If you're looking for a nostalgic multiplayer action game that you can play with the family (there's also split-screen here), then Hypercharge: Unboxed is not a bad option at all.

Crow Country is a very well-composed horror adventure that blends the best of the past without us having to pull our old Sega Saturn out of the closet.

I like the quirky charm of the game and the puzzles are something I always personally enjoy. As so often, this works very well in VR. However, the game itself feels a bit too stripped down and doesn't really do much new for the format itself.

The gunplay, Descendant options, buildcrafting, visuals and graphics, action, cooperative systems, these all work hand-in-hand to make this an promising experience. It's just hampered in so many other places that make me frustrated and tired of playing.

It's still a pleasant platformer with interesting gameplay mechanics, varied and detailed unique locations to explore, a broad list of enemy types to face and overcome, and lots of secrets to find hidden in nooks and crannies. But at the same time, this HD remaster is inferior to Luigi's Mansion 3 in pretty much every conceivable metric, and there's not a strong enough sense of nostalgia here to save it.

Super Monkey Ball Banana Rumble is still the most fun I've had with the series in over 20 years, and I'm actually at the time of writing looking forward to taking my Switch with me on vacation to break my own records. I just wish Sega would scale back production, as less is more here. Trying to add a story in this case is as relevant as trying to improve Tetris with a tale of missing blocks, rival gangs and Tetrominos speaking in fake children's voices in a made-up language. It wasn't for their delightful personalities that I once learned to love AiAi, MeeMee, Bano and GonGon - but because they were in an incredibly good game.

It's almost hard to do Selaco justice with words, and even at this early stage the game is packed with content, which certainly makes you dream of what's to come when they finally leave Early Access sometime next year. [Early Access Score = 90]

Destiny 2: The Final Shape is not for everyone, it's for the veterans and the players who have stuck by this game year-after-year-after-year, and it's precisely this that makes it such a brilliant end product. It's crammed to the brim with content, has hugely impactful and important story developments, takes risks that pay off with mechanics and gameplay, and all in a new location that is dripping with nostalgia while being effortlessly gorgeous.

FromSoftware hasn't reinvented itself with the expansion, but I think they've created their best piece of content yet, both from an aesthetic and, more importantly, a design standpoint.

The Chinese Room has succeeded brilliantly with their original pitch of The Thing on an oil rig, while infusing the horror with the emotion that characterised a game like Everybody's Gone to the Rapture. It's the kind of game that, with relatively few mechanics, manages to create immersion with great sound design, evocative visuals and believable storytelling.

Ghost of Tsushima: Director's Cut is a great conversion of the PlayStation game and should be experienced for its magical atmosphere and combat system. Although the story and missions have been seen before, the game is filled with innovative design choices that I highly recommend.

I'm glad that MultiVersus is back again. It's a damn fun multiplayer game, though I feel Player First Games and Warner have made it strangely difficult for themselves. Removing things from the beta (which was criticized for having too little content) just feels odd and the fact that the netcode is no better than it was, is beyond comprehension.

After all these years of development and polishing, there is no doubt that Natural Motion has produced one of the most well-made mobile games I have tried in years.

F1 24 builds on the tradition and offers the most complete and bold representation of the sport you can find on console or PC. Both online and offline, there's plenty to do and the racing is just as absorbing as ever.

Robobeat is an outright euphoric experience, especially a number of hours in with many weapons and abilities unlocked. Because there and then, as you bounce around the rooms, delivering viciously quick deaths to the beat of the lush soundtrack, the outside world disappears completely.

As it is, with its few pitfalls, it isn't quite as refined as I would have hoped, but that doesn't mean there isn't a lot to love and appreciate in worldbuilding, narrative, character design, and presentation. Spitfire Interactive has taken some risks with this game, not all of them have paid off, but there's definitely still a lot of potential and promise with this game all the same.

Duck Detective falls short, even though it works in a way. It's not bad, but the whole thing reeks of unrealised potential, and I really hope Happy Broccoli gets the chance to give this formula another shot, because the concept is downright brilliant. It's also much better than the actual game that sprang from it.

It took me about four hours to play through Mullet Mad Jack and after about half of my playing time, I felt pretty fed up with the monotonous environments and the corridors that everything takes place in.

To cut to the chase, the technical performance is just not good enough. However, this can all be forgiven, because with fairly simple means Odd Meter manages to build a seamless gaming experience that entertains along the way and leaves you with food for thought.

Ubisoft has something very special on their hands here, but if this launch version of XDefiant is even a marginal sign of this game's future, it will not survive. It's free so check it out and play it for a couple of days, but you'll probably go back to Call of Duty or Halo or Overwatch or any other shooter after that because there's a distinct lack of depth here and the fluidity and refined design isn't really an element that makes this game stand out from its competitors.

I can't help but feel as though Hauntii is missing something else to fill some of the gaps and to help pry your eyes away from the more conflicting areas. There's a charm to this game, you can feel it while playing, but it never quite comes out in practice and while I do see brilliance in some areas of this indie project, it also never quite managed to hook me along the way.

Paper Mario: The Thousand Year Door is a fantastic RPG that stands out as a unique gem of the genre. It's not afraid to be whimsical and strange, nor does it compromise on making the theme of a Paper Mario game come to life with its interesting abilities and mechanics.

When Senua's Saga: Hellblade II hits these high points, it's impossible not to completely indulge in Ninja Theory's bleak vision of the Viking Age. The often unforgettable scenes practically transform it into a visual poem, and in these moments, it couldn't matter less that the game's mechanical components are smoother and more superficial, because it's more of an interactive experience than a traditional game.

System Shock is a deeply fascinating game, and with such a well-made remake, there's no reason to hold back if you want to experience a piece of evocative, well-designed and frustrating gaming history.

For those looking for a strategy game to plug away at for the rest of May, Songs of Conquest may just be the ticket. It's crammed with content, has a polished sheen that many other games fail to achieve, is easy to pick up and play, and has systems that make even its more complex elements approachable or surmountable.

If you enjoy Two Point games, and management simulation titles altogether, you'll no doubt have a lot of fun with Galacticare, but don't expect an experience of the same degree of refinement as some of the other titans in this space.

Lorelei and the Laser Eyes is an aesthetically pleasing, cognitively challenging and narratively stimulating experience of the kind we rarely get to enjoy, and I already miss the obsession of unravelling all its secrets.

Paper Trail is a really nice puzzle game, but it didn't quite blow me away. There's nothing wrong with it as such, and the various puzzles should provide a good amount of challenge, but it feels like something is missing.