As it stands, I don't think I can recommend Cyberpunk 2077 to you if you plan to play it on a last-gen machine, at least not right now. Based entirely on my own experience of running the game on the PlayStation 5, I still think you might be better holding out until 2021 and the "true" next-gen versions of the game, at which point I've no doubt many of its more glaring issues will have been fixed...For now, Cyberpunk 2077 on consoles - on new-gen consoles, that is - is a good game. It's often a truly great game - one that I've been having a ton of fun with.

Perhaps it's the writing, or those aforementioned best moments, or more likely some potent combination of factors, but Sable is special. I can feel it, still, hours after putting the pad down; the sensation of riding a geyser to a mountain peak, the crack of the crystal pillar under my avatar's feet. That golden sunrise breathing warmth back into this world. At the risk of repeating myself, it absolutely deserves to be played - just maybe not right now, and not quite like this.

I’d still recommend waddling down the streets of this world, but with the caveat that it’s the briefest of journeys over far too soon for such a big personality as the Duck Detective.

With Magic Inn receiving regular patches in an attempt to fix the teething problems that launched with the game, I would still recommend giving it a shot as players will find a cosy, life simulator with that touch of magic. It may not be as polished as others in the genre but, issues aside, it still offers an enjoyable experience with heaps of replayability.

When the writing works, it really works. And when it doesn’t, it painstakingly doesn’t. From the looks of it, it seems as though Metal Head Games is planning for further expansions later down the line. I hope this gives the developer an opportunity to build on what makes the game good, while improving upon some of its more unsteady aspects.

As a diverse story featuring wonder and beauty, I cannot recommend this game enough, but the nuts and bolts need tightening for it to truly soar.

When Europa simply allows you to unwind and explore at your own pace, it’s one of the most captivating experiences I’ve had this year. There is real beauty to be found here, for sure, but it’s all-too fleeting.

You won't want to leave Lake when the credits roll, such is the splendour of its setting and the welcome warmth of so many people who call this place home (assuming you weren't a dick to everyone). But you'll wish its flashes of understated majesty and its softly spoken introspective exchanges weren't compromised by performance that's woefully inconsistent. But if Gamious manages to patch this into a steadier experience, you can add a point, or even two, to the score below. Because there's something special here, beneath the creaks and the cracks.

Plenty of its in-game elements are executed perfectly, as demonstrated by the depth of each character. Nonetheless, this wholesome journey ends all too soon, with that conclusion mired in predictability.

There are moments when you’ll take control of another character when the narrators go off the traditional path, and these are welcomed because they add new layers to the gameplay, like melee combat, something that Antar doesn’t rely on. But, because so much of the game is told while you’re in Antar’s shoes, there’s a sense of missed opportunity. Thankfully, the game isn’t very long at all, so while this is a sore point, in the grand scheme of things it’s over relatively quickly and I was left with a fondness for the odd interludes with different characters, set dressing, and accompanying audio design.

NBA 2K23 is a solid basketball game that drops the ball with too much emphasis on microtransactions and poorly-thought out design in its main mode.

Piczle Cross: Story of Seasons doesn’t attempt to reinvent the wheel. It does what it does to a decent standard, nothing more, nothing less. It won’t be held in hallowed acclaim by all who play it, but that doesn’t negate the entertainment it offers, nor the power of well executed simplicity.

For fans of anime fighting games, Demon Slayer -Kimetsu no Yaiba- The Hinokami Chronicles is a compelling experience. Even if you're a newcomer to the series, this is a game that is fun to play, with a bold narrative that grips you early on. It may feel light at times, but it's a fine example of what CyberConnect2 does best.

Technically speaking, I'd recommend playing the game on something other than a Switch because I did see significant frame rate drops and the UI would benefit from a big screen, though I did enjoy sitting in the sun and checking off a few tasks for the day. Furthermore, the touch controls were a little finicky, and it's difficult to place objects exactly where you want them, unlike Animal Crossing. But, it's the curious text that accompanies the various odds and ends that intrigues me. Letters that arrive on the island, apparently unanswered, probing the appearance of a wrecked boat on the shores. As my collection of resources grows, I want to know what else is out there on this weird haven where the boundary between worlds is thin. It doesn't offer the very same adorableness of other games in the genre, yet its muted colours and purposeful pace is welcoming. If you're looking for a low impact and narratively engaging life sim, then spend a while on Cozy Grove.

If you're curious and you have a PSVR headset otherwise collecting dust right now, there's a demo of the game available on the PlayStation Store. It gives you the whole crashing-plane sequence, which will be enough to determine whether this is worth more of your time and, more importantly, any of your money.

Little Nightmares 3 feels like a sequel in name alone. As a co-operative experience with either a friend, family member or partner, it’s a good time and should give you sufficient spooks and scares as well as a few laughs here and there. Visually, the game is on point with some gorgeous and intriguing settings, but they lack depth and get moved along too quickly. The story is the biggest drawback though, and if you’re expecting a story on par with the first game’s, look somewhere else.

With Disco Elysium being one of my all-time favourite games, I was eager to check out Rue Valley with all of its similarities and although it does not stand side-by-side with it, it does have its own merits. As such, I encourage you to give it a go and see how you can make your 47-minute time-loops make a difference in a town filled with drama, looming corporations, family feuds, and even a possible alien or two.

Ghost of Tsushima is a fine open-world game. It ticks all the boxes of what you would expect it to do - but it doesn't do anything more than that. This is one of the last exclusive games for the PlayStation 4, and it's disappointing that it has nothing new to say.

Hoa doesn't do anything strictly wrong. It is not broken, or bad, or worse still boring. It's a delicately enjoyable time in a whimsical land, with a simple story of a child wanting to return home. The issue here is that it doesn't do much that's different, either. It's the kind of platforming you've seen in 2D games infinite times before, and you will likely experience again and again. It's short, it's sweet, and if you simply want to turn your brain off and not experience anything particularly new, it's not the worst path you could tread.

It’s a huge shame that after so many years in development, Vampire: The Masquerade – Bloodlines 2 has ended up not quite living up to its potential. The RPG features have been drained away, leaving behind a husk of an action-adventure title that sometimes passes as interesting. Set your expectations accordingly for this one, as it doesn’t live up to the series’ name, no matter how much it uses its compelling setting.

Overall, Hell Is Us has all the makings of an incredible game but is let down by clunky combat, a meandering main quest and lack of direction. However, it must be praised for its environmental storytelling and attention to detail when it comes to art direction and world building. If you don’t need direction and objectives to enjoy a game, this could still be the one for you as curiosity will always be rewarded in Hell is Us.

As a concept, Anger Foot is genius. I loved the city, the gangs, and the oddball humour. Oh, and the soundtrack is a thumping ass-kicker that constantly delivers big beats and funky grooves. However, the concept is restricted by itself. It certainly lives up to its name as you definitely can kick everything with your foot. I just wish I could have let loose, played around with different tactics, and embraced the chaotic absurdity that the developers were channelling with more depth.

Broken Pieces is a compelling mystery title that’s guaranteed to pull you in if you have it within you to overlook the fact that the game is trying to tackle too many genres at once. It’s a testament to Broken Pieces’ ambition though. The time-management and combat mechanics had the potential to add real urgency to an already intriguing tale, but lacked the refinement to truly achieve that goal. Still, I pushed on - rooting for Broken Pieces. It may not be perfect, but Broken Pieces is a promising start for Elsewhere Experience that shows that this indie studio is one that’ll surely make a name for itself in the world of narrative games.

The standout parts of Silt therefore are its artistic and sound design, creating that sense of unknowable and unsettling scale, a world that is home to weird little things and beings with too many teeth than is advisable. Respectably, the game clocks in at about six hours long, though I languished in some levels because the pieces of the puzzle of why the diver was down here were irresistible. I’ve got a theory, and what you’ll find down in the deep must be seen to be believed.

Lost Records: Bloom & Rage comprises two parts and yet I’d argue that the collective release feels like one part of a larger whole. Rage does little to conclude the events of Bloom, instead providing unsatisfying answers while withholding larger mysteries for a sequel that could take years to manifest, and that’s if it’s given the green light. I retain the opinion that there’s something very special about what Don’t Nod has conceived here; I just find myself struggling to find any sense of closure within the events of Rage. I’ll be there day one for a sequel. I just wish my satisfaction regarding this game didn’t rely on another that’s yet to exist.

Abriss is enjoyable primarily due to the destruction, rather than the puzzle elements. In its sandbox joy of blowing things up, it’s a satisfying experience that makes you feel like a kid again, and while a challenge is expected, it felt like I was fighting against the UX more than the puzzles.

All in all the game is straightforward and for the most part is enjoyable as you do feel like you're basically a captain of a Star Trek-style ship. It does unfortunately start to feel a little repetitive as the missions go on, as they tend to just be things like heading to a certain location to pick something up, or heading somewhere to clear the area. But there's a good amount of content in here to keep you entertained, such as unlocking new parts for your ship, recruiting new members, and being able to customise the look of both your crew and ship.

All things considered, Abyssus is a good game with a solid foundation, that could easily be a great game come future patches. Even now, it’s great fun to dive in and blow enemies away, particularly with a squad of friends, even if that does inordinately ramp up the difficulty. At the introductory offer price being offered in the Steam store until August 19, I’d feel more than comfortable recommending it to a friend, and it has the potential to be a staple evening’s enjoyment if it can get over the biggest hurdles discussed in this review.