Bayonetta 3 is a near-perfect game. I’ve never considered that the combat in Bayonetta or its sequel was missing anything in particular, but the third game’s new inclusions are so well refined that it may be difficult to return to the previous titles having experienced this one. Furthermore, the story, despite a few confusing points, has easily cemented itself as my favourite of the three. Not only is this one of the Switch’s best titles of the year, it’s truly one of its strongest to date.

The game has appeal and can easily pull in players from various demographics. Kids will love the chaos, older players can find a place to blow off steam. Whether Bang-On Balls has a long life depends on your attention span; it was fine to play in ten-minute bursts (perfect for Steam Deck) in between other games, but it contains so many ‘moments’ of carnage that get lost among the pinballing back and forth. For all the carnage, the collectibles, and the skirmishes, it’s not a memorable game, but it is incredibly enjoyable for those few-minute bursts.

Ghost of Yōtei is pure cinematic brilliance, and Sucker Punch Productions deserves to be commended once more for knocking it out of the park and, in some ways, topping its predecessor. I’m somewhat torn between this and Death Stranding 2: On The Beach, but without question, Ghost of Yōtei is one of the absolute best games of 2025.

Despite being dragged down by the combat I was thoroughly invested and on the edge of my seat for the majority of the game, and despite the horrors I witnessed it hasn’t swayed me from seeing every available ending, for the full and complete story.

Just like any top-tier strategy game, it’s easy to get lost in Total War: Warhammer III, losing hours, days and weekends to waging war on settlements in The Old World.

I was already a big fan of the series when I started playing Desperados 3, but I've been so taken with how well this old series lives up. The real-time tactics genre was big in the '90s and '00s, with games like Commandos and Syndicate being well-known names on PC, but they largely disappeared in the last 15 years. It's a real joy to dive into a wholly new game that shows how engaging a style of play it can be. Hopefully this won't be the last of its kind.

Indiana Jones and the Great Circle has fortune and glory in spades. In the words of Indy, “If you wanna be a good archaeologist, you gotta get out of the library!” This homage, lovingly crafted by MachineGames, takes you on the adventure of a lifetime, not as a casual viewer but as the intrepid explorer himself.

Luigi's Mansion 3 is easily the most delightful game I've played in 2019. Its tiny details add up to form an engrossing and endearing whole: the way ghosts wear sunglasses to block the light from your strobe attack; how enemies try to shoot Gooigi with children's water pistols; the way Luigi moves along ledges with a scared little hops; and how when you're hoovering up mice, they cling to the floor for a moment before being sucked into the nozzle. All of these touches make for an extremely enjoyable game that I've played for hours at a time without feeling that a second was wasted.

Dragon’s Dogma 2 is a surprising, maddening, glorious masterpiece.

It's an impossibly slick game that's bound to delight fans of Housemarque's previous work and anyone looking for a substantial new roguelike to sink their teeth into. But for everyone else? The difficulty paired with the sluggish sense of progression may prove to be a major turn off. What I will say is this: If you're even slightly interested in Returnal, consider checking it out. Some games are worth fighting for.

Cairn has now become one of my favourite games of all time. I absolutely love the game’s reactive climbing mechanics, the tough-but-fair difficulty, and its entire presentation is simply gorgeous. Even though there aren’t really any changes between playthroughs, this is a game I’ll be regularly coming back to, if only to continue experiencing the thrill of the climb over and over again.

As a team-based and tactics-first game with no Goomba-splatting butt bouncing on show (although, stomping’s an option), and no 3D platforming to be ever so precise about, Sparks of Hope may still remain on the periphery of the radar for some Mario admirers. But for anyone who was on the fence about Kingdom Battle and ultimately didn’t pick it up, know this: you’ll be missing out on a really special Switch exclusive, a triumph of IP-twisting fun and frolics, if you let a little nonsensical genre bias get in the way.

The close-knit community and setting made the grief feel all the more suffocating and as the player, you try your hardest to inject hope back into the world. Whether that means bringing fading relationships back to life, giving someone a purpose again or just being the quiet presence that somebody needs. Despite my issues, I believe Closer the Distance is a title that should be experienced for yourself as your story may turn out different to mine.

It may have taken nearly four decades, but the first mainline Zelda game with the titular princess in the lead role was worth the wait. This is a magnificent adventure that whizzes and pops with imagination, and proudly stands shoulder to shoulder with the very best of Link’s tales. If this is the Switch’s final Zelda game - and surely it has to be - then we’re going out on a high.

I can see that while I play, The Outer Worlds is everything needed and expected from a first-person RPG, one that can then be expanded on in the future, with innovative systems, original worlds, and unexpected characters - they now have a hub to fit into. The problem for players is: why play this game instead of waiting for the one that fully escapes the shadow of Fallout?

Horizon Zero Dawn Remastered offers a reminder of why this franchise is here to stay, as if we needed one. Guerrilla Games’ storytelling and world building is industry leading, and with the help of Nixxes, Horizon Zero Dawn Remastered imbues itself with the lessons learnt from the development of the original game’s successor, Forbidden West. You may not have thought it possible, but this version of Aloy’s world is even more beautiful, with Nixxes’ subtle attention to detail resulting in a space that feels even more immersive and brimming with life. When you can upgrade for just £10, there’s really no reason why you shouldn’t.

If you do decide to get Yakuza 0: Director’s Cut you’ll be getting one of the greatest games ever made, enhanced, on your shiny new Nintendo Switch 2, the decision will come down to whether you’ve played it before and fancy playing it again but via the definitive version.

Star Wars Jedi: Survivor is an exceptional sequel, improving on every gripe fans had with Fallen Order while adding countless new features in that’ll keep players engrossed for a long, long time. It’ll take something really special to come out to stop Survivor being the best action/adventure game of 2023.

Assassin’s Creed Shadows isn’t just one of the best games of the year so far, it’s the new yardstick by which all future Assassin’s Creed games should be measured. This is an epic, sweeping adventure bolstered by jaw-dropping visuals and a masterful blend of stealth, action, and exploration. You don’t want to miss this one.

Konami has improved on near-perfection by leaving all the original story beats, cutscene direction and dialogue alone, and instead, focused all of its attention on improving the visuals and gameplay experience. Metal Gear Solid Delta: Snake Eater is a masterpiece reborn. I envy those who are new to this series, who are going to experience this game for the very first time, but for those returning, they will have a long-lost love rekindled.

Pragmata truly is a triumph. The mix of hacking and shooting forces you to find a rhythm in combat and depending on what enemies are on the field and what equipment you have, the tempo can vary significantly. Combat never felt like it was outstaying its welcome nor did it feel repetitive. The Cradle is an excellent setting both in terms of story and environment variety so while backtracking for collectibles felt like a pain at times, it was still rewarding to revisit those areas to see what I originally missed. Hugh and Diana really are a dynamic duo and it was a pleasure to see their friendship develop; the humanity both of these characters bring to the plot is essential for the narrative to work and it was refreshing to have protagonists that aren’t carrying the weight of the world on their shoulders at all times. It made for higher stakes when the pair were in genuine danger and levity during the story’s quieter moments.

By the end of my adventure, I’d questioned so much about friendships, how society treats each other, and how emotions shape our outlook on the world. I was sad when it ended, I could have stayed here for many more hours. Citizen Sleeper 2 asks big questions, but never bludgeons you over the head with subtext, it simply asks you what you’d do in a certain situation, playing a chosen role. It does so, bolstered by a robust dice-rolling system, and some genuinely astonishing writing, as if you were playing a TTRPG with your best friend guiding your hand.

As I said at the very top of this review though, Octopath Traveler II is overflowing with heart and soul, and is an absolute joy to experience. Ever since I loaded up the game, I’ve wanted to do little more than explore Solistia, perfect my team and fight all the tough bosses I can find, even if only to listen to the outstanding music that will surely accompany the fight. If you’re going to dedicate your time to any long RPG this year, let it be this one.

As one of the Wii U's best games, Pikmin 3's arrival on Switch is welcome indeed. Already beautiful, its visuals didn't need much attention; and the controls, while initially a little fiddly, will click after a couple of days' exploration. It's great that more people will now play this compelling, oddly affecting strategic-puzzler (with a hefty splash of terror stirred in, no matter the low expense of the expendables).

Thirty-one years on from LeChuck’s Revenge, and Return to Monkey Island is confident about what it is, why it is, and who it’s for. This is swashbuckling point-and-click shenanigans of a most splendiferously convivial complexion that everyone who ever stuck a cue-tip in a stone monkey’s lughole or took a ride around Big Whoop, delighted in asking about Loom or half-inched a hairpiece to fashion a voodoo doll, will adore. It’s fan service that doesn’t forget to make itself half-approachable to beginners, and while its 20th century roots are showing there won’t be many rookies who’ll fail to step in time with its distinctive rhythms. While its puns might sometimes elicit a groan, so cordial is this game’s atmosphere, so genial its eccentric cast, that Return to Monkey Island can’t be received as anything less than a wholesome triumph for wannabe me-hearties everywhere.

While it’s far from perfect, I can safely recommend A Space for the Unbound to anyone looking for a cosy indie title with real emotional weight imbued within.

If you liked any of the previous games in the series, then it’s difficult to see how you won’t love this one. It takes some big steps forward and improves on all of the big systems that have been carried across from the previous entry. The map is beautiful and more detailed than ever, with the new population systems informing how it takes shape, something it does very naturally as the game progresses. It’s absolutely the standout in the genre for the time period it covers, and if we have to go another twelve years before we get another one, then at the very least we’ve got a great strategy game to play in the meantime.

Kirby’s long been there when it comes to Nintendo’s most commonly seen characters. There have been several very good games, but perhaps no out-and-out classic that went beyond appealing primarily to already invested fans of HAL’s creations. Kirby and the Forgotten Land should be that title, though. It deserves to do for Kirby what Super Mario 64 did for Nintendo’s mascot, and what Ocarina of Time achieved for Link’s adventures across Hyrule. It’s that good, that accomplished, that slick and sumptuous and gosh-darn spectacular, and represents a near-essential addition to any Switch collection regardless of your usual tastes in games.