Raidou Remastered makes the slower, heavily outdated original a lot more accessible, allowing its atmosphere to be experienced more easily today. At the same time, it has to make significant changes to the original framework to achieve that. I’d love to see the second game get a remaster as well, but if Atlus truly wants to make the subseries relevant again, it would be better off launching an entirely new title. If Raidou Remastered has taught me anything (again), it’s that Raidou is more than worth it.

Mario vs. Donkey Kong is a strong remake of the game originally released on the Game Boy Advance in 2004. With two brand new worlds and a wide variety of mechanics, the levels continue to feel unique and the game is a pleasure to play.

If you have already played through Revelations in Celceta, there is little reason to start over. It remains a good game, just not necessarily a better version.

Rise of the Ronin has the same tight combat that we have come to expect from Team Ninja. Unfortunately, the action takes place in an empty, sterile open world that even an incredibly fascinating setting cannot breathe life into.

The only times I wanted to put down—or throw—the controller were during the cutscenes with the almost offensively poorly written plot developments. I always thought the Mana games could do just fine without a story. I used to think it was nice to have one, but certainly not essential. Now I can honestly say I'd prefer a Mana game without a story if the alternative is a plot like this. Visions of Mana is so charming, plays so well, and is so addictive that even a terribly bad plot can't completely ruin it—though it certainly tries its best.

With High On Life 2, Squanch Games has created a wonderfully colorful, varied, and creative game. The gameplay is tightly structured, and the humor is absolutely captivating, but never overly crude. It's a game I can't play continuously however as it's still quite chaotic in terms of overall impressions. That said, the game is an improvement over the first installment in almost every aspect and is definitely worth playing. A short break between main missions is certainly a necessity for me.

Star Wars Outlaws can never be called a bad game at any point. However, apart from the presentation, the game doesn’t truly excel in any area. A tremendous amount of love has been put into the worlds and characters, but the overall gameplay simply falls short. Nevertheless, I hope we see more of Kay Vess in the future.

South of Midnight is in many ways a small masterpiece—at least visually. The unique art style is truly stunning and could easily win awards for its art direction. Compulsion Games brings to life a world rarely seen in games, full of atmosphere and folklore. Unfortunately, the game falls short in terms of gameplay. The combat is too basic and repetitive, the level structure is predictable, and traversal lacks challenge. It’s never truly bad, but rarely engaging. If you have Game Pass, it’s definitely worth checking out to experience its unique vibe. But if you decide to skip it, you’re not missing all that much either. Hopefully, Compulsion will deliver a sequel in the future that pairs its visual magic with gameplay that matches that same level.

Just Dance 2026 mainly offers value for diehard players, for everyone else waiting or choosing Just Dance + makes more sense.

Wuchang: Fallen Feathers offers little to no original ideas and fails to successfully mimic its biggest sources of inspiration.

Princess Peach: Showtime! does enough to create a fun, unique experience, even if it remains fairly simple. It's a shame the Switch has a hard time running the game.

Without spoiling anything, I can say that the plot of Ruffy and the Riverside ends with massive sequel bait. I sincerely hope developer Zockrates Laboratories gets the chance to actually make that sequel. I'm not saying that because Ruffy and the Riverside is such a great game – quite the opposite. The game does control smoothly, has a cool art style, and a fantastic soundtrack. More than anything, though, the ‘swap system’ deserves a place in a better title than this one. Now that the characters, world, art style, and game systems have been established, the studio just needs to tie them together in a better way in a follow-up. There’s clearly a lot more potential in the world of Ruffy than this game manages to deliver.

Enchanted by Nature is an impressive expansion for players who enjoy playing with occult Sims in The Sims 4, but the nature-themed content is minimal and takes too much of a backseat.

Mafia: The Old Country feels like a return to the original Mafia titles, and that’s exactly what I was hoping for. A linear experience with excellent presentation, exceptional acting, and a solid story. Unfortunately, the combat and stealth are mediocre, but sufficient to keep the story moving. Fans of the series will definitely enjoy it. With the relatively low entry price, I hope potential fans will be tempted — and that this won’t be the last we see of the Mafia franchise.

S.T.A.L.K.E.R. 2: Heart of Chornobyl is a remarkable game, even though it has its flaws. The game is challenging and stays true to the core of the series, including its gritty survival mechanics. Despite some rough edges and technical issues, it offers an immersive experience, with a vast amount of content and an impressive open world.

With Life is Strange: Double Exposure, Deck Nine delivers a worthy successor to Max Caulfield's story. Despite the absence of a recap and the sometimes directive nature, the story manages to captivate and surprise. This is largely thanks to the strong acting, emotional music, and cinematic scenes.

Adorable Adventures may not be an enormously deep game, but it has become an incredibly charming little adventure that will keep you busy for around four hours. After my time with the game, I think the low purchase price of twenty euros is perhaps a little on the high side, but there is clearly a great deal of love poured into its atmosphere and the way its story is told. And Boris has become one of the most endearing heroes in recent years. So cute that I won't be needing crispy bacon on my burgers for a while. And that really says something.

With Directive 8020, Supermassive comes out of the gate strong: a compelling story with a solid, diverse cast that makes for a horror adventure that slowly unfolds. The formula of making choices and living with consequences is somewhat undermined by the Rewind feature. Given the claustrophobic and tense nature of this story, the emphasis on stealth gameplay is a very smart decision. By constantly shaking up its gameplay elements, Directive 8020 never grows stale – helped in no small part by the fact that the game can be completed in six to eight hours. If you're a fan of Event Horizon or The Thing, this game is a must-play. All other horror fans will find a capable game, where the developers take their time building towards something truly impressive.

If you're into surreal games, Romeo Is a Deadman is an absolute must-play. The story is bonkers, and even if you appreciate the idea of a digital art exhibition in a game, it can still be hard to follow at times. The combat could have felt a bit more modern and refined in places, but this is largely made up for by the strong gameplay loop and the sheer amount of playful minigames that keep everything fresh.

Robocop: Rogue City – Unfinished Business is a great follow-up to its 2022 predecessor. While it’s an expansion with a few imperfections, it easily delivers more than enough value for its modest price tag.

Reunion is an entertaining but technically imperfect trip down memory lane that proves the bond between Max and Chloe is still worth its weight in gold, even though the rest of the game is a bit less weighty this time around and the resolution sometimes feels a bit rushed.

For a 1.0 release, Ravenswatch has just barely gotten the basics right. Fortunately, those basics are incredibly solid. The gameplay is unique for a roguelike, successfully capturing the feel of a full playthrough of an ARPG like Diablo in runs lasting just under an hour. Each of the nine playable characters features a completely different playstyle, and all of them are immensely satisfying to play. The limited number of levels and the lack of variety within them are disappointing. However, the core gameplay is so strong that it keeps you coming back—especially when playing with a group of friends.

With a poorly thought-out combat system, an uneven story, and an open world that is largely empty, developer Twirlbound falls into familiar pitfalls as they did before.

As a big fan of the first two games - and even the mobile spin-off Very Little Nightmares - I can’t help but feel disappointed by Little Nightmares 3. It falls short on the creepy vibes the series is known for, and the story lacks impact. After introducing a partner in the second game, full co-op was the logical next step, but the gameplay remains shallow, and the absence of local co-op is a missed opportunity.

Code Vein 2 is a promising sequel that learns from its mistakes. The combat is tighter, the world more vibrant, and the story surrounding time travel and the Resurgence is reasonably engaging from beginning to end. Although navigation in the open world can sometimes be frustrating and the weapon variety may feel somewhat limited in practice due to the upgrade system, what you get here is a solid and highly entertaining action RPG that will appeal to both fans of the original and newcomers alike.

The extra content isn't particularly special, but the minigames do help position To a T more as a game than an experiment. Still, it contains all the experimental craziness you’d expect from Keita Takahashi. To a T is once again an absurd trip that only Keita Takahashi could create. It’s not the longest or most profound game you’ll experience this year, but it overflows with charm, humor, and Takahashi’s unique personality.

The fact that the bosses in Eternal Strands already feel like a chore to get through says it all. The game has grand ideas and even grander sources of inspiration. For a team of around 70 people, it’s quite impressive what they’ve accomplished. But when you choose to take cues from Monster Hunter, Shadow of the Colossus, and Breath of the Wild, you inevitably invite the associated expectations. Those games then become not just your inspirations but also your competition. And Eternal Strands doesn’t come close to these games.

Heartworm is an intriguing ode to the survival horror games of old. It looks and plays like a first-generation PlayStation title, complete with a wonderfully atmospheric soundtrack. Sam’s story feels personal and sincere, though it doesn’t quite stick the landing. What truly matters, however, is the exploration, the horror, and solving puzzles in a twisted world. Heartworm presents some very strong ideas, though it sometimes only uses them a handful of times, and the game can definitely feel too easy at points, which undermines the horror a bit. Even so, I believe Heartworm does enough to be worth the time of Resident Evil and Silent Hill fans.