So was Sniper Elite VR worth the anticipation and wait? Most definitely. It’s not without issues trying to find that balance between being a fun experience for all whilst giving VR veterans a videogame they can really get stuck into. When you do get into it though, Sniper Elite VR becomes a thoroughly engrossing VR shooter as you read the environment, study enemy movements and take that vital long-range shot. Doing that continually over the 7+ hour campaign seems very repetitive but lining up that perfect shot never is.

Seeking Dawn is the kind of title you have a love/hate relationship with. On the one hand when it works smoothly it’s a really fun and beautiful VR experience to play, with masses of content and hours and hours of gameplay. Unfortunately it’s not perfect, with plenty of repetition and glitches that need finessing. It might not be VR’s summer blockbuster but Seeking Dawn isn’t quite the dud either.

Down the Rabbit Hole is quite the change for Cortopia Studios which is better known for magical combat title Wands. And it’s certainly a good change. Like many of these videogames, Down the Rabbit Hole is over way too quick mainly because it was so enjoyable. The title offers a new slant to this beloved children’s tale, feeling both familiar thanks to the characters yet different enough to be engaging throughout. Thanks to its mechanics and polished execution Down the Rabbit Hole offers a delightful VR experience.

Detached has great elements to it, it looks good, the controls are excellent, and it offers some unique combat gameplay. It can feel spartan at times though and will really be hampered if there aren’t enough players for the PvP mode, which would really be a shame.

Winds & Leaves has some nice ideas and for those looking for a nice tranquil VR experience with some light puzzles, it perfectly suits. The problem is Winds & Leaves can be a bit too quiet. Lush green grass and colour forests are all well and good but they’re still devoid of life, no animals suddenly return. So you end up walking through your lovely forest world alone, it all feels a bit soulless. Winds & Leaves was enjoyable for the 7-8 hours it lasts yet there was no desire to return.

It’s great to finally see Windlands 2 on PlayStation VR and remember what made this VR experience so enjoyable in the first place. Alas, with a heavy sigh this just doesn’t match its PC brethren when comparing the entire package. What this release really does is demonstrate PlayStation VR’s ageing technology and how it was good for some but not all VR videogames. However, Psytec Games has confirmed it’ll patch PlayStation VR 2 support into Windlands 2 when available, which could really help to unshackle the gameplay. At the moment, Windlands 2 only really soars half the time.

Dark Eclipse works well enough, but the mixture of MOBA and RTS elements means it feels watered-down and lacking a firm identity. In addition, the lack of a large community of online players presents a problem for an online-focussed title. For a free to play title, it is solid, and worth considering for RTS fans.

For an on-rails shooter in 2018 Naked Sun isn’t going to set the VR industry alight with an original idea or gameplay. It’s another title that perfectly suits the ideas of what VR could achieve a couple of years ago without going any further. On the other hand it’s extremely comfortable to play, has great gun control mechanics and will draw you in enough to probably complete it in one sitting. A decent yet average VR experience.

Sam & Max: This Time It’s Virtual! is one of those VR experiences you want to love because the characters are so well defined, amusing and likeable, even when Max is handing you a bundle of lit TNT. That’s not enough to carry the experience when a big chunk of the gameplay is either shallow or frustratingly twitchy. Clocking in around 3-5 hours, once the final boss was down that was really enough, with no desire to pop back into improve a mini-game ranking. The pictures of all the old games were kind of cool though.

Downward Spiral: Horus Station does exactly what it needed to, presenting a far grander and more engaging instalment to the VR series. It’s not perfect, with some annoying glitches that really do need to be ironed out. However, the core experience is thoroughly enjoyable and more importantly massive.

The Solus Project is a fine exploration and horror title, though it does have its flaws. The excellent ambiance and general air of loneliness, isolation and foreboding make for a truly immersive experience that is worth your time.

Overall, Smash Hit Plunder works best as a social party game. There’s a great deal of satisfaction to be gained from smashing things to bits, and its is pleasing enough to explore and look at. Some more hidden unlocks or other secrets (apart from the secret rooms, but tend to be slightly too easy to find) might have given the title a longer shelf life. As it is, its worth pulling out for some amusing group videogames, or for when a de-stressing session is needed. Still worth buying for parties and social gatherings.

Track Lab is a well-crafted experience. It looks good, sounds even better and is wonderfully intuitive, even for people with no prior knowledge of music creation. Its definitely worth your time if you are interested in music or puzzle games. Its a good VR title, but the ability to share your music would push it over from good to great.

Journey for Elysium has some wonderful elements and high production values, such as the visual design, movement mechanics and voice acting. But like its protagonist, the title is stuck between two worlds, not quite offering enough gameplay challenge while the story fails to emotionally connect. At the right price Journey for Elysium is worth a quick blast through.

Salary Man Escape has some flaws, but it offers plenty of gameplay time for the money, The controls take some adjusting to, but there’s definite satisfaction to be found from mastering it, particularly as you advance up into the later and more complex levels.

Vertigo Games has created a hugely enjoyable FPS videogame for the early days of VR, but one which will undoubtedly look dated in just a few months.

Overall, Pop-Up Pilgrims is a fun little puzzle title with a gorgeous art style, but its control scheme could have used a bit more thought, and an option to re-map some of the buttons would not have gone amiss, neither would some manner of in-game manual or tutorial. Fans of Lemmings will no doubt have great fun exploring this new twist on a classic idea.

Ryte: The Eye of Atlantis is a story-driven puzzle title with a nice flair for the dramatic. Grand elements are littered throughout, from the giant centurion battles to the towering temple at the city centre, yet there’s a sense a lot of this grandeur has been cut back. Especially when the first playthrough unlocked the Steam achievement for completing the videogame in 1 hour 30 minutes. It isn’t a complete one and done thankfully as there are multiple endings depending on five key choices you make along the way which gives the gameplay some much-need depth. Ryte: The Eye of Atlantis has some great ideas whilst seemingly missing some obvious ones.

Warhammer Age of Sigma: Tempestfall offered the prospect for the sort of adventure Games Workshop’s brutal universe is renowned for, and the history and narrative is certainly there. Yet there’s no connection to or development of the main character, the action is mostly forgettable and there are just too many little glitches and inconsistencies to create a world Warhammer fans can really immerse themselves in. Warhammer Age of Sigma: Tempestfall isn’t a bad VR game, there were enjoyable moments and with a bit of refinement it could be a decent game; at the moment being a Stormcast Eternal just isn’t a blockbuster experience.

Final Fantasy XV: Monster of the Deep is one of the best-looking PlayStation VR titles currently available. Its possible to waste quite a lot of time simply taking in the scenery. The title also uses the limitations of the PlayStation VR cleverly, by letting players sit facing the camera most of the time, it eliminates most of the tracking issues the PlayStation VR is known to have. Though far from a deep experience, Final Fantasy XV is surprisingly absorbing, and can chew up an impressive amount of time, despite its slightly repetitive gameplay.

Looking great in some scenes and rather basic in others, Rise of Insanity is still a solidly put together experience. The storyline, sound effects and voice acting are all of a decent quality, but the English translation on some of the in-game literature needs some work. Difficulty is virtually none existent so it’s a breeze to play through in around two hours. If you’re looking for a short, digestible horror then Rise of Insanity is a sound bet, just watch out for those rubber ducks.

Front Defense is an experience that leaves you wanting. It’s one of those titles in which you can see bags of potential in the individual elements but ultimately it just doesn’t fit together as a perfect whole. You’ll play it a few times, complete it, but then never be drawn back to face another wave of Axis forces.

Ancient Amuletor is a fun way to kill a few hours, with some simple, intuitive combat and enough interesting innovations to keep it fresh. Along with the lovely graphics making it nice to look at. Sadly though, the title lacks depth and longevity with only four levels and no particular incentive to reply. The developers have mentioned that some DLC is in the works, though, which could redeem this title above a simple, casual time-killer.

There was so much potential for Doctor Who: The Edge of Time as well as expectation that the end result feels muted. Parts of the experience are great and showcase high production values – the storyline, locations and acting for instance. Interspersed with these are the negatives which make it hard to recommend to the casual gamer. Doctor Who: The Edge of Time is one for the hardcore fans out there.

Seeing that Wheeler created Separation by himself over a period of four years is an impressive accomplishment, especially considering the subject matter which inspired the experience. The atmospheric visuals and soundtrack are what carry Separation, reminiscent of titles like ICO. However, it becomes a little too monotonous and at times the emotion the title tries to portray feels indistinct as if it has lost its own way in this vast open landscape.

The Way of Kings: Escape the Shattered Plains will be of interest to people who are big fans of Brandon Sanderson’s work, or for people who are curious about what a The Stormlight Archive TV series might feel like, anyone else will only feel frustrated a a bit short-changed by how brief and limited it all is. If this was the first part in an episodic series, it might be enough to draw interest, but otherwise its’ something best left for hardcore fans only.

While Animal Force makes a valiant effort to bring some changes to the tower defence genre, and take advantage of VR, and it only manages to clear the its okay bar. It has some nice touches, and an appealing art style, but it also has very linear, repetitive gameplay, a steep difficulty curve and some very bizarre gameplay decisions that prevent it from being as good as it could have been.

Don’t Knock Twice really is a mixed bag. On the one side it provides one of the scariest, heart thumping VR experiences out there, with a beautifully designed mansion to explore – especially when you get to free-roam. On the flip side there are points where it feels like a battle, trying to achieve something relatively simple but isn’t. If you love horror videogames and can handle proper locomotion controls then Don’t Knock Twice is worth a look, otherwise steer clear.

There’s been so much anticipation for The Walking Dead Onslaught thanks to Survios’ excellent back catalogue that it was predictable expectations were high. The studio has continued its high production values with a great looking VR game, a superb soundtrack and of course the official affiliation to entice fans. Yet there are clearly deficiencies in the gameplay such as the most dangerous knife ever created to the overall lack of depth. The Walking Dead Onslaught isn’t a bad videogame, it just doesn’t do anything special.

Crisis on the Planet of the Apes VR is by no means one of the best VR experiences out there, but as a film tie-in it certainly sets the bar high. If you’re a fan of the Planet of the Apes franchise then Crisis on the Planet of the Apes VR is certainly worth checking out, everyone else may find it too constrained and short lived.

ime Carnage is well-made, and is a fine, competent example of its genre, with some excellent music and sound design, though it ultimately fails to stand out amidst many other similar titles that litter VR videogame libraries. Shooting dinosaurs is still lots of fun, though.

Smashbox Arena was blatantly built to be a multiplayer title, but the lack of cross-platform play and sparsely populated servers for the PlayStation VR hurts it a lot. The single-player mode is barely worth the time, and it lacks any sort of depth. If you have lots of friends to play with online, it might be worth a look, but otherwise, there are better titles available.

Throw Anything feels like a game show mini-game which has been extended way too much. It provides a decent amount of amusement for short periods but the gameplay mechanic soon loses its lustre and that’s not counting the other issues mentioned. It’s an idea that sounds great on paper for a VR experience with lots of interactive elements both in the core campaign and elsewhere yet the delivery falls flat.

Wolfenstein: Cyberpilot has some good ideas which would be great if the developers explored them more. The storyline kept things moving along nicely and the sections in between the main levels were pleasant enough, especially for a first time VR player. Wolfenstein: Cyberpilot could’ve been so much more, yet it’s short lifespan and lack of additional content will make it a play once and forget experience.

Unknown Fate isn’t one of these pickup and play mobile titles for a quick 20-30 minutes of gameplay, this needs patience. Mainly to unlock the story so you can figure out what’s going on but also because it’s not exactly content rich – some elements are spaced out. There’s some lovely design work at play between the audio and visuals but it’s debatable whether that’s enough to see you through the 4+ hours of gameplay available.

Over all, League of War: VR Arena is a decent, if somewhat flat, experience. there are no twists in game mechanics. Difficulty slowly ratchets up, but little actually changes. Aside from the possibility of challenging a visiting friend to an Arcade match, there is little to draw you back in once you have completed the Campaign. Which will not take long, since battles are over in a remarkable short period of time, This is not a bad videogame by any means, but it is a shallow one, a fun time-waster that is sadly let down by its lack of online multiplayer, which might have gone so way towards extending its lifespan.

Gnomes & Goblins started out so well and would have easily suited that style for another hour, providing a short entertaining experience. Instead what’s been presented is a piece of content with two distinctly different sides, the latter trying to flesh out the former with inconsistent gameplay which waters down the charm. If you pick up Gnomes & Goblins enjoy the beginning sequence and then replay, just don’t go any further.

There are plenty of issues that still need refining like opening the menu, lack of saving and lack of a properly seated option. Even with all of that, there’s still hope. The world-building and narrative ideas show great promise and it would be tremendous to see further editions expand the premise. Only then would Rhythm of the Universe: Ionia be worth exploring.

Sniper Rust VR is trying quite hard to be the Sniper Elite 4 of VR, but sadly lack the setting, storyline, characters and polish needed to be in that league. A lot more work needs to be done before it can be considered as a recommended title, especially in terms of graphics and the great, gaping plot holes. What works in a casual mobile title does not always translate well into PC, especially in VR.

To be brutally honest it’s still a fairly generic wave shooter where everything pops up around you, and as long as you’ve reasonably quick and accurate it shouldn’t be too difficult to complete. That being said the bow is awesome fun and a joy to use. If you’re after a simple, pick up and play shooter then there’s nothing wrong with Dracula: Vampires vs. Zombies – it’s certainly one of the better ones. Should you be looking for a title that features loads of immersive gameplay, story, and really explores VR technology then you should look elsewhere.

VR puzzlers can be equally entertaining and annoying at the same time, which is why they tend to have a popular following. Rangi is one of those enjoyable experiences that just works. Sure it can’t match the cinematic spectacle of FORM but then its not trying to, delivering a character all of its own.

At present it can only be classed as an average VR videogame at best.

Dash Dash Run! is a fun, novel videogame that’s great if you want a quick workout to work up a sweat. Unfortunately, there’s so little to the title after running the small amount of courses a few times that after about half an hour you’ll be done, moving onto something that’s got more to offer. [Tested with HTC Vive]

Just In Time Incorporated is a VR title that you’ll enjoy from start to finish. With its comedy styling’s, slow motion mechanics and simple pick up and play gameplay, it’s suited to any VR player. Unfortunately it’s desperately missing that replay factor, there’s nothing to keep you coming back once you’ve completed it – which isn’t that hard to do.

Ultimately, Heroes of the Seven Seas fails to rise about its roots as a simplistic mobile title. There is fun to be had sailing around and blowing stuff up, but at best it will kill a couple of hours before boredom sets in. In the end, the short length, poor writing and uninspired graphics let it down considerably. The PlayStation VR is capable of so much better than this.

Archangel accomplishes much of what it sets out to do; a frequently intense on-rails shooter that looks spectacular and challenges players within its own predetermined rule set. However, it’s perhaps a case of limited ambition from the start that has kept Archangel from achieving more, as the genre chosen was one born of hardware limitation decades ago, and even now in these early days of VR those limitations are simply no longer there.

It’s another one of those VR titles that works well enough but isn’t going to hold your attention for massive length’s of time, more of a dip in and out videogame for HTC Vive, when you’re bored of all the shooting titles available for the headset.

VRotein claim Slice & Dice has over 20 hours of gameplay but that’s not necessarily the case as this is completely dependent on how good you are at this type of videogame. What can be said is that the latter levels will test your patience so you may want to put those controllers down once in awhile. If you want a novel VR challenge, you can’t go wrong with Slice & Dice.

If you’re looking for a solid little title that re-imagines those old vertical shooters, then give Galaxis Wars a look.

Cosmic Trip is one of those rare little VR treats you come across that suits VR players no matter their skill level. It’s a solidly put together single-player experience that will challenge you to almost controller throwing levels of frustration, but you’ll want to dive back in just to have ‘one more go’.

What Bullet Sorrow VR does well is create a no-holds barred, bullet rich, shooting experience. The single-player mode shows you what VikingVRStudio is capable of, there’s just not enough of it. The multiplayer mode is the core experience in Bullet Sorrow VR, which means if you can find a match then great, the rest of the time you’ve got half a videogame.

What Symphony of the Machine really needs is another tower or two to complete, possibly joining several together in some way to increase the difficulty to a far higher degree. As a first title Stirfire Games has created an enjoyable experience while it lasts, everything is solid and works well and there were no real glitches or issues to speak of. Symphony of the Machine has some good ideas going for it, but for many players it’ll be seen as more of a tech demo than anything else.

Voxel Shot VR feels like it’s playing on its novel, quirky characteristics. It can be fun to begin with – and younger players will certainly like it – but for HTC Vive gamers who’re used to titles like Raw Data, Space Pirate Trainer, Island 359, Serious Sam, Zombie Training Simulator and many more, Voxel Shot VR just doesn’t offer enough.

There is one massive upshot to the lack of content, and that’s the fact Blobby Tennis is free. And it needs to be or players wouldn’t be too happy if they paid for this. So is Blobby Tennis bad, actually no it isn’t. It’s not glitchy, everything looks and plays well, it just feels like an early access title that’s good for first-timers to VR. If the developer can expand the experience adding further replayability and more features then it’ll be more the better for it.

Ultimately, VectorWars is an enjoyable VR experience but not one that will remain with you long after your initial enthusiasm has passed. However, this has been reflected in the price, as Red Iron Labs has ensured that VectorWars has a remarkably low barrier for entry (at the time of writing the videogame is available on Steam for just £2.79 GBP). This makes VectorWars hard to fault beyond the limitation inherent to the genre, and an easy recommendation for a pick-up-and-play title not requiring too much thought.

Battlezone is one of the best VR titles out there.

This mixture of gameplay elements makes Loco Dojo a great multiplayer experience but just like any online VR multiplayer it does suffer from player numbers.

Forestry certainly has its quirks. It can go from dull to intriguing to fun in quick succession, and those that have the patience for this type of experience will certainly enjoy what it has to offer. In its current form Decoder should really have put Forestry in Steam Early Access, getting some feedback and fine tuning the video game, as it stills feels some fine tuning is needed.

Headmaster is a well put together title that the majority of VR gamers will find enjoyable. It does feel a bit 2016 in its gameplay offerings, with VR having moved on leaps and bounds in terms of the depth of content available. Headmaster is a tongue in cheek experience that doesn’t take itself too seriously, supplying light hearted fun mixed with good physics, and that’s no bad thing.

For those that’ve become rightly bored with wave shooters Blasters of the Universe offers that spark of light, reminding us why this genre became popular in the first place. The entire theme, visual aesthetics and gameplay make Blasters of the Universe a joy to play, just be prepared to swear and curse – possibly throw a controller – as that heart disappears because you didn’t see that one laser bolt soon enough.

It’s one of those titles that really doesn’t have many negative qualities. House of How has created a fast-paced, action shooter that offers difficulty and addictive gameplay in spades. It just feels like it’s a year too late.

While Bloody Zombies doesn’t reinvent the scrolling beat-‘em-up wheel, it does offer a convincing argument for 2D videogames making the jump to the more immersive medium.

The story has a much deeper meaning than just a few travellers hitching a train ride – which VRFocus isn’t going to spoil here – safe to say that’s it pulls on the heart strings as a memorable VR experience. If you enjoy short VR animations then Manifest 99 is up there with some of the best. It provides a strong, engaging storyline with a nice level of controllability that’s not often seen, great for VR enthusiasts as well as a prefect experience for VR first timers.

Hurl VR is great fun, so much so that you’ll probably finish it in one sitting – completing it took just under one hour for this review. The other issue is the lack of replay elements, as once you’ve successfully played through all 30 levels there are no additional features – apart from achievements – to entice you to replay the videogame. Aside from that Hurl VR is a finely polished title, with good looking sci-fi visuals and solid physics-based gameplay.

Floor Plan: Hands-On Edition is still as enjoyable as the original was. It’s not one of those virtual reality (VR) videogames that’s an essential pickup for PC VR users, more of a throwaway experience when you want to kill half an hour. Thankfully it’s been priced accordingly, so it’s perfect if you’ve been after a smaller title that doesn’t cost major bucks.

Duck Season really is a mixed bag of ideas, trying to build out a core experience that’s reasonably solid, it just didn’t have enough variety to be a sole title in its own right. Stress Level Zero’s additions are really just padding, stretching out the replay factor with seven different endings may only encourage a small number of users to keep going back. Duck Season does have a charm all of its own though, making for a perfectly enjoyable experience.

There’s only one level and you’re stuck to the spot. Only three guns and the re-playability factor is solely limited to a global leaderboard. What Hangry Bunnies from Mars needs is more variety, it may not be priced as a premium experience but it feels somewhat hollow. It has potential to be one of the quirkiest VR wave shooters available, in its current form however most gamers will probably play a few rounds then move onto something else.

If you already own it it's worth going back to, if not it's worth taking a look.

Luna isn’t the sort of title that’s going to draw VR players away from their first-person shooters (FPS) or RPG’s, looking for the next amazing VR experience. It’s the type of title that’ll suit those who liked Gnomes & Goblins for example, an unusual marriage of interactivity and storytelling. Or perfect for those who’ve got kids old enough to try VR and want to see what it’s all about.

SUPERHYPERCUBE seems like the love child between Rez Infinite and Tetris, psychedelic, neon rich visuals with a puzzle mechanic that’s difficult to put down. If you’re after something that little bit different for your HTC Vive this holiday season, take a look at SUPERHYPERCUBE.

Skyworld is difficult, and these battles aren’t easily won until you’ve significantly improved your forces – that’s if you manage to in the first place. Screw up your resources – build too much of one, not enough of another – and Skyworld can quickly bottleneck, with there being no obvious way around certain predicaments. With this inmindSkyworld certainly won’t be for everyone simply due to its difficulty. But for those tacticians after a challenge Skyworld is definitely one of the best RTS style VR titles available.

Due to issues like reloading and jumpy nature of V-Move, battles tend to have an inconsistent, fliting nature to them. Maybe after many, many hours of gameplay you’ll find a sweet spot but you may not be so patient. In comparison to Front Defense, Front Defense: Heroes is certainly a step up, offering a far more dynamic experience than its single-player sibling, it’s just not quite the standout experience it could’ve been.

High Noon VR is one of those VR experiences that doesn’t do anything particularly wrong, the visuals are good and the main shooting aspect works perfectly well. But it’s in a very crowded genre that features some awesome videogames with unique selling points, such as Raw Data, Blasters of the Universe, DOOM VFR, Space Pirate Trainer and many, many more. It’s fairly cheap, so if you love cowboy style shoot-em-ups then give it a go, otherwise there are much better examples of this genre out there.

Despite entertaining and satisfying basic gameplay, Shooty Fruity ultimately fails to rise above its roots as a wave shooter, with simplistic visual style, lack of story or multiplayer. It also aims to copy the supermarket setting a little too well, resulting in the annoying voice and muzak-style background music, which doesn’t help endear it to the audience. Shooty Fruity is a fun way to kill a couple of hours, but offers little else.

All in all there’s nothing to recommend Train Runner VR. Gameplay is shallow and repetitive, the character models look like they came from a 90s cartoon show trying 3D for the first time, and it’s priced at $19.99! Here’s a certainty, if you buy Train Runner VR on Steam you’ll request a refund with 30 mins. Save yourself time and money and just don’t.

There are a number of VR escape room titles available like Chair in a Room and I Expect You To Die which do the genre justice. Nevrosa: Escape is another that can be added to that list of entertaining puzzlers, with beautiful visuals and brain taxing challenges that’ll fill a good few hours.

Day of Destruction certainly doesn’t wow in the graphics department – there are far better looking virtual reality (VR) titles – but it doesn’t need to. It has that B-movie quality that just works, and the in game audio (especially the music) is top notch. That’s why it’s a shame there isn’t more to the gameplay. Sure you can go back with the better weapons to jump you up the global leader boards, other than that there’s little to hold your interest. Day of Destruction certainly isn’t one of those must have VR titles, it’s a blast for a while until every city starts to look the same.

Stunt Corgi is one of those VR titles that’s hard to define. It doesn’t really fit into any category and doesn’t feature any goal as such – for those that like a start and end to their videogames. The experience is missing certain options like movement or being able to manipulate the items – like stretching or shrinking them – but that doesn’t mean it’s not enjoyable to play. Stunt Corgi is a videogame you’ll either love and spend hours on or find it amusing for an hour then get bored, the question you need to ask yourself is, how much do you love making corgi’s jump through hoops?

For what it offers End Space is a nice solid experience. It’s not going to set the VR world on fire as it lacks polish and depth when competing against other Oculus Rift titles. Spend a few bucks on it when it’s in a sale and you’ll own one of the best Gear VR ports to come to Oculus Rift.

For gamers the issue remains about replay, and how many times you want to sit on the same ride, or whack the same penguins. No matter how good it looks, Summer Funland won’t quite have that same draw as more focused titles. Summer Funland may not light the VR world on fire but it provides an enjoyable – if somewhat short – piece of entertainment. If you’ve got kids or want an all-in-one experience to show VR virgins then Summer Funland is an ideal starting point.

It’s been a long wait but it was worth it. Island 359 offers a proper showcase of what can be built specifically for VR when enough time and effort is put in. It’s not 100 percent perfect in places but the videogame offers enough of everything that you won’t really care. Grab that gun and get hunting in this thoroughly enjoyable and engaging VR shooter.

An awe inspiring educational experience that's somewhat restrained. The main disappointment was the inability to get a closer look at each of the planets themselves. Earth wasn’t a problem, but after seeing them in the Story mode, it would’ve been nice to look at the planets in closer detail at leisure. No amount of fiddling with the controls would allow this, which was a shame for such a technically impressive educational experience.

Boxed In is one of those pleasurable time wasters like the videogames you play on your smartphone. What it lacks in amazing visuals, convoluted narrative or ground breaking gameplay, it makes up for by having a plucky, no nonsense attitude to VR gaming. It may not be a library essential, yet for its price Boxed In is a great little VR bargain for puzzle fans.

While the videogame has many issues deriving from the limitations of the hardware upon which it is built, VRFC: Virtual Reality Football Club remains one of the best sports experiences VR has to offer. More than that however, it’s also one of the best social VR experiences currently available, with the tension of competition and the misery of defeat likely to help make new friends (and potentially enemies) across the VR community.

There’s plenty to like in Escape Room VR: Stories, with lots to find and a reasonable amount of puzzles to solve in each level, and the visuals are some of the best you’ll see in any virtual reality (VR) title. There are some rough edges however, and even with the multiple endings puzzle fans will still find this a short experience.

This is a short and sweet VR experience from the fledgling development team, with a few puzzles to solve using just one magical mechanic, object scaling. Conjuror’s Eye as a whole is a novel little time waster. It’ll only take around 20 minutes to complete so it’s a nice little break from some of the lengthier VR titles available now.

The initial premise of Island Time makes for fun quirky experience to begin with. Utilising repetitive gameplay however cuts a fine line between addictive ‘must try harder’ and boring tedium, a line that Island Time really does sit on. It is hard not to like Island Time yet after five or six longer sessions that sheen starts to wear off as the variety does.

Zombie Grenades Practice has a lot of positives going for it, with a nice mixture of levels and options with which to complete them. The optimisation problem is going to be an issue for some – if you don’t have a GTX 1070 or an AMD RX Vega 56 or higher then don’t bother – yet for those with the kit Zombie Grenades Practice is a reasonable, albeit short, VR experience that offers a change from all the guns.

STAR SOD is a very worthy effort for a lone coder, and shows a great deal of promise, but at times feels a little unpolished for a supposedly finished title. There are hints that this could evolve into a larger series of videogames, and further development of the idea seems a worthy goal. At present, it is an excellent showcase of one developer’s talent, which is worth checking out.

There are points when Kartong – Death by Cardboard can feel repetitious and samey, constantly running around cardboard mazes, either hiding in sheer terror or barrelling in, your pin loaded crossbow at the ready. Yet this dark, twisted fantasy world has a charm all of its own, both equally scary and wondrous at the same time.

Starbear: Taxi skirts a fine line quirky VR puzzler and short tech demo. Thankfully it leans more towards the former, offering an amusingly addictive experience that can actually draw you in for some time. It’s not on the same level as Cosmic Trip yet for those after a quick and simple time killer its ideal.

The core ‘obstacle course’ style gameplay is fun but can be a little shallow, repetitive and frustrating at points. However, being frustrated is almost the point of the experience, ViRa Games’ title is something to learn from, an experience that could really only work in VR and that opens your eyes and creates empathy for others. It would be great to see more videogames like this, putting you in the shoes of someone who wasn’t a powerful wizard or secret agent.

Laser Puzzle in VR is certainly one for the VR puzzle aficionados. It’s got a decent amount of content and the difficulty level ramps up at a steady pace that you shouldn’t get too stuck until later on. Yes the design is sparse but at least it works in a min spec PC so everyone can enjoy it. Considering ARVI’s VR titles released so far, Laser Puzzle in VR is probably the best.

They Suspect Nothing is a consistent bundle of fun mini-games, yet as a launch title slightly underwhelming. It’s a safe and easy experience for gamers of all ages that looks great and plays well. On the other hand They Suspect Nothing isn’t Coatsink’s best VR work, that’s still Augmented Empire (which handily now supports Oculus Go).

République VR is a well-designed VR experience that sits well on Oculus Go, and certainly showcases how good the lenses are on the headset. The puzzles may not be the most difficult with the main challenge purely resting on evasion, yet there’s enough to keep you engaged for many hours. Up against similar mobile titles like Augmented Empire and Term1nal, République VR should definitely be on your library list.

Should you complete the main campaign then there’s always survival mode, which is exactly the same just without end, like some kind of VR torture. There’s nothing wrong with throwing the rulebook out and trying something new but there’s always that chance something doesn’t click. And it doesn’t with Fruit for the Village. It’s easy to see there’s polish and finesse to the title yet the core gameplay is more gamejam than professional puzzler.

All in all, Red Matter is a very high calibre VR experience, neatly weaving its story and puzzle elements together. It by no means perfect, following the line of other puzzles in VR that are seemingly unable to offer plenty of reasons to come back for more. So like a good meal take it slowly and savour the moment.

If you enjoy VR videogames like Kittypocalypse then Paws ‘n Claws has that similar charm to it. It’s a fun little time waster that younger players will certainly enjoy. It lacks the depth of other tower defence experiences and just doesn’t quite have enough uniqueness in its gameplay offerings to shine in its own right.