Somewhere deep inside The Inquisitor has traces of great ambition - good voiceovers, motion capture during scenes of fighting, but that's not nearly enough. The finished product is a game that is not good. It's as simple as that.

I don't think it's worth starting Tales of the Shire for the plot alone, or to tick off another item from the Lord of the Rings universe, but it's worth experiencing for its well-constructed atmosphere. It's a great cozy game that makes good use of its source material.

I would really like to say that Datura is an exceptional game. An experiment that will unleash a storm showing a new way for story evolution in gaming. That's not the case - the game misses it's goal. But still it's an interesting take on the adventure genre, games in general and narration.

Sacred 3 is so very different from previous installments in this series, that gamers that appreciate classic h'n's mechanics and open world exploration will be extremely disappointed. Keen Games have produced a game dedicated to consoles and "couch gaming". But if you put aside your prejudice, you could enjoy Sacred 3 - it's a pretty good action game with a funny fantasy setting. Fans of the classics have to keep playing Diablo, Path of Exile or wait for Grim Dawn.

The developers have cut corners and offer us only new missions with some minor flaws. But Condemned Heroes still can be fun. The problem is this: 1C have created a game for the most hardcore fans of the series only - those who have completed previous installments and want more. The rest should stay with basic Men of War and the Assault Squad expansion.

Cyberpunk 2077 on PS4 is a disaster that should have never ever occurred. The developers have butchered the technical condition of the game - the only positive thing about the PS4 version is that you can (with a bit of luck and patience) eventually finish it. There's no doubt CDPR will have to redeem itself somehow. But remember: somewhere underneath the utter myriad of bugs, hides an excellent game.

I believe The Last Oricru is worth your time because it offers a truly interesting way of shaping its story. But first, the developers have to eliminate tons of bugs and fix the game's performance. Only then it will be a good RPG.

For now this add-on can be recommended only to die hard fans of turn based games and people, who are naturally equipped with a high resistance to technical issues. Other players should put their purchase decision on hold until some patches arrive. And despite all this complaining, waiting would be a good decision because underneath these deficiencies lies quite a good game.

The Technomancer is a very pleasant surprise. Studio Spiders has learned a lot from their mistakes and is on the way to joining the best RPG developers in the business. The game proves how big the quality leap is in terms of gameplay mechanic, graphics, atmosphere and storyline. If The Technomancer sells well, the developers will be able to put more effort and money into upcoming games (and that will be good for everybody).

Dear developers, you can't treat us like this. Deadly Premonition 2 has a great story with excellent characters that are held back by an abysmally bad technical side. Fans will accept this and have fun. Everyone else will avoid DP2 at all costs.

Cralon is a truly clunky game, and its few merits will only be appreciated by the most die-hard fans of dungeon crawlers – those who aren’t put off by the clumsy combat, numerous glitches or the very limited variety of enemies. The debut from the new studio founded by the co-creators of Gothic is a disappointment.

I'm sorry to say that Pirates of the Black Cove is one of the simpliest pirate games I have ever played. Gameplay is shallow, the game is buggy, short and most importantly - ugly. That overwhelming rotten scent can't be scattered by a light, funny, cartoonish atmosphere and diversified missions. It's a sad example of wasted potential and lack of attention to finishing up the all of the game's elements.

In the beginning Bound by Flame seemed like a game with a hidden potential, but this potential disappeared completely by the end. The developers were too ambitious. Tons of ideas behind Bound by Flame could have become something interesting only if the game had been developed by an experienced studio. The concept is good. The execution is poor.

Ghost Recon: Breakpoint is huge and quite scenic at times. Unfortunately, the world is bland and empty, the mechanics are flawed, and the gameplay is more irritating than fun. The developers have cobbled together too many things, without fully realizing any of them. If you want a spec-op experience, go back to Wildlands - the last true Ghost Recon installment. Breakpoint is the first game of the Ulbimate genre by Ubisoft - an empty shell with microtransactions.

On one hand, you can't deny, that Larry is a very important character in the history of gaming that has finally received a worthy overhaul. On the other hand, the new game is just a pleasant curiosity, something that allows gamers to find about the genre's past. Al Lowe & co. did a great job in reviving Larry's adventures, but this game won't become a hit. Older gamers will take a Chance to have a nostalgic trip to the past, but younger ones probably will find this game strange and hermetic.

We have lots of modes to choose from, but Kinect Star Wars is just a collection of minigames that is different from, say, Kinect Adventures only thanks to its Star Wars setting. It's one of better Kinect-only games, but skeptics won't be persuaded.

Sniper: Ghost Warrior 3 is a monster of a game. As in, it's been stitched together from parts of different games. There are some truly horrendous parts and some really cool - you just have to be patient and find them. The developers wanted a AAA title and the scope is there, but it's covered by tons of issues and a really lame story.

Even debutants could have done a better job, but still Dreampainters' game is engrossing and does so without much trouble – if you become annoyed by a puzzle and leave the game for a while, soon enough you will find yourself trying again. Anna has a great, scary atmosphere – and there are no cheap jump scares, the game slowly makes you have goosebumps. Unfortunately, there are flaws: occasional lack of logic or a fairly short story.

Bohemian Killing has a very interesting idea for a non-linear gameplay that crumbles under a ton of issues. It would work great as a free browser game and right now I can't recommend buying it. This adventure as an affair for one (not very engaging) session. Everything looks as if it was a demo, a part of something bigger but still unfinished. And it's a pity because you can clearly see the potential.

Grading this game isn't hard: it's a pleasant product for a reasonable price. It should appeal to players that are familiar with Fable series but that don't consider it to be something sacred. Remember that fun is dependent on the amount of friends playing with you.

Iron Front: Liberation 1944 struggles with the tag "ArmA II with WWII units". Unfortunately the game fails to show that it's something more than that. Iron Front brings new errors to the Real Virtuality engine, and sometimes it manifests some new errors - therefore it creates a time machine to the year 2009. Of course, there are patches that fix some of the flaws, but the gamers' have been offered an inferior product.

A lost opportunity. We wanted a game that will lift the series out of mediocrity - the advertising campaign promised us a game with a fresh approach to cooperative shooting. Unfortunately Warfighter is average at best. It's a simple shooter that doesn't stand out and will likely die covered in many new war-themed first person shooters. Perhaps it's time for yet another reboot and getting back to the roots, but with a hint of something new?

Pizza Connection 3 tries to do its best to emulate all the things that made its predecessor a success. Unfortunately the potential was squandered - the game has some serious technical issues, the gameplay is mediocre, the fun is bland and the difficulty level is unfairly high.

Homefront: The Revolution is a weird mix of things going great and things going south. Gameplay that combines the best of sanbox games and linear shooters is interesting and can be appealing. It's a shame that nothing really stands out and even the best parts of the game suffer from technical issues. It's a fairly long game but I'm not sure it deserves the time.

The most recent installment in the Port Royale series has been flushed down the drain. A few cool ideas drowned in the Great Sea of Fail. The developers have managed to break almost everything there was to break. The magic of a sea merchant adventure is gone forever.

Hearthfire is an expansion without new missions - it provides only a couple of options that should have been there from the beginning. Many players will be let down, but those that want to "play house" and deepen the experience of living in the game world, should consider buying this DLC. Dragonborn's motivation for saving the world becomes greater, but the problem is this - most of the player have already saved everything there was to save and getting a virtual family won't be enough for them to return to Skyrim.

The core idea for The Settlers: New Allies is evidently a good one, but oversimplification of certain aspects of this famous series - while simultaneously trying to go back to the roots - was a mistake. Apparently, even Ubisoft didn't fully believe in its success as it didn't advertise the game at all.

The game not only doesn't fulfill all the hopes we have put in it (lets' be honest – that was impossible), but even when looking at it without thinking about the legend, it seem extremely mediocre. Ugly graphics, cliché gaming mechanics and a general lack of attention to details resemble a typical budget production.