I did not enjoy my time with Bookbound Brigade, but I do say that with a heavy heart. I really wanted to like the game. It has a lot of character and some nice work has gone into its visual design. But its problems are insurmountable and ultimately you’re left with a game that’s too frustrating and filled with too many issues to ever be fun to play. At least Bookbound Brigade tries some different ideas on for size. They don’t fit, but at least the developer tries. Isn’t that what counts? “It’s not the winning, but the taking part.” Sadly, nobody’s a winner playing Bookbound Brigade, and there’s nothing to celebrate by taking part, either.

So, should you buy Evil Inside? Probably not unless you’re really desperate to be reminded of P.T., or truly love jump scares. Though even then, the fact that it’s only an hour long should make you think twice. On the balance of things it’s not a terrible horror game, but it brings nothing new to the table at all. It tries to mimic P.T. but is inferior to it in pretty much every way. Even worse, you have to pay for the pleasure.

Don't Mess With Bober has a humorous premise, but its gameplay isn't all that enjoyable with stealth sections that ultimately rely on trial on error. It's also very, very short.

A game of extreme peaks of troughs. At times it’s dreadfully boring; other times it’s wildly exciting. It doesn’t want to make your life easy, but then throws so much resources your way that being downed is trivial. It looks great, but it has a lot of bugs that will only make you able to view the game as ugly. Like Marmite, Generation Zero will dramatically split opinion. But it’s not just a matter of taste – Generation Zero‘s glitches and ill-implemented mechanics are just as much to blame.

Bar some buggy controls and slightly mediocre gameplay, it might have been an enjoyable blast of nostalgia… But Starfighter Origins flaunts its influences so brazenly that it’s difficult, no matter how much I tell myself that it was made by a small team of indie devs, not to compare it to those giants of the genre.

If Cubikolor was about half its asking price on the store, then it may be worth picking up if you’re looking for a new brainteaser to sink your teeth into. As it stands though, there are plenty of other games available that offer a better and broader challenge – and in some cases, at a much cheaper price.

The whole time you feel you are playing through a disjointed connection of apparitions that tie a loose story together, all a bit too far removed to create any meaningful attachment.

If Overpass‘ events were a bit shorter, if you felt like you had more of a connection with your vehicle, if you didn’t get stuck so often, then it would actually be a decent game. As it stands, however, it’s rarely fun. Playing Overpass just made me angry, and I don’t like being angry. It’s like banging your head against a brick wall, repeatedly. It’s frustrating beyond belief. Why would you want to pay to introduce that feeling into your life?

That’s really the problem here – Detective: Stella Porta Case is just too rough around the edges to really stand out. To say this is a solo dev project it’s a commendable effort, but it doesn’t make for the most fulfilling experience as a player. It’s janky and barebones, and the frustration of figuring out each crime’s timeline outweighs any satisfaction you might feel from cracking the case.

Ultimately, Tennis World Tour 2‘s new timing-based shot system ruins what could have been a decent or even good tennis game. It makes gameplay so unpredictable, and not in a good way. If you plan on buying Tennis World Tour 2 just to play exhibition matches as your favourite professional players, you might get some fun out of it thanks to their boosted stats making things more lenient. But career mode will be unbearable for most, requiring either an obscene amount of skill or an inhuman amount of patience. AO Tennis 2 remains the best tennis game available right now, so just stick to that.

Monster Jam: Crush It! is crushingly disappointing, taking the recipe for what should have been a simple yet enjoyable game and then failing to add even the most basic of ingredients.

Krinkle Krusher is a simplistic and generic tower defence game that is made worse by its use of its imprecise physical controls.

After two decades in development hell, Captain Blood has finally seen light of day — but it probably shouldn't have. Its controls and gameplay are rooted in the past, but its problems stretch far beyond feeling a little old-fashioned.

Monumental isn’t a bad game. It’s just a badly made game. I think that somewhere in here was a really genuine idea at heart, and looking at its page on the Steam store, that is so obvious. The world design is actually pretty nice but the game itself is plagued by buggy mediocrity and dull audio design. I wouldn’t recommend Monumental, but I think something amazing could have come from it. Clear away the bugs, dust off the boredom and you might have had something worth playing here.

Ultimate Fishing Simulator has its share of flaws, but it’s the constant grind that really sinks this game.

What Lies Beneath features frustrating puzzles, confusing voice actor swaps, and all around unnecessary changes – but still manages to squeeze in a bit of interesting storytelling.

While it has a decent chiptune soundtrack, there's little else positive to say about Terrifier: The ARTcade Game. The gameplay here is overshadowed by most side-scrollers of recent years, making it a massive disappointment. Art the Clown deserves better.

On the whole, Umbrella Corps is very much a missed opportunity. Light on content, unbalanced, and rough around the edges, it has some good ideas but they are drowned by its issues, making for an experience that is rarely fulfilling.

Should you play Neptunia Virtual Stars? Unless you’re a fan of the quirky Goddesses, I’d give this one a wide berth. Sure, shooting a range of weird and wonderful enemies is fun for a while, but if third person shooting or hacking-and-slashing is what you’re after, there are way better games to do that in. Ultimately, its annoyances far outweigh its pros, and there’s not much here worth sticking around for.

There are some good ideas in RETSNOM, but unfortunately they fall by the wayside as the tiresome visuals and dreary soundtrack wear you down to the point where you just wish it would end.

Drive Buy can be fun in small doses and there’s definite potential here, but if you’re looking for something substantial, it doesn’t deliver just yet. It feels too much like an Early Access product to be worth the asking price. Should the developer follow on its promise to add more content, then it might be worth jumping into. But for right now, we can’t recommend it.

I’d have liked to have had more fun with Table Manners, but its purposefully-awkward controls ended up being just too awkward to bear. It’s a balancing act, and sadly I feel like developer Echo Chamber Games has missed the mark. It should be silly and entertaining – and it is, for a few minutes – but it quickly devolves into frustration. Maybe involving some friends might make it a bit more enjoyable. But by yourself, Table Manners just isn’t much fun.

It’s hard to overlook the terribly outdated and buggy graphics, and the fact that the clunky presentation feels hardly optimised for consoles. Whilst gameplay can be enjoyable at times, it soon grows repetitive and tiresome, and the flawed day/night cycle means you’ll spend a great deal of time with nothing to do other than twiddle your thumbs.

PC just isn’t the right platform for a title like Guards.

Underling Uprising has an interesting cast of playable characters and bold, colourful visuals. It's just a shame it's let down by clunky gameplay, as well as some other issues.

It won’t cause as many laughs as it did in Early Access, but also won’t give you as many thrills as the originals. Roller Coaster Tycoon World is a fumbled hodgepodge of ideas that are emotionally detached from what makes a Tycoon game great.

If you’re a die-hard fan of the franchise, you might get a few nostalgic kicks out of Friday the 13th: The Game. But if you’re simply looking for a horror-themed multiplayer, this doesn’t hold a candle to Dead by Daylight, which itself is coming to Switch next month. Do yourself a favour, and pick that up instead.

I’m not really sure who Drive Girls is for. It’s too short and generic to satisfy most fans of the genre. It fails on nearly every level, never able to outlive its initial gimmick. The game leaves its one joke of “ladies, but also cars” stranded amid a desert of awkward anime tropes and reiterated levels forcing you to relive the same Drive Girls gameplay loop forever. It’s not that Drive Girls is simply repetitive, it’s just somehow boring. And that’s not something I thought I’d say about a game where women transform into cars, fight bug-robots and lose their clothes.