A destruction derby made out of cardboard miniatures sounds makes for a sound concept, but the lack of options and poor AI suck away a lot of its potential.

Attack on Titan 2 Final Battle is a tough title to recommend to anyone. It runs poorly, the new targeting system doesn’t work as it should, and the new modes simply aren’t worth the investment. If you still want to give it a shot despite all of this, do yourself a favor and avoid the Switch version.

Super Inefficient Golf lives as dies by its mine gimmick, but it is still a fun gimmick nonetheless. Those looking for a way to spice up their golf game can do far worse than this title, but don’t be surprised if it takes a while to get the hang of it.

Virtual Cottage has got the lo-fi beats and the atmosphere, but the song selection and number of options is somewhat lacking. Those that don’t mind tunes on repeat will dig its tracks, but it just doesn’t have the same impact as the infamous YouTube live stream.

Grabity is a casual party game that largely succeeds at what it tries to do. It’s not the deepest or unique title around, but those looking for a new game for their group can do far worse.

The world of Super Totally Ultimate Dad Showdown is a mixed bag. Some of the minigames are far better than others, but all those that bring some friends along can have some fun with this free-to-play title.

Superstorm Melon Date’s dystopian world tries to be original with its bizarre premise, but this visual novel follows the standard tropes of the genre a bit too closely to make a splash.

Tempest 4000’s time-tested gameplay still rings true, but some of the visual and design elements in this release add some unintended challenge. For what is ultimately an updated quarter-muncher, it has a steep price, but those looking to relive the past in 4K could do far worse than this title.

20XX’s physics are almost a perfect recreation of a certain blue bomber, but the roguelike elements don’t always work as they should. The procedurally generated levels don’t have the same spark as Capcom’s offerings, and its permadeath is an acquired taste.

Shining Resonance Refrain displays all the qualities one would expect in a JRPG game, albeit in a dated and unimaginative fashion. Fans of the genre will find plenty to sing about, but for those not sold on Japan’s ideals of an RPG, there’s little more here than a solid story and some good dungeon grinding.

Yars: Recharged has all of the underpinnings of a successful score chaser, but the premise just isn’t taken far enough to stand out in this day and age.

Pyro Fighters channels the spirit of the 8-bit platformers that took the Nintendo Entertainment System by storm, but the brutal difficulty and rampant bugs makes the challenge more frustrating than fair.

Hole in the Clouds is a golf game in the very loosest sense of the word, but this puzzle-platformer fails to have a personality of its own.

Void Prison is good for short bursts of play, but there’s simply not enough meat on the bone. It doesn’t do too much to stand out, and while it does have a solid foundation, it does not have too much more beyond that.

Bacon May Die plays it safe, featuring combo-heavy action that has a low skill ceiling. While it can be a fun way to get out some pent up aggression, this little piggy just isn’t king of the hill.

Comet Crasher is a simple game with a solid enough pick-up-and-play mechanic. Repetition can quickly set in, but this is one title that knows exactly what it is, for better or worse.

MissileDancer changes up the shmup formula just enough to stand out. It’s lack of difficulty and short length hinder its replayability, but those looking for something new could do far worse than this title.

BATSUGUN Saturn Tribute Boosted has detailed spritework and a novel leveling system, but there’s not enough in this 90s throwback to justify the steep price tag.

Venture Kid is a solid enough tribute to Mega Man, but it could have used a bit more polish to really stand out. It’s not a bad game, but rather an uninspired one.

Buck Up and Drive! is a vanity racer that focuses more on spectacle than depth. While we appreciate the nature of a car that can grind rails, there are a number of questionable design choices that cheapen the experience.

G.O.D.S. is an interesting proof of concept that could have used more content. Though there is not a ton of variety, the sheer amount of chaos and unpredictability of its hockey mode is worth a go for those jonesing for a unique multiplayer title.

Vampyr is a collection of wonderful ideas held back by a limited budget and a dated engine.

BlazBlue: Cross Tag Battle has got the fanservice down, but it feels more like a tribute to Arc System Works’ other games than its own unique beast. Its simplified fighting game mechanics, along with its reused assets, makes it only worth it for the most diehard of fans.

The arcade action of Centipede: Recharged is inoffensive, but there simply isn’t enough content here to justify its price tag. Even the most devout score chaser will likely get bored with this title’s lack of variety, and its bland aesthetics seal its fate.

Warlords of New York can only be recommended to the most diehard of Division fans. Constant bugs, exhausting combat, and a weak main villain leaves much to be desired.

I have absolutely no doubt that 18-24 months from now Blood Bowl 3 is going to be the game the community has dreamed of for so long. However, as it stands today, it’s the game we all hoped it wouldn’t be.

The concept of meme icons fighting one another will no doubt turn some heads, but this joke is just not taken far enough. The engine powering this bout for the ages is simply not built for the task, hampering its appeal.

The horror stylings found in Haunted Gas Station are strictly by the books. It does not do anything horribly wrong, but players will know what to expect from this title with a mere glance of the Steam page.