IGN's Scores

For 1,756 reviews, this publication has graded:
  • 68% higher than the average critic
  • 4% same as the average critic
  • 28% lower than the average critic
On average, this publication grades 2.9 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 The Dark Knight
Lowest review score: 19 Leatherface
Score distribution:
1756 movie reviews
  1. Solo may not really develop its title character or justify why it needed to exist, but it still delivers a fun time.
  2. The combination of gore and complex characterization can be uneven from scene to scene, but the filmmakers’ unique qualities and perspectives give it more personality than your average low-budget creature feature.
  3. Totally Killer may not reinvent the wheel, but its blend of Scream meets Disney Channel Original movie gets the job done quite admirably. The cast and the story’s heart makes up for any technical missteps, and while it definitely falls into the usual time travel traps, it makes fun of itself while doing so!
  4. Writer-director Riley Stearns transforms depression and disappointment into a hilarious confrontation of death and a peculiar tale of self-image in an uncanny film with a precisely bizarre lead performance.
    • 62 Metascore
    • 80 Critic Score
    In the end, Let Sleeping Corpses Lie is one of the best zombie films that no one's ever seen. It owes a great deal to Romero's Night of the Living Dead, yet it also manages to stand quite nicely on its own merits. While the film does have a few script and pacing problems, it more than makes up for them with it's excellent atmosphere and solid gore work.
  5. A low-energy comedy remade from a French farce, The Valet tries (and fails) to inject an absurd story of stardom and fake romance with added commentary and sentiment. Eugenio Derbez and Samara Weaving lead a more than capable cast, but they can’t overcome the film’s sluggish length and disconnected story.
  6. Set It Up is as formulaic as they come. That fact alone isn’t enough to avoid it on Netflix though. Most fans of this genre know what they are getting into, easily enjoying the charming displays of friendship, the few silly moments, and predictable ending.
  7. It may not be a great movie, but Timotheé Chalamet delivers a performance so vibrant that it almost rubs off on everything else, and he’s matched in every scene by Steve Carell, Maura Tierney and Amy Ryan.
  8. Tim Burton allows the cast of Beetlejuice Beetlejuice to have fun, even if they're all off in separate movies that barely overlap. Its story is intentionally robbed of dramatic weight, but this makes way for the goofy, imaginative practical effects of Burton's early days, resulting in a small-scale legacy sequel that doesn't take itself too seriously (because it doesn’t need to).
    • 62 Metascore
    • 80 Critic Score
    It may be slow to begin with, but it all results in an unexpected finale that is sure to shock and stay with you long after the movie has ended.
    • 62 Metascore
    • 80 Critic Score
    You may find yourself passing a very enjoyable couple of hours with the oddest of odd couples. 
  9. Terrifier 3 is a bounty of practical effects riches that cannot be denied, but its storytelling is scattershot in ways that hold the sequel back.
  10. While not necessarily the very best of this genre, it’s a solid character drama benefiting from strong performances by a top-drawer cast.
  11. It’s an odd “rock and a hard place” production about survival of the fittest mentalities that can’t help but indulge soapy relationship dramatics amidst an otherwise dire entrapment, which will probably leave most laughing and irritated at the wrong times.
    • 62 Metascore
    • 70 Critic Score
    Overall, Creeps is witty, it's scary, it's gory, and it includes a number of one-liners that many film-fans still quote today, though none will ever be as memorable as: "The good news is…your dates are here. The bad news is…they're dead."
  12. Free Guy delivers a first hour that is outrageously entertaining, stuffed with gonzo action, goofy gags, star power, big ideas, and plenty of Easter Eggs for lovers of movies and video games. However, in its second half, the joyful journey is derailed by a slog of a side quest, falling short of the potential set-up.
  13. While Mighty Morphin Power Rangers: Once and Always has a deeply emotional story at its center and plenty of fun nostalgic moments to enjoy during its one-hour runtime, it’s hard to shake the feeling that this special needed better effects and dialogue to make it truly Morphenomenal.
  14. Its few hints of flair may not cement it as a genre classic, but they’re enough to make it momentarily fun.
  15. Annabelle: Creation is the rare horror sequel that improves upon the original, featuring more engaging protagonists and a far less problematic ending.
  16. The King is a relevant reshaping of Shakespeare's Henry V featuring a stunning turn by Timothée Chalamet.
  17. A Glitch In The Matrix is a solid sibling to Room 237 and The Nightmare. Once more, Ascher offers an empathetic space to conspiracy theorists and dreamers, creating a superb setting for honesty, earnestness, and vulnerability. Employing keen editing, he illustrates their arguments with pop culture references and panache. However, he also offers the shadow of a doubt, allowing the viewer a safe space to question.
  18. Sick is exceptionally paced and provides slasher thrills with breakneck intensity, but loses traction during a wobbly landing that needlessly overcomplicates an otherwise cutthroat thrill ride.
  19. Abigail is a hilariously gory romp that banks on a memorable ensemble cast and a witty screenplay that invigorates vampire tropes with a refreshing drollness.
  20. Grafted makes a patchwork of its ideas but manages to be an entertaining, mindful, gore-saturated charge through social hell.
  21. The Rental boats a strong cast, an intriguing set up, and a compelling mystery. It's a fun and feisty web of lies and deception with the added bonus of having a shadowy, stalking presence surrounding everything and everyone like a God-hand. It's a small film, but it's tense, dense, and delivers a harrowing final act.
  22. While it sometimes leans too heavily on its ickier aspects, Cuckoo has just enough sense of its own absurdity to remain disgustingly fun.
  23. The Monkey is one of the best horror-comedies (and Stephen King adaptations) in recent memory, exploding off the screen with both gory kills and big laughs.
  24. With Apostle, Gareth Evans has proven he can not only master action films with stunning choreography, but he can also deliver a bone-chilling folk horror tale rich in mythology and shocking in violence. Apostle owes a lot to classic folk horror films, but Evans manages to make his film feel fresh and gripping enough to satisfy even the most blood-thirsty horror fan.
  25. The live-action How to Train Your Dragon can feel hemmed in by its faithfulness to the animated original, but it’s re-creating that film’s sense of heart and soul as well as its entire plot and most enduring images.
  26. Copshop is meaningfully and enjoyably derivative as a patchwork homage to '70s shoot-em-up cinema (even Spaghetti Westerns), but it never quite reaches its potential.

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