A delightful albeit brief return for Ulala in VR, which while hardly game-changing for the tech, brings back the simple joy of dance for space cats everywhere.

Overall this title may not blow your socks off, but it’s definitely worth giving a go if you enjoy games of this genre. Whilst there are negatives I pointed out in this review, it is still a decent mech game and gives you a decent lengthy game of killing robots.

A set of interesting RPGs set in a unique, fascinating world. Imagery that will stay with you long after you stop playing. Tried and tested combat is a shame but the interesting crafting is worth a look.

ShockRods is a disappointing game that was made with a lot of oversight. While most of the issues can be resolved with software updates and DLC maps, the base game costs £20 and you are getting what is essentially a half baked game.

Devil May Cry 3 may be getting on a bit 15 years later but it nonetheless remains one of the most technically hardcore action games out there, and devout devil hunters will make great use of the additional features for the Switch port.

Within the opening hours of Areia: Pathway to Dawn you can see what the developers were trying to do with its beautiful visuals and overall religious vibe, but it ultimately falls flat due to its repetitive puzzles and assuming the audience is familiar with Buddhism.

The greatest CRPG of the Windows era with some updates and controls from HELL. Buy it.

For me, I can’t help but feel like Deponia Doomsday needed to reset time just once more to undo some of its irritating writing and design so that the good qualities could shine through even brighter.

There is a good variety between levels and bugs that will keep you engaged until the – very short – end, but you’ll be buzzing all about it once you’re done.

An improvement on its predecessors in just about every conceivable way. Zombie Army 4: Dead War offers one of the ‘gamiest’, most carefree and satisfying shooting experiences of recent years. Technical bugs and a lacklustre horde mode prevent this from reaching its full potential, but it’s just so hard to stay mad at a game that’s this much fun.

Dead or Alive Xtreme Venus Vacation is the mobile game you keep meaning to get back into playing - but have decided to just do the daily stuff until you get the time. Except it isn’t on mobile, and it isn’t a game.

I doubt any Great Power could save this game from being the soulless wasteland that it is.

Triangle Studios’ latest release makes a strong first impression with striking visual effects and satisfying shooting mechanics. Sadly, the appeal quickly wears thin, exposing its repetitive gameplay and samey environments. Good for a handful of short bursts, especially with friends, but it feels too much like an unfinished product to fully recommend.

Weakless is a very short game with very easy puzzles. It is set in a beautiful world with good but repetitive music. It has unique characters that forces players to play as both a blind and a deaf character which I found to be very different and fun.

Dragon Quest is a fun, light-hearted JRPG with simple and enjoyable combat and classic Dragon Quest charm, though the lack of play time mixed with its other flaws leaves something to be desired, though at just £3.99 you really can’t go wrong.

There are some heart-warming themes of friendship and scenes of goofy fun that might appeal to someone looking for an optimistic gaming experience, but in many ways these only make the sexual scenes even less pleasant. NEKOPARA is a franchise for a very specific type of person, unfortunately, that’s just not me.

Dead End Job is a great game that takes parts of Luigi’s Mansion and parts from the roguelike genre and merges them wonderfully into this very stylish and surprisingly entertaining ghost-busting game.

It’s just not particularly interesting to play through. There’s certainly some enjoyment for fans to latch onto, but it’s hard to say if that’s enough when the game feels skin-deep in its appeal.

The studio clearly sees potential in the format as a storytelling platform, and I definitely want to see them refine it in the future.

The characters and the overall art style are cutesy, sure. But that shouldn’t deter you from the solid build-em-up that’s underneath it all. A great game to get into the resource strategy genre with, and just as good for those that are au fait with the genre already.

Even if I’m less than impressed with some of the game’s technical shortcomings and overbalancing, Gang Beasts still delivered some of the funniest moments I’ve had in gaming, and that joy will stay with me for some time.

Having 64 endings seems excessive when the vast majority of them aren’t worth going through the tedious mini-games for.

Idea Factory may have skimped a bit on narrative, but the visuals far exceed anything I’ve seen in any visual novel, and even most games that fall outside the genre. If this your first foray into dating sims, while the narrative can go all over the place at times, you’ll be so lost in the visuals of the world, you won’t mind where it takes you.

If you absolutely can't wait until Bloodlines 2 for your next Vampire: The Masquerade fix, Coteries of New York is a decent enough way to fill the time.

At £8.99, it’s not asking for much money, but it’s certainly asking for too much of a player’s time with the excessive and repetitive grinding.

Spend a few hours winding down with its carefree sandbox or just listen to the ever catchy folksy music, and it’s just the antidote you need after a bad day, a bad year, or hell, a bad decade.

There’s nothing really different here; no new game modes or anything like that. It’s more of the same, so if you liked what you saw first time round, then it’s very likely you’ll enjoy this too.

A fun, but simplified take on the turn-based strategy genre, think "baby's first XCOM" and you're on the right lines. Its flaws are obvious but easily overlooked for newcomers to the genre. If you're a die-hard strategy fan, consider giving Narcos: Rise of the Cartels a pass, it won't have much to offer you.