Shadow Legend VR is most certainly one of those 50/50 VR titles with both recommendable and questionable elements. Why wasn’t there more crafting elements to make better weapons? Or why didn’t the swords become blunt over time, necessitating the use of the grinding wheels? Shadow Legend VR isn’t a bad VR title by any means, it looks good and offers a fun few hours but it could’ve been so much more.

Those looking for a causal city-building experience might take satisfaction in it if they can master the late-game balancing, and fans of puzzle games will doubtless enjoy challenge mode. Hardcore city-planners will likely be too frustrated by the lack of depth, but it might be worth a look for them anyway.

The Curious Tale of the Stolen Pets is a perfectly pleasant VR experience which features all the polish you’d expect from Fast Travel Games. If you have a child who’s really eager to try VR for the first time but you don’t want them jumping all over the place, damaging either equipment or themselves then this ideal. For everyone else, at the right price, The Curious Tale of the Stolen Pets is still worth a pop, its a charming little VR experience.

On first inspection, A Rogue Escape didn’t seem like it was going to do anything too different yet it showcases how a traditional escape room videogame can be recreated and enhanced by VR. Playing around with all the systems is a lot of fun with a run through taking around 2-3 hours. The real shame is the replay factor, there is none. Once you’ve figured out what does what that initial spark is lost, and there’s nothing else to explore. But the same can be said for most games of this ilk. Even so, A Rogue Escape had its moments of greatness.

If you’re after a co-op experience on PlayStation VR Covert certainly shines in this department, with some great team-based moments. It does still feel like an Oculus Go port, from the visuals to the interactions. As such, there is a noticeable difference when playing co-op titles like The Angry Birds Movie 2: VR Under Pressure which is tailored to the system. That being said, this is definitely the best version of Covert to showcase the power of VR co-op.

Stride is a very mixed experience on Oculus Quest. Whilst that might be due to the PC version still being in early access and you’re essentially getting the same version here, this is still a full release for Quest, hence the review. Stride’s parkour mechanics are what really sell the experience as there’s nothing quite like it for Oculus Quest. There are points where the gameplay is very addictive and engrossing as you try to perfect each jump and wall run. On the other hand, Stride can get repetitive too quickly and lacks that spark to make it a great VR game.

Playing the main Megadimension Neptunia story in VR is mostly worth it, but the poorly-rendered VR-only sections do little or nothing to really add to proceedings other than hurt your eyes and make you feel awkward. Its fun, but unless you don’t already have a copy of the original title, its one for fans only.

nDreams is well versed in making highly polished VR titles and Fracked is no different. The art style is gorgeous, adding a comic book blend to the action playing out. And there are some wonderful ideas and mechanics employed. Unfortunately, they’re not given the time and breadth to be expanded upon, and that’s certainly the case when it comes to the narrative. Fracked is exuberant and exciting to play, it just burns too bright and fast.

Korix tends to veer more towards ‘tower defence’ that RTS as a whole. The lack of story and blocky, basic graphical style let the side down somewhat. Despite that, it is fun to play for short sessions, especially in multiplayer, but lacks the depth for holding your attention for extended periods of time.

Marvel Powers United VR really is a mixed bag of goodies. One the one hand are its high production values, with gorgeous character models and scenery, easy control schemes and comfortable gameplay style. It’s the repetition that lets it down, dissolving the gameplay down to basic wave-based combat. With four friends you’ll get some life out of Marvel Powers United VR, just not the heroic gameplay most were looking for.

Déraciné is beautiful and atmospheric and has a deep and absorbing story to tell, but its easy to question why this needs to be a VR title. The tonal inconsistency and node-based movement might also be off-putting, but for those who wish to be absorbed in a story, Déraciné is worth giving a look.

What you see is what you get with Gamedust’s latest VR experience and that’s no bad thing. From the aesthetics to the locomotion, Yupitergrad is a nicely crafted VR game which was thrilling to play at points. The light humour gives it character few VR titles achieve, nicely offsetting those moments of frustration. It would’ve been nice if there was a bit more because Slavic Spider-Man deserves it.

Seeking Dawn is the kind of title you have a love/hate relationship with. On the one hand when it works smoothly it’s a really fun and beautiful VR experience to play, with masses of content and hours and hours of gameplay. Unfortunately it’s not perfect, with plenty of repetition and glitches that need finessing. It might not be VR’s summer blockbuster but Seeking Dawn isn’t quite the dud either.

Winds & Leaves has some nice ideas and for those looking for a nice tranquil VR experience with some light puzzles, it perfectly suits. The problem is Winds & Leaves can be a bit too quiet. Lush green grass and colour forests are all well and good but they’re still devoid of life, no animals suddenly return. So you end up walking through your lovely forest world alone, it all feels a bit soulless. Winds & Leaves was enjoyable for the 7-8 hours it lasts yet there was no desire to return.

It’s great to finally see Windlands 2 on PlayStation VR and remember what made this VR experience so enjoyable in the first place. Alas, with a heavy sigh this just doesn’t match its PC brethren when comparing the entire package. What this release really does is demonstrate PlayStation VR’s ageing technology and how it was good for some but not all VR videogames. However, Psytec Games has confirmed it’ll patch PlayStation VR 2 support into Windlands 2 when available, which could really help to unshackle the gameplay. At the moment, Windlands 2 only really soars half the time.

Dark Eclipse works well enough, but the mixture of MOBA and RTS elements means it feels watered-down and lacking a firm identity. In addition, the lack of a large community of online players presents a problem for an online-focussed title. For a free to play title, it is solid, and worth considering for RTS fans.

For an on-rails shooter in 2018 Naked Sun isn’t going to set the VR industry alight with an original idea or gameplay. It’s another title that perfectly suits the ideas of what VR could achieve a couple of years ago without going any further. On the other hand it’s extremely comfortable to play, has great gun control mechanics and will draw you in enough to probably complete it in one sitting. A decent yet average VR experience.

Journey for Elysium has some wonderful elements and high production values, such as the visual design, movement mechanics and voice acting. But like its protagonist, the title is stuck between two worlds, not quite offering enough gameplay challenge while the story fails to emotionally connect. At the right price Journey for Elysium is worth a quick blast through.

Vertigo Games has created a hugely enjoyable FPS videogame for the early days of VR, but one which will undoubtedly look dated in just a few months.

Ryte: The Eye of Atlantis is a story-driven puzzle title with a nice flair for the dramatic. Grand elements are littered throughout, from the giant centurion battles to the towering temple at the city centre, yet there’s a sense a lot of this grandeur has been cut back. Especially when the first playthrough unlocked the Steam achievement for completing the videogame in 1 hour 30 minutes. It isn’t a complete one and done thankfully as there are multiple endings depending on five key choices you make along the way which gives the gameplay some much-need depth. Ryte: The Eye of Atlantis has some great ideas whilst seemingly missing some obvious ones.

Warhammer Age of Sigma: Tempestfall offered the prospect for the sort of adventure Games Workshop’s brutal universe is renowned for, and the history and narrative is certainly there. Yet there’s no connection to or development of the main character, the action is mostly forgettable and there are just too many little glitches and inconsistencies to create a world Warhammer fans can really immerse themselves in. Warhammer Age of Sigma: Tempestfall isn’t a bad VR game, there were enjoyable moments and with a bit of refinement it could be a decent game; at the moment being a Stormcast Eternal just isn’t a blockbuster experience.

Looking great in some scenes and rather basic in others, Rise of Insanity is still a solidly put together experience. The storyline, sound effects and voice acting are all of a decent quality, but the English translation on some of the in-game literature needs some work. Difficulty is virtually none existent so it’s a breeze to play through in around two hours. If you’re looking for a short, digestible horror then Rise of Insanity is a sound bet, just watch out for those rubber ducks.

Front Defense is an experience that leaves you wanting. It’s one of those titles in which you can see bags of potential in the individual elements but ultimately it just doesn’t fit together as a perfect whole. You’ll play it a few times, complete it, but then never be drawn back to face another wave of Axis forces.

Ancient Amuletor is a fun way to kill a few hours, with some simple, intuitive combat and enough interesting innovations to keep it fresh. Along with the lovely graphics making it nice to look at. Sadly though, the title lacks depth and longevity with only four levels and no particular incentive to reply. The developers have mentioned that some DLC is in the works, though, which could redeem this title above a simple, casual time-killer.

There was so much potential for Doctor Who: The Edge of Time as well as expectation that the end result feels muted. Parts of the experience are great and showcase high production values – the storyline, locations and acting for instance. Interspersed with these are the negatives which make it hard to recommend to the casual gamer. Doctor Who: The Edge of Time is one for the hardcore fans out there.

Seeing that Wheeler created Separation by himself over a period of four years is an impressive accomplishment, especially considering the subject matter which inspired the experience. The atmospheric visuals and soundtrack are what carry Separation, reminiscent of titles like ICO. However, it becomes a little too monotonous and at times the emotion the title tries to portray feels indistinct as if it has lost its own way in this vast open landscape.

The Way of Kings: Escape the Shattered Plains will be of interest to people who are big fans of Brandon Sanderson’s work, or for people who are curious about what a The Stormlight Archive TV series might feel like, anyone else will only feel frustrated a a bit short-changed by how brief and limited it all is. If this was the first part in an episodic series, it might be enough to draw interest, but otherwise its’ something best left for hardcore fans only.

While Animal Force makes a valiant effort to bring some changes to the tower defence genre, and take advantage of VR, and it only manages to clear the its okay bar. It has some nice touches, and an appealing art style, but it also has very linear, repetitive gameplay, a steep difficulty curve and some very bizarre gameplay decisions that prevent it from being as good as it could have been.