
    • 80 Critic Score
    Devotion’s a respectful introduction to heroes the world should know and celebrate. Between J.D. Dillard’s thoughtful direction, the shocking clarity of Erik Messerschmidt’s cinematography, a rousing soundscape, and the tight editing, it’s a riveting drama ready to give even the best aerial war story a run for its money.
  16. Although this psychological thriller can be uncomfortable to watch at times, the performances – combined with the disturbing puppet imagery – bring a lot of life and imagination to a story about a petty dictator and an unlikely rebel.
  17. Creed II, however, can’t seem to let the past go, abandoning the exciting new path blazed by Coogler in favor of evoking what’s come before, with undeniably diminished results.
    • 66 Metascore
    • 80 Critic Score
    Disney’s live-action Mulan is a confident blend of old and new, hiding a familiar heart under action-packed armor.
  18. A bizarre tale about a family of sasquatch is an emotional masterpiece of experimental cinema and fart jokes.
  19. The Transformers franchise gets a much needed tuneup in Bumblebee.
  20. Wheelman has a few great action sequences and one interesting idea, but is let down by a mediocre screenplay.
  21. An otherwise plain film about an unlikely friendship between a returned soldier and a mechanic, Causeway is worth watching for Jennifer Lawrence’s best performance in years.
  22. As a musical, only a few songs really stand out, which is always problematic. There’s also a staginess to the whole endeavor that feels awkward and ham-handed when transposed onto the big screen. But director Joe Wright does get excellent performances from his whole cast, and creates a lush and beautiful period piece playground for the characters to exist within.
    • 66 Metascore
    • 80 Critic Score
    If you are tired of watching the flatfoots who play by the rules and go home to the faithful wife, just kick back and watch my man Shaft in action. He'll remind you what an alpha male detective was all about, I ain't jivin' you, Bumpy.
  23. It takes real intelligence to make the best dumb jokes. Game Night has plenty of both, combining skilled filmmaking and ridiculous gags in equal measure, and letting the seriousness and silliness play off of each other for maximum effect.
  24. At its best, Good Luck, Have Fun, Don't Die is a laugh-filled yet incredibly dark and poignant fever dream that pleads for a safer AI tomorrow. Verbinski's command over utter chaos is nothing short of marvelous, even if the pacing slows while jumping between storylines that eventually all fit together.
  25. Wonka is a celebration of music makers and the dreamers of dreams, a big, old-fashioned movie musical that uses Roald Dahl’s world just judiciously enough to avoid any serious hits to the author or Gene Wilder’s legacy. Timothée Chalamet’s portrayal of Willy Wonka is most successful in its earnestness, and Chalamet brings the character to life with a gleeful abandon that makes him easy to root for, along with an energetic supporting cast who end up carrying the banner of Wonka’s weirdness more than Wonka himself. Charming and well-staged musical numbers give the movie enough of an identity of its own to make it worthy of a taste – just remember to burp and fart if you start floating toward the ceiling at any time during your screening.

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