Mina the Hollower expertly captures the classic exploration of Zelda and the challenge of Dark Souls to create a unique and cohesive experience. Mina the Hollower is a joy to play, and I can’t wait to see what Yacht Club Games comes up with next.

Causal Loop is a tale of extremes – on the one hand, I admire the intricacy of its machine, creating perfectly choreographed loops to achieve a common goal. On the other hand, I couldn’t help but be disappointed by the repetitive nature of that goal. There’s a polish to the presentation and play of Causal Loop, but the concept itself feels underdeveloped, and the stages feel like wireframe prototypes. Despite the inherent appeal of looping clones, I ultimately came away wishing for a more exciting application than just pressing buttons.

Wreckreation has lofty ambitions, and I’d say it achieves most of them. Driving is fast and furious, and the gameplay loop kept me hooked as I was constantly discovering some new and cool thing while tooling around in my MixWorld. Countless late nights were spent beating a tight time in a race or hunting new cars to collect. While there are more minor issues under the hood than I’d like, those who crave a decidedly old-school open-world racer should take this one for a spin.

With those few gripes out of the way, this is still an incredibly enjoyable story with a wonderfully charming cast of down-to-earth characters. Playing was like having a chat with a friend I hadn’t seen in a long time, and in the end, Coffee Talk Tokyo is a reminder that sometimes what a person needs is an open ear, compassion, and community — and it also really made me crave a cup of tea.

Uprising is a total war conquest between all enemy factions established in the game. While it provides a welcoming level of freedom when it comes to choosing missions, it can’t maintain the same quality when it comes to mission objectives and design. It’ll be an enjoyable product for those who already love the base game, and maybe that’s enough.

The Abbess Garden could have been a pleasant experience, and it has indeed pleasant elements, but it lacks both engaging gameplay and an engaging story — there’s nothing here to bind it all together. As it stands, the best part of the experience is watching our plants grow, from seed to flower, and customizing our garden, but it’s just not enough. Hopefully, MD Studio uses this game as a sketch for a more compelling project next time. It’s a shame, because the right ideas and ingredients are here, but maybe they’ll find more success in another game, in another abbey.

So yeah, Bubsy 4D is a good game – of course it is, Fabraz made it! The bobcat couldn’t have gotten luckier with these developers. And if they make another one, or add on to this one, I’ll happily check it out. With that said, people should play Demon Tides first, and then Demon Turf, and then, even then, wait for a steep sale — there’s just not enough content here.

In a mechanical sense, there are aspects to enjoy in Mutant Football League 2. However, it’s hard to recommend thanks to its offensive humor, irritating bugs and glitches, and near-nonexistent multiplayer experience.

In the end, Fortune Seller‘s strange atmosphere kept me engrossed and organizing items was more satisfying than I would have expected. I’m still going to keep working at this shop for a while even after finishing several runs, but it’s always a challenge to avoid paying my rent in flesh to a shadowy landlord.

It’s obvious that In Their Shoes was made to test and improve a player’s empathy. Although some of us have probably gone through some of the situations we encounter here, many will be outside the average person’s experience. Further, it’s mechanically not a game for everyone — it’s targeting the niche of people who love reading in games, and I suspect it will be repetitive and monotonous for most. However, pedagogically speaking, it’s worth playing as a way of training one’s ability to feel for others, and to be in the shoes of people who are different than us.

In fact, the whole game is good – it’s not an all-time great, but a rare, pure example of something unambitious and also essentially perfect. I’m nearing 30 happy hours spent making stained glass and, conservatively, have another 30 hours of time left here, should I choose to pursue it. Again, Glimmith is not high concept, it isn’t beating anybody over the head with its cleverness, but its calm, dependable quality flows from it like a river or a cool breeze. For those into puzzle games who somehow don’t already own it, today’s the day. Have at it.

When Defiance was originally made, developers had largely figured out how 3D platforming should feel, and the only real hurdle that remained was being willing to trust the player with the camera. Combat still had a long way to go at that time, though, and it’s in the stumbling, awkward fights that Defiance shows its age. It’s an interesting curiosity, but anyone considering loading it up should be ready to slog through some truly annoying fights.

It’s a delightful title that tells a story about what really matters about cooking — family and community building. If there’s one lesson to take from Dosa Divas, it’s that even a pile of mush can be a quality meal if it’s made with love.

The Requiem DLC brings a novel new mechanic that makes it wildly worth it. I might as well have been playing as Leon Kennedy with the amount of thematic easter eggs, and the experience felt wholly satisfying.

For those looking for way to play The Disney Afternoon Collection on the Switch family of consoles, this version is a solid choice, despite being a bit lacking. The emulation is good and the new additions are welcome, but there are still a few titles missing and the new additions don’t feel like they got the same level of attention the others did. The presentation also leaves a lot to be desired, with hard-to-read instructions and poor implementation of game screen borders. It’s worth looking into for players who don’t own any version yet, but as such a a minor upgrade compared to the original release, it’ll be a hard sell for all but the most ardent Disney fans.

In the end, Neon Inferno is a largely decent action romp that never comes close to the classics of the genre it clearly has deep respect for. It certainly looks the part, and that may be enough for some nostalgia driven gamers to give it a whirl, but it’s hard not to feel like it’s outclassed by its inspirations.

As a new direction for the Dark Pictures series, Directive 8020 gets the job done. It makes it clear that Supermassive Games can adapt to changing tastes and offer a streamlined, accessible version of their most famous product. It’s only a pity that the script can’t match up to the gameplay. Moment to moment, as an experience, this is some of the best work Supermassive has ever done — but pull back and look at the whole, and narrative flaws appear. Hopefully they’ll take everything they learned on this one and use it to present equally robust systems with a more coherent story next time around.

Elementallis is a gem of an indie title and a must-play for any Zelda fan — I truly appreciated its efforts in honoring the series’ legacy while also offering enough variety to avoid stepping on its toes. Elementallis made me feel like the ’90s gamer kid I am at heart, and I’m thankful I got to relive that sense of joy and wonder.

I spent a lot of time complaining in this review because it chafed against my particular tastes for these kinds of experiences, but there’s little here that’s bad on an objective level. As such, Kotama and Academy Citadel wouldn’t be at the top of my metroidvania recommendation list, but that’s due more to the amount of stellar competition in the genre than any particular flaw of its own.

I really wanted to love Big Hops, since it’s clearly made by folks who share my fondness for the 3D platformer genre. But while that passion has birthed a terrific moveset, Big Hops is ultimately a selection of great mechanics in search of a tighter, more focused game.

Honestly, I can only think of one criticism, and even that’s a bit of a nitpick — if the player puts time in and fails to make much progression due to a series of losses and few resources gained, I could see things becoming a bit stale. However, Titanium Court is a bonkers, surreal, thoughtful, and funny adventure from start to finish, and I had a hard time putting down. I kept coming back for more, and I can’t recommend it enough.

Big fans of professional soccer or management sims may find more to like in Nutmeg! than I did, but as for me, I’m putting in my resignation from the team.

In the end, Pragmata is a great new IP from Capcom. It’s endearing, it offers a unique and satisfying take on third-person combat, and also boasts plenty of scope for exploration, impressive bosses, rewarding payoffs and a significant amount of built-in postgame content. What more could someone ask for?

Fatal Frame 2 Remake is creepy, haunting, and thrilling in equal measure. It’s also fiddly and frustrating at times, and requires the player to put in a ton of effort if they want to feel like they’ve gotten everything out of the story. (PROTIP: get a walkthrough.) Still, it’s a truly affecting experience, and that’s down to the developers’ brilliant use of mechanics. I’ve played literally hundreds of creepy horror titles, but I’ve almost never felt this kind of connection to the story, and that’s entirely down to the decision they made to trigger that bit of physical discomfort in the player. I can’t imagine it’s going to be an experience for everyone, but the results are inarguable – I cared about what happened to these twins, and appreciated the experience all the more because of it.

Those looking for a simple-yet-effective grind and not bothered by bad voice acting will enjoy Dragonkin: The Banished. It doesn’t attempt to rewrite the ARPG, but it provides a solid loop with a novel approach to skill-building that serves as an antidote to the terminally-online titans of the genre.

Planet of Lana II: Children of the Leaf successfully expands on its underrated first entry in nearly every way possible. It’s the perfect Empire Strikes Back to Planet of Lana’s New Hope: approachable, beautiful, and a great adventure worth taking.

Dread Delusion’s best content overshadows its flaws. Even with some disappointment at the lackluster outcomes to my decisions, the build up to those moments was rich, engaging, and founded in human emotion. The storytelling in Dread Delusion is top notch, and I found myself transfixed, exhausting each dialogue tree, and reading every lore-book I came across. There are moments from Dread Delusion that will haunt me for months to come, and that quality alone makes it worthwhile.

Anthem#9 looks fantastic in trailers and the gem matching mechanics are satisfying — piecing together a giant combination of attacks feels great. On the other hand, the UI needs work, the difficulty spike going from the basic (AKA tutorial) missions to the extra missions is supremely out of whack, and all the white flashes made me sick and will likely trigger seizures in photosensitive people. I want to like Anthem#9 more than I do, but it really doesn’t like me back.

At the end of the day, Unbeatable is a solid rhythm title with great audio-visual presentation and and a heartwarming narrative, though some lackluster pacing and inconsistent voice application make it a trickier recommendation than I would have expected.

There’s nothing meaningful to recommend this title, and it’s easy to call it the weakest entry in the entire Kain series—an outcome that falls far short of the modern revival I had hoped for.

Love Eternal is very demanding game — it demands perfection for its platforming, focus for the narrative beats, and patience for both. I can say that it’s one of the most unique games I’ve played in a very long while, and maybe with time I’ll come to enjoy it more than I did. I never stopped being intrigued enough to keep pressing on, but the frustration it put me through only took away from the experience overall.

Caves of Qud can be a frustrating and downright hostile experience at times. It’s clearly built for those who have a fondness for older PC-style RPGs and those who enjoy diving deep into several different systems running at once, and for me the overwhelming nature of things adds to the charm. Caves of Qud is one of the most unique adventures currently out there — it’s just not one that will resonate with anyone looking for something laid back or relaxing.

While Painkiller’s attempt to reboot is a worthy goal, but the reality is that it just doesn’t get the franchise where it needs to go, as it’s not something easily recommended to a friend thanks to its mediocre nature, nor is it a a true single-player experience for those old-school Painkiller fans out there. Just like its protagonists, the game is caught in a purgatory between the modern online gaming landscape and its classic arena shooter legacy, fighting for a redemption that isn’t looking likely to come.

Wreckfest 2 is, at this moment, a promising Early Access release. It’s already a blast to play and offers everything fans of combat racing could ask for – other than, you know, structure and a career mode. Still, there’s already a worthwhile amount of content, including a truly bonkers derby arena full of ramps, loops, and giant metal traps that crush cars like grapes. It’s always a risk engaging with something in Early Access, as there’s a chance that promised features will never materialize. That said, there’s already a lot to love, and for players who long to see a Volkswagen Bug car disintegrate into component parts as it’s rammed head-on by a school bus going 80, Wreckfest 2 certainly has the goods. [Early Access Score - 65]

Marathon is an excellent experience, and a great shooter made by a great developer. Taking all the lessons they’ve learned from decades of FPS design, Marathon succeeds with gameplay and gunplay that’s leagues better than anything else on the market. I’ve lost more sleep in the last few weeks than I have playing any other game recently, and while the online crowd may be a bit too hostile at times, those willing to engage with its dynamic loop will be rewarded with one of the finest first-person shooters this generation.

Overall, JDM: Japanese Drift Master is a stylish racer with a lot of anime charm. I am in love with the anime aesthetic and as a huge fan of classic Japanese street cars, I was happy to see my non-Toyota favorites here. Unfortunately, its handling model makes the entire package turn out to be an inconsistent ride.

The excellent color palette, cute yak animations, witty writing, and excellent soundtrack were simply not enough to encourage me to play further. All of the novel concepts and innovations presented to me were swiftly undone by the insufficient interface controls near the halfway point of the campaign. Fighting with this interface felt like I was a monk trying to coax my yak up a ramp, and that yak was unwilling to take another step.

Speeding through the world while listening to the perfectly-tuned soundtrack, I did find myself getting lost in the experience, exactly as the developers hoped I would. More than once I knew the exact route to the next objective, yet decided to do a few more dry runs, just because I was enjoying the driving too much. I’m not saying that there aren’t frustrations to be found in Adrift, but I still found this one of the most relaxing things I’ve played in ages. Just being in this world is a delight, and when I’d finally finished exploring it, I was a little sad that there wasn’t more to see. It won’t be for everyone, but for those who click with it, it’ll be just what they were looking for.

For those willing to overlook the lackluster narrative, Monster Hunter Stories 3: Twisted Reflections is an amazing adventure. The visuals, monsters, and companions made the world feel incredibly alive. The battle system is dramatically improved over its predecessors, and is leaps and bounds better than its initial outing on the Nintendo 3DS. I’m hoping Capcom stays the course with a future Monster Hunter Stories 4, as they are absolutely on the right track with this franchise.

Nobody comes to platformers for the story, they come to them for joy of play – and Demon Tides is nearly pure mechanical joy. It’s a geyser of creativity and passion that ennobles the genre. There are flaws, but they’re very hard to see from the heights this game reaches the vast majority of the time. Anybody with any interest in jumping and/or collecting should leap, not walk, to the digital storefront.

With four classes with distinct powers to upgrade and over a dozen weapons, each with a bevy of unlockable attachments, players will have no trouble finding a build that appeals to them, so long as they’re passionately invested in mass-murdering zombies and the various mutant gunk creatures that come along for the ride. With a fast pace, extreme replayability and irreverent tone, Toxic Commando is a blast from beginning to end — I just don’t understand why it’s not called Toxic Commandos — because, again, there are four of them.

Without the insane sense of humor and quality retro styling, I probably wouldn’t give it a moment’s thought. But, it does have those qualities, and uses them to excellent effect, even while the gameplay is disappointingly pedestrian. It has some neat quirks, amusing throwbacks and charm aplenty, but overall it’s nothing to brainwash a princess over.

As it stands, the framework of a promising tycoon game flickers beneath the strobe lights, but it struggles to justify the cover charge. Moments of satisfaction are undercut by clumsy onboarding and a lack of personality, leaving the whole experience feeling flatter than it should. Unfortunately, Disco Simulator hints at a better party than the one it ultimately throws.

It took me a dozen hours to beat Resident Evil Requiem the first time, and I don’t think more than twenty minutes ever passed without absolutely flooring me with some new surprise, reveal, or thrilling setpiece. It’s violent, scary, and funny, and everything good about the series all rolled up into one. We’re 30 years into the Resident Evil franchise, and not only is it not getting long in the tooth, the developers are doing their best work yet. It’s a masterpiece from beginning to end, and an absolute must-play.

While its mechanics never quite cohere into a truly transcendent experience, the developers’ understanding of their protagonist helps to bolster Styx: Blades of Greed against becoming just another anonymous sneak-‘em-up. They’ve provided a play space that’s free of judgment and agnostic to the moralistic implications of player behavior, and I felt no pangs of guilt as I went about systematically murdering a fortress full of guards and staff, stealing all I could in the process – after all, it’s what Styx would do, and they probably deserved it anyway.

The workaday plot aside, the fact that my main complaints about Relooted boil down to wanting more of it says something about its quality. The heists are satisfying, the escapes are exciting, and the characters that get a chance to shine are charismatic. Relooted has the bones of an all-timer, but it falls short of building the perfect reliquary to keep them in.

Mewgenics is sure to be a hit with Binding of Isaac fans, roguelite fans, and tactics RPG fans. It has McMillen’s signature ugly-cute Newgrounds flash art, a toe-tapping soundtrack, and an unfathomable number of ways for players to approach its chaotic, layered grid combat — just be prepared to see many, many, many cats expire as nine lives are not included.

Its recipe is a simple one — take rock-solid FPS and survival fundamentals, and flesh them with high-level, imaginatively distinct, and powerful horror. It’s not a subtle experience, but met on its own terms, warts, Wranglers and all, it hits like a sledgehammer in the best possible way. Brace yourself.

Ultimately, I can’t imagine who this game was for. If it was directed at children I could understand the level of difficulty, but the thin content and basic systems will hardly appeal to seasoned players. If Salt 2 were a ship, it would give the Kraken indigestion.

REANIMAL is a nightmare that won’t end. After beating the campaign I immediately started it up again, hoping that by finding all of the secrets I’d get some answers to the questions the ending raised. Sadly, it wasn’t to be, and I found myself with too many loose ends while also being unable to get the haunting aesthetic out of my head. This is a grim, nasty experience from the masters of the genre. It’s a singularly nasty journey, and while I can’t recommend it to everyone, anyone looking to take a trip through the dark side won’t find one much better.

While Suda-51’s trademark style and weirdness is still present, this is perhaps his worst-playing game to date, and this leaves me a bit worried about Grasshopper Manufacture being in NetEase’s hands. Those who enjoy Suda’s work will still manage to find bits of his output that they like here, but it’s a real slog to get to the good stuff, and I suspect that anyone who’s not already a fan of his catalog will find this experience to be genuinely awful.

I am Future targets the fans of slower crafty games. Gathering resources, dismantling objects, farming, fishing… it all comes together to make a non-rushed title, and while I wanted to like it, it just didn’t click. Quests ended up feeling like chores, and the story wasn’t exciting enough to make up for the lackluster gameplay. Overall, I am Future offers a pleasant starting loop, but it never evolves into anything bigger.

Looking back on my first impressions of the game and comparing them with my experiences playing over the course of the last two months, it seems to me that the Definitive Edition update marks a victory lap for the game. Even after two years away, coming back and playing Northgard still feels as fresh and exciting as the continent was to Rig and his band of Viking settlers when they first embarked on their quest, and it’s all ripe for the taking.

The Spirit Lift won’t be a game for everyone, but there’s joy to be found for players who might like a smaller bite.

If I were to look at any single aspect in isolation, Shape of Dreams isn’t the best roguelite I played in 2025, but it shines by delivering an enjoyable experience with plentiful meta progression that encourages diverse builds and character mastery. These qualitites keep me coming back to grind for more unlocks and the options and modifiers give ample choice to tailor the experience to my taste. For players who are interested in trying this style of combat, or for those who just want to just hop in for a chaotic dungeon run with friends, I fully recommend Shape of Dreams.

This all adds up to a competently-made title that won’t leave anyone completely disappointed, but the prevalence of technical issues leads me to knock the final score down. Metroidvania fans might find some enjoyment with Adventure of Samsara, but I’d bet it will disappear from their memories as soon as credits roll.

While reaching Kami’s peak is neither simple nor easy, Cairn’s ability to synthesize technicality and intuition results in a deceptively emotional journey grounded in humanity. Every inch of progress in Cairn is a victory, and the overwhelming relief I felt as credits began to roll was matched only by my burgeoning regret at the thought of Aava’s quest concluding.

EA markets NHL 26 as “the most authentic hockey experience yet,” and that’s not entirely wrong. The physics refinements, data integration, and visual polish make this the best version for anyone who skipped last year. But the improvements are incremental, not transformative. If you already own NHL 25, you’ve seen nearly everything this has to offer… it’s just a little smoother, a little prettier, and a little harder to justify at full price.

Full Metal Schoolgirl is a title that clearly knows its niche and embraces it fully. It never takes itself too seriously, and cute girls shooting cyborgs with massive guns is a winning concept. Unfortunately, a couple confusing design choices hold it back from being something I can sink countless hours into, but those who don’t mind repetition and love the aesthetic will find a worthwhile tower climb.

This is a game that, on every level, is built around reaching out to the player and making sure they’re having a good time. The developers have tuned every part of it to put power in the player’s hands, as long as they’re willing to learn. No, it doesn’t play like anything else out there – it’s not supposed to, because it’s something better.

The Darkest Files doesn’t simply retread expected courtroom cliché — it asks hard questions, demands patience, and treats its players with the respect they deserve. Putting a few minor mechanical shortcomings aside, The Darkest Files succeeds by refusing to sanitize history and doesn’t oversimplify the complexities of justice and the human spirit.

Wander Stars is one of — if not the best — games I’ve played this year. It is equal parts hilarious, touching, exciting, and clever. The interactions between characters and even the enemies is consistently moving or delightful, the combat is sharp and challenging, and the art style is top-notch. It’s a must-play, but just be prepared for a bit of a grind and know that it might be tough to find exactly the right words to do the job.

A lot of management titles can have a sort of Excellian abstractness to them — a whiff of spreadsheet seeping out around their ostensible settings. Not so with News Tower. No, it evokes the golden age of paper news across its entire mechanical suite, bolstered further by an absolutely wonderful, period-appropriate live jazz soundtrack from Dutch ensemble New Cool Collective. To quote legendary schlock-peddler, Xanadu denizen, and all around freak William Randolph Hearst — it’s immersive as hell. And from me? It’s an enthusiastic recommend.

I had a lovely time with Constance. It’s not a lore-intensive metroidvania, it’s not particularly difficult unless the player wishes to test themselves, and it never outstayed its welcome. Among the titanic release of Silksong and other metroidvanias, Constance still managed to make an impression on me. Don’t let this one pass you by.

Maybe after the devs squash the bugs and make a few other changes I’ll want to come back and dig some more, but in its current state, Mole Maiden doesn’t feel like it’s quite ready to surface.

For lovers of supernatural mysteries, Irish folklore or even just a good old comic book, I am happy to give The Séance of Blake Manor an enthusiastic recommendation. I greatly enjoyed getting to know the characters and revealing their dark secrets, and ultimately unearthing the mystery of Ms. Deane’s disappearance. If this mystery looks even remotely appealing, my guess is that the experience will be enjoyed.

It’s great to finally have Everybody’s Golf on PC, and even though this entry fails to meet the series’ usual high standards, it still offers a fine walk out on the links. That said, it’s impossible to shake the feeling that it’s only achieved the absolute minimum here. Until the various bugs and other issues are patched out, I simply can’t recommend Everybody’s Golf in its current state. No matter how good the general golfing experience is, it’s impossible to ignore the wonky physics and overall lack of ambition. What should have been a near-effortless hole in one is perilously close to becoming a triple bogey instead.

I have a love/hate relationship with Death Howl. If I have a few bad combats, I’ll curse the game out and shut it off. When I come back a day later and have a better run, it’s easier to appreciate what the developers are doing. While I don’t exactly care for the progression and penalties tied to the cards, the symbolism and use of grief here is strong, and the sharp tactical combat is notable.

The Zone feels fully realized, with improved gameplay mechanics and a blend of beauty, horror, and mystique that was irresistible. The engaging story gave me plenty of interesting plot threads to pull at, and allowed me to alter the progression of the story in fascinating ways. The PS5 version has great features, and a year of updates has made HoC better for all players. In my opinion, this is the definitive way for new and veteran stalkers alike to explore the mysteries of the Zone.

It’s tough to shake the feeling that Ninja Gaiden 4 parallels Yakumo himself. Extremely competent in its own right, but overshadowed and outmatched by a legend it doesn’t manage to live up to. It’s crazy that the first mainline series entry in over a decade is somehow only the third best Ninja Gaiden title to come out this year… but that’s how it is.

Siegecaster is an intentionally difficult game built by and for the hardest of the hardcore — and this feels like a bit of a tragedy to me. It’s rare that I’ll review a game without completing it, but after a dozen hours I decided to stop banging my head against the eighth level and call it quits. While I don’t doubt that this is the experience that the developers intended to craft, I can’t help but feel that a few quality-of-life changes could have made this an innovative tower defense classic, rather than what feels like a dispatch from an alternate timeline where arcade-style quarter-snatching difficulty levels remained the norm in videogame design…

While it may not rewrite the rules of mascot platforming, Pac-Ma World 2 Re-Pac understands the formula of the genre. It’s a bubbly, colorful, and entertaining ride that will satisfy both fans of the original and anyone who has a deep nostalgia for the era of gaming when action like this ruled.

I haven’t even scratched the surface of what the slot machine has to offer in terms of winning strategies or clever tricks, as there are countless items to unlock, game modifiers to equip, and just more to play. In a decade where certain titles toe the line between gambling and games, CloverPit performs that dance beautifully and produces an unforgettable roguelite experience as a result — it’s a delight, and one of the most delightfully frustrating things I’ve played this year.

There is clear care put into this expansion and it’s easy to see the vision Ironwood Studios had, it just didn’t land with me. However, I do hope they continue trying to experiment because I would love this studio to create a new experience as much as I love the original Pacific Drive.

Becastled is certainly a game a person could spend hours playing, but in a genre crowded with unique and fascinating takes on the concept, I can’t think of a reason why one should put time into a title with so many annoyances and so little to recommend it.

While my memories of playing it in the past weren’t great, the masterful music and visual presence combined in Lumines: Arise really turned me around on the series. It’s not one to miss!

Blood West won’t be for everyone, but those willing to go along with its demanding play and deliberate pacing will find an engaging experience that celebrates the player’s wits as much as reflexes. I won’t soon forget the feeling of being low on ammo, even lower on health and deep behind enemy lines, knowing I should turn back, but forging ahead anyway, intoxicated by what treasure could be around the next corner – because more than likely, it’s worth it.

Little Nightmares 3 might be the least of the trilogy so far, but anyone who wants to have a new experience in its horribly bleak and oppressive world will still find this a great opportunity to do so — it just doesn’t come together as darkly perfect as it should.

Ultimately, Slime Rancher 2 is a strange beast. On paper it has everything the original does, and more. More slimes, more unlocks and more imaginative environments. Sadly, the frustrations overshadowed many of those positives for me, as many of the new additions actively work against the tone of the experience. Quicker access to fast travel or unlimited stamina would go a long way to easing these complaints, and make me feel less like my time was being wasted. I’ve been rather negative on its latter sections, but for those who enjoyed the original Slime Rancher, it manages to hit many of the same pleasant notes — but maybe have a guide handy to minimize the travel and grinding.

Tempest Rising is what I would call a neo-classic RTS — and it’s something we need and hunger for in the modern gaming landscape. The story, gameplay mechanics, and strategic diversity of engagement scenarios make it one of the best RTS titles of the past few years, yet, the lack of balance and problematic AI behaviors prevent it from becoming a perfect experience for avid RTS fans. However, with such a promising debut, I’m excited to see more from this developer in the form of DLC and stand-alone titles the future.

Real talk, this entry won’t convert anyone tiring of EA’s approach to the world’s favorite sport, and longtime fans will likely feel the same frustrations they’ve felt for years. However, for anyone who still finds joy in a well-timed through ball or a diving header in extra time, it can deliver a good experience. It captures enough of football’s rhythm to be a good purchase for dedicated fans, but the execution just isn’t as sharp as I expected at this point.

Ultimately, Voyagers lands in a weird place for me as far as recommending it goes, and also with who I would recommend it for. The simplicity and repetition of the experience means it’s hard to recommend to older players who might be looking for a little more meat on the bone. On the other hand, it might not be right for a younger audience due to the execution issues with some of the puzzles. Despite landing in this mixed middle ground, I did have an enjoyable time with my wife, and we walked away with fond memories of it, so for me Lego Voyagers gets 6.5 stuck together bricks out of 10.

For players who want the deepiest, crunchiest, most byzantine and flexible factory builder out there without any distractions, Little Rocket Lab will disappoint. But for people who have tried the big names in this genre and found them daunting or chilly, and who are still looking for their entry point into the conveyor-belt and throughput analysis lifestyle, Little Rocket Lab may be the one. It’s a really good game that I personally didn’t like very much, but I think — and kind of hope — I’m in the minority.

I generally enjoyed Shinobi: Art of Vengeance just fine. On the upside, the combat engine is fluid and satisfying to experiment with, and for the most part Shinobi: Art of Vengeance generally offers a reasonably good time. However, as a longtime series fan I expected an absolutely awesome outing, and it never quite hit the heights I was hoping for.

While not quite matching its previous heights, Axis Football 2026 has made marked improvements over the last incarnation and shows that it’s still a title worthy of taking the field. With the right bug fixes and continued improvement, it could once again become a solid contender in the increasingly-crowded football market. Axis Football 2026 is worth the time and the price of admission, but there’s definitely room for this franchise to tighten things up.

No Sleep has its faults, but I can’t say that I was disappointed revisiting the series, even if trying something new didn’t end up working in its favor. Thankfully, the runtime is half the length of the other two, so it’s not as much of a commitment and the missteps are slightly more excusable as there’s less of them than there would be otherwise. Ultimately though, I would only recommend playing No Sleep if series fans have already been through the other two and are desperate for a fix.

Minor quibbles aside, Absolum is an excellent beat-’em-up full of cool combos, neat build variations, random events and enjoyable roguelike power evolution spearheaded by a team that Absolumetely knows what they’re doing when it comes to crafting quality content. For fans of roguelikes or side-scrollers, this is one to check out.

I won’t spoil the most revealing moments, but Artis Impact is indeed a work that seeks to humanize a world that’s lost everything except its humanity.

While Blippo+ isn’t a traditional video game, it’s still a great fit for gaming platforms. The programs are funny, and they expertly riff on the shows they parody. With the era of TV it evokes moving further and further into the past, it’s a nice reminder of what TV, video games, and all manner of entertainment can and should be — weird, and not afraid of trying something different.

Madden NFL 26 is a shining example of why it’s important to read full reviews, not just scores. Why? Even when discussing two games in a series made one year apart, there’s a world of difference between last year’s 8 and this year’s 9.5. Those waiting for Madden to finally make true forward progress can exhale, because the moment has come.

Robots at Midnight is promising, and if this were an Early Access title, I’d be excited to see where it’s going. The combat is solid (if basic) the art style offers a cartoony take on a world post-collapse, and the mechanics of exploration were satisfying from moment to moment. Still, the whole thing feels like an idea for a game, as what was in front of me for review felt miles away from being a full, complete experience.

Playing Battlefield 6, I was transported back to a time when I enjoyed online multiplayer. I hopped off the competitive shooter train a while ago, trading my regular Call of Duty sessions in for sports and racing titles. However, in the last couple of weeks, I’ve spent all my free time here, and as dangerous as this might be to a full-time student with a demanding full-time job, the quality of that time spent rests heavily on the fact that I’m going to stick with it after my review is complete. While the campaign might be little more than a glorified tutorial, this remains a war worth fighting.

If the idea of gunning down bad guys while kickflipping through the sky doesn’t appeal, then there’s nothing in Echo Point Nova that’s going to convert someone. For me, though, Echo Point Nova does exactly what it says on the tin and excels at it — and honestly, that’s enough to keep me coming back with each update to maintain my 100% completion.

Katanaut looks good and has potential, and honestly, it’s getting better by the day. The developer has been dropping frequent updates that offer additions and enhancements that weren’t there when I first started playing, and the push and pull of going between melee and ranged during the action feels on point. However, there’s a lot of competition in the roguelike genre right now, and in order to succeed, Katanaut‘s going to need better handling of its story and adjustments to the grindy nature of the meta-progression. As it stands today, it didn’t land with me and I haven’t stuck with it, but that could change in the future with a few more patches and upgrades.

While Sonic Racing: CrossWorlds might not dethrone Mario’s racing adventures, it’s a solid racing title in its own right thanks to great handling and an overwhelming amount of options. I would have liked to see a little more supporting the package as a whole, but what’s here must surely rank among the finest arcade-style racers from the last few years. For those who absolutely gotta go fast, this one is an easy recommendation.

Anyone willing to get knee-deep into exercises like inspecting a vase until they spot the tiny crack that proves the villain must’ve hastily knocked it over in the middle of the night will surely find much to love in Agatha Christie: Death on the Nile, and in the end it stands as an excellent example of the right way to adapt classic material for the modern age and its new mediums.

Overall, Easy Delivery Co. is a resoundingly successful marriage of tone and mechanics. The developers demonstrate a keen eye toward player engagement, offering just enough depth to require my focus, but not so much as to distract from their haunting world. While the narrative ultimately falls a bit flat, the quiet moments of brewing tea by firelight and harrowing drives through blinding blizzards will stick with me long after I make my final delivery.

Overall, I truly enjoyed my time with Estelle, Joshua, and their many companions in their quest to become senior bracers. Falcom does a commendable job creating a world and story that feels real for the majority of its runtime, despite a few occasional stumbles. As a newcomer to the series, the combat system captivated me from the first battle and never let me go. Trails in the Sky 1st Chapter feels like a classic JRPG I might have grown up playing, yet produced in a modern and nuanced way at the same time. Thanks to the obvious pride and care put into this remake, consider me the newest fan of the Trails series.