Overall, Void Gore is a fun little game you can pick up and put down whenever. It’s a solid shmup, with addictive gameplay and delightful retro-pixel graphics and music. My main complaints are that there’s not a large variety of enemies (I think I counted about five or six), though some of the bigger blob-like enemies do have different attacks. Some boss fights could help mix things up a bit, as could occasionally changing the background mid-run. At it’s current price-point, though, you get an enjoyable game you can play pick up whenever you like and not feel like you didn’t get your money’s worth.

Sizeable may not be a very long experience, but it is an absolutely delightful one worth having. Every single diorama was utterly charming in its presentation, full of life and stories, that I found myself glued to my seat in an effort to solve each puzzle just so I could see how adorable the next one was. If you’re looking for a simple puzzle game with a fun discovery aspect and minimalist approach, be sure to check out Sizeable on Steam.

Can’t Drive This is an absolute riot. It’s ridiculous, over the top, and you’re practically guaranteed to laugh until you can’t breathe. It’s unfortunate that it runs out of gas so quickly, though.

With incredible aesthetics and real, raw characters, Synergia paints a dark and moody picture and, for the most part, delivers on its promises. If you’re interested in a cyberpunk love story that pulls heavily from classics like Blade Runner, Akira, and Ghost in the Shell that is perhaps too interesting for its own good, give Synergia a download.

If you’re a fan of Bomberman or rogue games in general, Cave Bad is still probably worth the price of admission. I just hope Oratio the Dwarf’s next adventure is a bit more action-packed.

Retrace: Memories of Death attempts to recreate a horror game along the same vein as Corpse Party or escape themes like Zero Escape, and to an extent it succeeds; at the same time, its repetitive nature with few hints in sight meant way too much backtracking with too little reward. There’s only so many times I can read through the exact same text, solve the exact same puzzles, and pick up the exact same items only to receive an end I’d already seen, forcing me to walk in circles in perpetuity, when even death’s sweet embrace can’t release me.

Little Kite’s powerful portrayal of domestic violence is going to stay with me for a long time. Although the imagery was intense and the music divine, the point and click mechanics were frustrating for the console — as is unfortunately par for the course when it comes to this hardware and genre combination. The developer did the best they could with the medium not truly suited for their art, granted, but I can’t help but feel I would have enjoyed the experience more had I played on PC.

An episodic experience made throughout 2020 with the help of audience members, How to Win: Season One picks apart the confluence of events that were responsible for its very existence. It has the ability to hit all players differently, serving as a few hours of entertainment through dark humor or as a wake-up call for those wondering where to start effecting change; with that being said, all players will be able to come away feeling like they participated in a theatre experience in the midst of an ongoing pandemic, which really makes this game one of a kind. If you want some sort of gaming testament to the weird times we’re clawing our way out of or just want something seriously unique, don’t sleep on How to Win: Season One.

Stick Fight: The Game is a case study in simplistic but smart game design. It’s an over the top, bombastic, and raucous fight that will leave you laughing and swearing in equal amounts. Who knew a game with stick figures could be so ridiculously fun?

If I had to nitpick over anything, it’s that the game is perhaps a little bit short. But really, there’s so much game packed into that shortness it ends up feeling bigger than it actually is. There’s very little to criticize about Space Otter Charlie; cute, charming, addicting, with solid gameplay to boot. Add in the fact that you’re an adorable otter working hard to save the rest of animal-kind, there’s a lot to love in this little gem.

While I understand what Bishoujo Battle Cyber Panic! was trying to do, it ultimately fails to provide anything novel to the table and doesn’t go anywhere near being as zany as Gals Panic did. If you have a few bucks and like both Qix and anime girls with no sense of artistic consistency, then go for it. Otherwise, I’d just go play one of the original games.

For what it’s trying to accomplish and how it layered the subject matter, CRASH: Autodrive is truly deep for just how short it is. Of course, therein lies the clincher — as it has stated numerous times, it is, indeed, short. There’s plenty to investigate, a few mini-games, a couple of false leads, and tons of flavor text that really flesh out the world of 2027 Philadelphia, but this game is less a full meal and more of a perfectly portioned dish you might order at a Michelin Star restaurant — it’s small, but rich, and those who appreciate the flavors will know when it’s time to stop eating.

Kaiju Big Battel Fighto Fantasy sure is something. While pre-existing Kaiju Big Battel fans will most likely have no issue picking this gem up, it’s such a high-quality game that I genuinely recommend it to anyone who considers themselves an RPG fan. Sure, it might rub you the wrong way if you’re particular about games being “serious” and whatnot, but everyone else who isn’t a stick-in-the-mud will probably end up loving it as much as I did—which is, to say, a lot.

I may have been uncertain at the start whether or not I would enjoy Devil Slayer Raksasi, but in the end, it’s actually one of the best rogues I’ve played in a long while. While graphically, it may not shatter anyone’s expectations, and the music is generally pretty muted, it does so much more right in how it plays. Coupled with an interesting premise, mysterious robed overlords, demon hybrids, and monsters, and you end up with a really satisfying indie game. I’m definitely impressed and look forward to future projects from GlassesCatGames.

Overall, I really enjoyed my time with Crime Opera. The story is mature and intense, but filtered through the eyes of children and adolescents. The framing is unique, while the story asks readers to grapple with difficult subjects. With multiple endings based on the choices you make, and the promise of five more entries in the series, there’s plenty to draw you in. Honestly, the only thing holding the game back is a few questionable design choices. If those are resolved in the next entry, I think we’re looking at a very promising series.

I hate to sound so down in the mouth about Rift Racoon. I was just hoping it would be a lot more enjoyable than I ultimately found it. If you don’t mind an excessive challenge partially contributed to by awkward controls, you may still find something to love here. For everyone else, though, you’ll want to shoo this raccoon away.

If you enjoyed Crypt of the Necrodancer to any capacity, then you’ll definitely find a tune to dance to here. For those less inclined to bustin’ a move while you’re bustin’ heads, approach with caution. Boy Beats World won’t hesitate to put you in your place and expects you to get a grip on the groove right from the get-go. The dancefloor isn’t for everyone, but if you still got a taste for that sweet oscillating bitpop, waltz your way over to a walkthrough, ’cause this one could sell on its music alone.

Despite some minor complaints with the game, I still thoroughly enjoyed Rising Hell. As a fan of rogues, I feel this is a must-own title for fellow fans of the genre. And even though it’s a short ride, you more than get your money’s worth. Sure, I wish this version of the game had achievements, but the portability of the Switch helps mollify me. All I can say is that I’m impressed by the game and implore the devs to work on a more substantial title next. But if you enjoy dark, edgy rogues with a rocking heavy metal soundtrack, you definitely need to pick Rising Hell up.

Long Ago: A Puzzle Tale is an accessible, inviting puzzler with a wonderful variety of mechanics that will absolutely test your puzzling skills. It’s a no-brainer for puzzle aficionados, even if everything doesn’t quite come together in the end.

Castle Flipper adds a fresh twist to the burgeoning builder genre by providing puzzles and personality that make a seemingly empty world feel surprisingly alive. With the power to build not only immense castles but tiny towns teeming with signs of life, landlords and landladies will quickly come up with a treasure trove of backstories for their kingdoms in Castle Flipper. Complete with a musical score that feels right at home in a cozy Dungeons and Dragons campaign, Castle Flipper pleases now and promises more later.

As the first DLC of The Dungeon Of Naheulbeuk: The Amulet of Chaos, The Dungeon Of Naheulbeuk: Ruins Of Limis had a lot of expectations placed on the shoulders of the six remaining adventurers. And while the DLC did not add anything new in terms of mechanics, it gave players exactly what they loved about the first game — great story, funny dialogue, and deeply involved tactical battles that would make any DM proud. If you loved the base game and want to spend a little more time with this ragtag group of adventurers, The Dungeon Of Naheulbeuk: Ruins Of Limis is worth diving back into this dungeon for.

I really enjoyed my time with this game. Older-timey without being stale, challenging without being a headache, and with a solid story, The Corruption Within has a lot to recommend it. There’s some replay value, too – there are several optional items to find in the game that will present you with a moral choice you make, which will, in turn, affect the ending of the game. Honestly, my only criticism is that the game is a little short, as I beat it easily in a single sitting. But, like usual, that’s probably just me being greedy and wanting more of a good thing.

Alekon is an easy sell — if you like Pokemon Snap but want more freedom to roam around and take pictures without a care in the world, this is your game. With over 50 mini-games and literally hundreds of pictures to snap, Alekon took an immensely enjoyable mechanic and added a uniquely fun flair to the mix. If N64 games were your bread and butter growing up and you want a taste of that retro goodness with all the fixings of updated UI and smooth controls, you’re pretty much obligated to add Alekon to your plate.

It can leave your heart racing, and it can leave you stunned at the scenery, and, sometimes, it’ll leave you bewildered at how brutal the game can be, but ultimately, I’d be lying if I said there wasn’t a diamond in the rough here. It’s gonna feel unpolished and early-access-ish with paltry menus, no saving, and only one map and two heroes to play as. Still, there’s a lot of potential here. But until a few content issues, save system complaints, and AI fine-tuning gets addressed, I can’t quite give Until We Die too much of a recommendation unless you find it on sale.

No doubt about it, Power Rangers: Battle For The Grid wasn’t ready for prime time when it was released in 2019. However, developer nWay’s focus on pumping fresh content into the game has mostly paid off over the past two years. While it isn’t likely to replace your fighter du jour like Guilty Gear -Strive- or Virtua Fighter 5: Ultimate Showdown anytime soon, those of you who left your hearts in Angel Grove will find the Power Rangers: Battle For The Grid – Super Edition to be a slightly above average brawler packed with more fan service than you can shake a Dragon Dagger at.

Fossil Corner takes an extremely simple scientific concept and turns it into an utterly addictive puzzle mechanic. Sure, it gets repetitive and maybe doesn’t offer much in terms of fossil diversity, but I dare you to tell me that you can just play one round (newsflash, you can’t). If you’re looking for a puzzle game that you can zone out to after a stressful day, Fossil Corner is your game. Just… keep an eye on the clock if you intend to go to bed at a decent hour.

Empire of Angels IV is a perfectly fine game. But you may have noticed that’s a recurring theme of this review; the combat is okay, the story is okay, and the artistic direction is okay. The game does everything just fine, but it doesn’t particularly excel in any one area. If you’re looking for a nice casual game with a pleasant level of challenging content, but aren’t looking for anything deep and engaging, I think you’ll enjoy this game. You can pick up and play whenever without really forgetting much of the story or what you’re doing.

Paradox Error is so concerned with crafting a meta, fourth-wall-breaking experience that it completely neglects the platformer genre’s fundamentals. It is as dull as it is frustrating. Aspects of its design are unnecessarily hostile to the player. There are thousands, if not tens of thousands, of better platformers out there. Aside from a morbid curiosity, there’s little reason to suffer through this one.