There are plenty of missing features that may or may not be coming at a later date, but take it for what it is for the time being – a flawed experience, but one that's hugely rewarding when everything goes just right.

A frightening return to gameplay elements that made the series great, terrifying antagonists and monsters, perfect setting for a horror game.

Terrian Saga: KR-17 is simply a must play for anyone looking for a new platformer, or anyone looking to recapture the days of old.

As the description of the plot implies, Doomblade is a delightfully grimdark story and world. Every creature and environment is ugly or disturbing in some way, and whenever you get into any serious combat the soundtrack starts blaring out heavy metal music. In a world of pastel-colored indie games the stress how cozy and none-threatening they are, Doomblade is a welcome change of pace.

17 years have passed since Budokai Tenkaichi 3, three generations of videogame consoles have come and gone, and tons of new plot points and characters have been introduced to the Dragon Ball series, and it is incredibly clear every way you look at it that Spike-Chunsoft took the time they had and created a real labor of love that is Sparking Zero. Enemy AI can feel a bit wonky at times and you can occasionally find destructible environments not cooperating with being blown up, but that's few and far between, with this game being a highlight of the wide variety of characters, forms, and gripping battles that have caused millions of fans to adore the Dragon Ball series since its inception 40 years ago. It’s good to have you back, Sparking. Fans have been waiting to enter the next Martial Arts Tournament.

Threshold is more than just disparate cool ideas, it's the culmination of them. It has enough interactivity to allow the player to inhabit the world and experience a story obtuse enough to allow you to insert your own pieces. The graphics and audio design play an early and constant role in introducing you to the more sinister parts of your new mundane job. It all combines to make something that, despite its flaws, is worth at least one play-through, and probably cult classic status in this niche genre.

Level Devil really does revel in watching the player fail, and fortunately it is often amusing to fall victim to its many hidden traps. The pacing might struggle a few times, with a few of the levels becoming more tedious than entertaining, but there are still plenty of opportunities for the player to find enjoyment in either seeing what the game has to offer with its tricks or trying to solve the puzzle of finishing a level without dying. When all is said and done, even though the game lacks a great degree of challenge, it does keep the fun rolling on a level-to-level basis. There's a demarcated spot for future levels in addition to some secret levels to find and a speedrun mode, so it has legs beyond the first playthrough, too. The game might want the player to hate it, but it's hard not to enjoy this ride.

If Hank: Drowning On Dry Land is meant to serve as a (second) proof of concept for this character and game mechanics, it does so pretty well without actually being hamstrung by that fact. It presents a self-contained story with enough information on our characters' backstories and avoids something like a hard cliffhanger that would drag the entire thing down. It may be short, but it also feels like that's part of the design, and that doesn't take away from the things it does accomplish. At the same time I can see a world where a player stumbles into the intended path and ends up completing it in a fraction of the time I did, and without the desire to view the option paths and elements that would naturally feel a little rushed. I don't hold it against it too much, but it's clear to me that the foundation is solid, so wanting an expansion of this world is expected, and likely by design.

To be honest, Hitman is an eternal, few game franchises have ever used the same set of mechanics as successfully, and the focus on improving them has led them to this revamp, which makes assassination newer and fresher than ever. If you like Hitman, you will love this.

The Banner Saga 2 is a slight improvement on an already excellent game and the wait for the third game in the series is going to be even more painful than it was for the second.

As a shooter, it’s an oddity, a gimmick that may not appeal to people who want to shoot things. As a puzzle game, it’s up there with Portal.

Tekken 7 is almost perfect as a fighting game. The story is so-so, but let's be honest...it is a fighting game, does there really need to be a story? The game play and controls are practically flawless, and that is of utmost importance when you're attempting to knock out your opponent. The basic combos are simple to learn, whilst if you take the time to learn the more complex combos, they can pay off big time. The visuals are clear and crisp with some wonderful locales. Going through the images, there has been a marked improvement in visual quality since the last game in the series and the music sets the mood wonderfully. My excitement at being able to once again perform in the Iron Fist Tournament has definitely been fulfilled with Tekken 7.

Players are free to talk to whoever they choose and can complete tasks in just about any order, giving the game an open world feel, despite the relatively small map. Wylde Flowers has a simplicity that allows gamers of all ages to play and has a visual style that would appeal to most. The bright cartoon visuals are akin to a more realistic Dora the Explorer, whilst the diverse characters are equally adorable, each with their own personality. Wylde Flowers starts out as a farming simulation along the lines of Animal Crossing but ends up being more of a life sim that encourages exploration and communication...oh, and witchcraft.

Antichamber impressed me from start to finish with the variety and complexity of its puzzles. I never felt like I had to repeat the same tasks over and over, and my mind was always being engaged.

Moving Out 2 doesn't take anything too seriously, and that is part of the reason why the game is so fun to play. It is a game that allows players to determine the solution to each location in a variety of ways. It is fun to play on your own, but Moving Out 2 is definitely more fun with a group of friends or family, as you attempt to reach each of the star ratings and secondary goals. With simple controls, enjoyable gameplay, a dash of humour, and bright cartoon style visuals, Moving Out 2 is a great follow up to the original.

In my opinion Exodus is quite easily the best Metro game ever made — with the combination of huge explorable areas, each with unique post-apocalyptic charm, and a wonderful tactility, expressed in the way you interact with the world and in the crafting system. The story, though at first seems somewhat silly, adapts, just as the characters following the narrative do. Metro in the past for me felt like it was never reaching its true potential, too much like a corridor shooter but never really a *true* survival game. But with this installment, the series has truly spread it’s wings. Metro shmetro, I hope they never go back.

The level of detail in Cult of the Lamb is surprisingly deep. The combination of RPG-lite style adventuring and the management of your followers ensure that the game is never stale. With each run through a dungeon different from the previous run, gamers will encounter a range of enemies. Players will no doubt spend differing amounts of time with each depending on their personal preference, but I personally found myself managing my followers more than the hack-and slash portion of the game. Either way, the cute visuals, the awesome soundtrack and sound effects, and the fun simple combat means that Cult of the Lamb is a game that any budding cult leader should pick up.

The rub is that if the combat mechanics didn't quickly devolve into frustration, the extremely short campaign (that is probably best played on Easy: a sad realization) would be an additional negative. I believe strongly that there is still hope on the periphery of Space Marine 2. With proper dedication to the existing roadmap, and beyond, that outlines a focus on PvE content, including an upcoming, proper horde mode, its identity can shift from "gorgeous looking, short single-player experience" to "great game to play with friends," but we're not there yet. And in a gaming landscape that will probably see dozens of games launching to appeal to the latter feeling while Space Marine 2 works its way up to that, on top of the existing ones, it remains a tough game to recommend.

Endless Legend is not a fast game, but if you prefer your games deep and thoughtful, then it is this game that will put your brain to task.

I will miss this series; but this final instalment brings it to a worthy conclusion. I also imagine that, as with the Mass Effect trilogy, I will replay it many more times throughout my life, revelling in the worlds that my cumulative decision making will create. The Banner Saga has made some moments that will stay with me a long time.

In all, The Last Spell is a genuinely enjoyable game that allows for strategic planning and makes use of a dark atmosphere. That being said there are times when the atmosphere feels almost too crushing and difficult - leaving it up to the player to latch onto hope as best they can. The Last Spell is the end of days for this world wreaked by war, and your group of Heroes is all that stands between what remains of humanity and a slow demise as the fog encroaches and the undead approach. The dark atmosphere and challenging gameplay can make for a really satisfying experience however, and it is in the darkest of times that one’s worth as a hero is truly shown.

Voidtrain offers an incredibly satisfying gameplay loop, rich progression systems, a compelling art style, and a story that, while far from sophisticated is intriguing enough to keep you invested from beginning to end. In many ways, Voidtrain is the quintessential AA game, and players interested in a more casual approach to survival gaming should definitely take the time to step into the void.

In all, Shadows Over Loathing is a treat to play and is incredibly witty - the simple designs and graphics add to the game's charm rather than do damage to it, and with the exception of audio mixing the game is very well built. For anyone that likes rather wacky RPGs- the Roaring 20s and its hoards of jazz, hobos, and fishermen are waiting in Shadows Over Loathing.

‘Faith’ is a great episode, possibly my favourite of Life is Strange 2, and undoubtedly one of the most thematically strong. There are a number of great choices, and the only sequence which felt a little unnecessary, was the hospital section at the beginning, which for me only waylaid getting to the important parts of the episode. But in general the discussion of faith, parenthood, and Christianity is precise, prompting the player as to where they want to place their faith, while at the same time, questioning whether repentance, and forgiveness as a concept, are achievable.

Reaching a singular verdict among the HG team is like getting a group of dogs to share a single bone. However, all of us involved conceded that in regards to the game's visuals, destructive environments, and optimization, Battlefield 6 excels all expectations. However, its mediocre story campaign, its bizarre attempt to clog up maps to favor close-range combat while simultaneously awkwardly trying to keep vehicles marginally viable, and its disappointing new multiplayer modes all detract from the experience. We cautiously recommend Battlefield 6 to casual fans, but more fervent diehards might want to think twice, because this may not necessarily be the Battlefield for you...

In all, Tiny Terry's Turbo Trip is a short but enjoyable sandbox with a decent amount to do. The art design and humor may not be for everyone, but this reviewer can happily say that it makes for a very fun experience!

Overall, the game provides a fulfilling experience for those wishing to jump into a beautifully designed JRPG world, especially now that it is available for desktop gamers who missed out on its original release. Whilst it doesn’t push the boat out in terms of narrative or its attention to structural design, it rewards those who can appreciate a game for its endearing elements, exploring its roaming hills and bustling towns, as well as laughing alongside its friendly and good-natured companions.

This is a game that shows there’s still plenty of power in punk.