A season of fun ideas and great presentation. [Issue#206, p.76]

Both a great racer and a great sandbox. [Issue#206, p.74]

No, it's not just an Origins knock-off. [Issue#206, p.70]

Stunning, but undermined by microtransactions. [Issue#205, p.82]

Stunning on the field, awful everywhere else. [Issue#205, p.76]

The biggest success of Two Point Hospital is that once the comedy stops managing to land - and at some point it will simply by virtue of repetition - it still remains compelling and fulfilling to play. [Issue#205, p.72]

Everything you can do here is positioned to celebrate Spider-Man's abilities, and that means everything you can do makes you feel like Spider-Man. [Issue#205, p.69]

A clever genre mix and essential VR experience. [Issue#204, p.84]

Incredibly punishing, impossible to put down. [Issue#204, p.80]

Great concept, solid execution. [Issue#204, p.74]

A new and improved recipe for family fun. [Issue#204, p.70]

What continues to impress on our second time playing through Treasure Tracker is the quality of the level design. The addition of stages based on worlds from Super Mario Odyssey is yet more evidence that these little dioramas are a rich format for creativity. [Issue#203, p.86]

A fantastic reimagining of arcade racing. [Issue#203, p.83]

Moonlighter builds good will, even in the face of some of its design choices. The grind from lowly dungeoneer and shopkeeper to an adventurer in your own right is enjoyable and, thanks to the gorgeous pixel art, you won't want to take your eyes off it. [July 2018, p.82]

An esports-ready success needing a sizeable audience. [July 2018, p.81]

Though Codemasters' dedication to the many details underneath the simple, blocky exterior, Onrush ends up being much more than just Overwatch for petrolheads. It's an innovative resurrection of the arcade racer. [July 2018, p.76]

While its story doesn't quite have the emotional heft it could have had with more character development, it nonetheless gives players a drive, and a reason to persist through a harsh world. [July 2018, p.73]

A survival game that embraces adventure. [Issue#201, p.88]

A tactically rich and rewarding space-merch-mech-sim. [Issue#201, p.86]

One of the best things we've played all year. [Issue#201, p.82]

Massive, overwhelming, engaging and brilliant. [Issue#201, p.78]

So, is Detroit going to convert David Cage skeptics to Quantic Dream's way of thinking? Absolutely not. This is pure thematic pondering, melodramatic, challenging, gamified cinema-aping stuff, and that's why we like it. [Issue#201, p.74]

Between the pitch-perfect length, a case of cheeky characters you just want to pinch and a distinct visual style you'll be left with a lasting fond impression. Short, sweet and filled to the brim with charm, you won't want to drop this one in a hot minute. [Issue#200, p.80]

At its cold, frostbitten heart, Frostpunk is a game of decisions, and what makes it so satisfying is they all matter. [Issue#200, p.75]

With an engaging plot that's as much a commentary on consumerism as it is a tale of morality, Forgotton Anne's inspired narrative is backed up by some solid and engaging gameplay. [Issue#200, p.74]

It's a game of two halves, God of War. For the first dozen or so hours you may find yourself frustrated by the slow levelling up, a bewildering map system, and perplexing storyline stuffed with gated areas and treasures. Stick with it, though; the more you do, the more of the realms you'll open... and that's where the fun REALLY begins... Like Kratos, this game gets better with time. [Issue#200, p.70]

A delightful adventure and excellent VR showcase. [Issue#199, p.84]

A stunning work of interactive art. [Issue#199, p.83]