From the very start of the game, it becomes quickly apparent that Rush'N Attack has nowhere to go but down. The visuals are ugly and look dated, it borrows the majority of its concepts from other better games and it simply is no fun to play.

If you're looking for a 360 party game with something for the adults, this is definitely the candidate you should endorse. But we have to think that's a pretty big "if."

Few people will accuse Monster 4x4 World Circuit of being a good game, but it's been dressed up enough that it at least crawls out of the sub-mediocre sewer.

AND 1's cool Create-a-Baller and Create-a-Move modes make the game worth playing, if you yearn for the exaggerated, arcade gameplay in the spirit of NBA Jam, albeit with a lot more street style.

In the end, Stairway to H.E.A.V.E.N.'s gravest flaw is its beat-for-beat recreation of the original game's many problems. None of these issues are new, and they haven't been improved in any notable way since the first game.

Unacceptable graphics, a chillingly dull fishing system and a cast of characters who lack any combine to make this a horrible excuse for a journey.

The drearily straightforward structure, broken camera and mindless action make it one that even the most dedicated Marvel fan won’t find much value in.

The targeting system sucks, often sticking to the enemy you just knocked down (and therefore can't attack until he gets up again) while another is bashing you in the back. The final aggravation is the camera, which constantly gets stuck on things in the environment, so you can't always see your foe.

Even casual gamers will breeze through this game in about five hours. You can replay levels to find all the hidden dragon eggs, but with unlockables consisting of mini-documentaries on the making of the game, replay value is very low for this title.

The poor level-completion dynamic mixed with the small playing area, and what sounds like the score from a rejected Bollywood musical don’t offer enough to keep you playing in extended bursts. The game is fun for as long as it lasts, which sadly, isn’t very long at all.

Duke Nukem Forever's world-record development time has produced an ugly, buggy shooter that veers back and forth between enjoyably average and outright boring, with occasional surges of greatness along the way.

I Am Bread’s amusing premise quickly shows signs of mold. Early giggles hide a frustrating game with control issues, wonky physics, and a lack of meaningful content. It’s simply not fun to play.

Disciples will be disappointed by the fundamental lack of gameplay depth, even as they might like the surprisingly high level of difficulty, but more casual fans might appreciate being able to grab a quick space battle here and there in skirmish and multiplayer modes.

Destined to line bargain bin bottoms. It has its hacking and slashing moments, but like so many movie-licensed titles, it reeks of a truncated production schedule and a too-heavy reliance on a story intended for another medium.

What you get from this DS disaster instead, is a headache without even half the heart of the novel.

Eragon's redundancy and simplicity just offers too few reasons to keep playing.

You control every tile of the hospital floor, from the amount of vending machines to how much you pay your surgeons. It does get tiresome, especially after hearing the bossa-nova-flavored lounge music loop for the 70th time, but for a short while it can be as addictive as OxyContin.

Destined to line bargain bin bottoms. It has its hacking and slashing moments, but like so many movie-licensed titles, it reeks of a truncated production schedule and a too-heavy reliance on a story intended for another medium.

Daylight is a mess. Its procedurally generated design doesn’t succeed in creating unpredictable scares, and the enemies that populate the spooky locales prove to be more annoying than frightening. The randomized levels offer a slightly different experience if you take a second trip through, but you’ll have seen just about everything Daylight has to offer after only a couple hours of play--which, regrettably, isn't much.

The end result is a ramshackle affair that will please neither hardcore Spy Hunters nor Joe "GTA."

Brooktown has obvious charm and we do hope for a sequel, but it's going to need to hit the books hard before we'll give it a passing grade.

The combat, for the most part, is satisfying and visceral, and the story, at times, is genuinely compelling. A mostly entertaining experience, it's marred by some terrible flaws and a handful of moments of unadulterated rage; much, we'd expect, like actually selling one's soul.

Even in its most blatantly obvious moments, the game’s plot is still distinctly Indy - minus that whole fun aspect, of course.

But it's all so damn repetitive, you'll be too bored to see this through.

That X-Blades remains a decent title despite the lack of compelling missions and likable characters is something of an accomplishment in itself, though not one we'd recommend advertising from the rooftops.

It's acceptably action-packed, but if it hadn't been patterned after Quentin Tarantino's signature film, you'd probably have forgotten it exists by now.

This is a rather sluggish shooter that demands a real love of the old arcade cabinet to really get excited over. But it is a nice trip down memory lane, still extremely playable, features some nice multiplayer options, and the enhanced mode is actually nice to look at and fun to play.

Of the game’s 100 levels, the majority are either totally uninspired or ridiculously difficult.