GameByte's Scores

  • Games
For 82 reviews, this publication has graded:
  • 48% higher than the average critic
  • 8% same as the average critic
  • 44% lower than the average critic
On average, this publication grades 5.2 points higher than other critics. (0-100 point scale)
Average Game review score: 80
Highest review score: 100 Resident Evil 4
Lowest review score: 50 Fatal Frame: Maiden of Black Water
Score distribution:
  1. Positive: 60 out of 82
  2. Negative: 0 out of 82
82 game reviews
    • 85 Metascore
    • 90 Critic Score
    In essence, Respawn has understood the need for a Star Wars game that isn’t beholden to the other films and TV series that exist. Cal’s story is so isolated from what we’re familiar with in the original trilogy and other spin-off media that it gives the writers room to innovate and build up their own little slice of lore that fits with the Star Wars continuity. It goes far beyond the scope of where Fallen Order’s story ended, adopting a more unpredictable but satisfying trajectory. It’s because of this that Star Wars Jedi: Survivor is now one of my favourite stories set in that universe. It’s bold, it’s brave, and above all else – it’s exciting. It fits in so well with what we know about the franchise’s overarching lore, while also offering enough new content that it could stand on its own.
    • 91 Metascore
    • 100 Critic Score
    It’s hard to really sell just how perfect Resident Evil 4’s remake is. You’d think after countless re-releases and ports that Capcom wouldn’t have the energy for this anymore, but not only has it treated the source material with the utmost respect, but has also paved the way for an experience that may even surpass the 2005 original.
    • 86 Metascore
    • 90 Critic Score
    I’ve raved about how amazing it is that we can play PlayStation exclusives on PC before, and with Returnal I feel that this is the very encapsulation of Sony’s goal. Returnal is a chaotic delight to play, and fits perfectly with the setup and mindset of a PC gamer. I’m already looking forward to trying my next run.
    • 71 Metascore
    • 65 Critic Score
    Altogether, SpongeBob SquarePants: The Cosmic Shake feels like it’s exactly in line with what the cartoon has become. The humour isn’t quite what it used to be, the characters are flanderisations of their original counterparts, and the plot is just too weird that it probably won’t appeal to older fans. But the children will love it.
    • 89 Metascore
    • 90 Critic Score
    As a returning fan that played the original countless times, Dead Space in 2023 is just about as perfect of a remake as we could ask for. It runs with the old saying “if it ain’t broke don’t fix it” formula, but the developers at Motive Studio add some subtle improvements and quality-of-life updates to justify the existence of this remake. Even when I know what’s coming, I can’t help but be drawn into the atmospheric tension that had me adore the horror classic of 2008. Dead Space is a prime example of how a remake should be done and unfortunately for you, your neighbours will hear you scream.
    • 80 Metascore
    • 85 Critic Score
    Season is a reminder that memories of the past are all we’re left with, and it staples the importance of being able to carry over that knowledge into future generations. Because otherwise, we’re left with a culture that is doomed to repeat the same mistakes and won’t have the skills to work past it.
    • 69 Metascore
    • 60 Critic Score
    Horror games, at their very core, are all about the fear factor. Developer Supermassive Games did a fantastic job of sustaining the unpleasantness in certain sequences, but couldn’t maintain it for the entire length of the game. I come away from The Devil in Me with a new-found fear of seeing button prompts pop up at every available opportunity. That being said, there’s still a lot to like about this game, particularly if you’re a fan of the previous instalments. I particularly enjoyed the different modes available. There’s a single-player mode which offers different perspectives, as well as a multiplayer mode if you’re not feeling particularly brave that day.
    • 77 Metascore
    • 55 Critic Score
    As a fan of FPS games and a casual fan of the CoD franchise, it pains me to say Call of Duty: Modern Warfare 2 is one of my most disliked entries in the series. The campaign is a huge step down from its original namesake, and the multiplayer has disappointed me on many levels. I know Activision loves to get a slice of the CoD pie every single year, but I still think we’d be better off with fewer titles, bigger innovations.
    • 94 Metascore
    • 95 Critic Score
    There is a venn diagram for God of War 2018 fans where some liked the combat, others liked the story, and many enjoyed both. Ragnarok is everything you loved about the previous title, but amplified. The longer story and expanded worlds gives way for characters to develop in meaningful ways, making the whole game feel very much like a sequel worthy of its predecessor.
    • 85 Metascore
    • 90 Critic Score
    With now two excellent games under its belt, it beckons the question of where the franchise goes next. Do we go for a simple Mario & Rabbids 3? Do we add Zelda or Pokemon characters into the mix? Do we change genres, turn it into a soulslike or roguelike? Whatever happens, I just need more.
    • 89 Metascore
    • 90 Critic Score
    The Last of Us Part 1 is a game that doesn’t feel like it needs to exist, but I’m glad it does. Even though that outdated 2013 design still bleeds through, the visual upgrades, combat tweaks and accessibility improvements makes it feel like a brand new title. In time, this will become the de facto definitive edition of the game that will be enjoyed for generations to come.
    • 79 Metascore
    • 80 Critic Score
    My major disappointment comes from the lack of F1 Sprint at launch. It might not be the most tactically engaging aspect of F1, but it is a major component of 3 weekends (6 from 2023). I think it could provide a really interesting challenge with players only having 1 session to work on their setup before parc ferme locks the majority of changes, something that real team principals are forced to contend with. A shame, but as a foundation F1 Manager 2022 is an incredible triumph that has me excited for the future of motorsport management.
    • 61 Metascore
    • 80 Critic Score
    Although hindered by technical issues and packed in an overly inflated map, building your criminal empire via driving and shooting your way through Santo Ileso is a molotov cocktail of fun – made more so with the wealth or perks, skills, and customisation options at your disposal. Be that as it may, it’s the modern take of the Saint’s Row series’ signature writing and tone – carried through an entertaining story and its lovable characters – that shines brightest.
    • 81 Metascore
    • 90 Critic Score
    Rollerdrome is fantastic. It’s easily one of the coolest games I’ve played all year. Although there are a few missed opportunities here and there, the gameplay is continuously creative, the story alluring, and there’s never a dull moment.
    • 69 Metascore
    • 75 Critic Score
    By now we’re definitely starting to feel the effects of genre fatigue amongst soulslikes. And Thymesia certainly reaches a point where it can’t separate itself from the games that came before. However, there is still a lot of originality in its combat systems and world design so that the game doesn’t feel too derivative. It’s just a shame that clunky controls and awkward bugs hold it back.
    • 87 Metascore
    • 85 Critic Score
    When I think about Marvel’s Spider-Man, my mind keeps returning to a moment early on in the game, where Peter gives Miles Morales a couple of pointers about how to fight well. The pair exchange jokes, look out for each other, and there’s the inception of a real bond there that carries through the rest of the game. This is at the core of Spider-Man’s heart; how well the character warms to the people of New York City. Insomniac Games’ understanding of the source material is truly what makes it shine.
    • 83 Metascore
    • 90 Critic Score
    You don’t need any previous knowledge of Digimon, and even with my own extensive history with the franchise there were still plenty of twists I didn’t see coming because the story was just that compelling.
    • 82 Metascore
    • 95 Critic Score
    Though short, Stray is a delight of a game to experience. Forcing players to make organic progress feels like a genuine achievement, and viewing this world through the unique perspective of a cat gives the story considerable more weight. Stray is a game that you will think about even when you’re not playing it. Like a good book, its world pulls you in and you never want to put it down. It’s nice to see at least one cyberpunk game live up to the hype, eh?
    • 77 Metascore
    • 70 Critic Score
    As Dusk Falls has a captivating story with more than a few rocky moments, but is as close to feeling “genre” as it can get. It also has a lot of shortcomings that might only be saved by the interesting multiplayer features. It’s the perfect game to pull out for any digital or physical get-togethers, but is otherwise a reminder of wasted potential.
    • 81 Metascore
    • 80 Critic Score
    If the core F1 racing experience is what you care about most, then you likely won’t be disappointed by this year’s latest instalment.
    • 76 Metascore
    • 70 Critic Score
    We Were Here Forever represents the growth of its developers – the franchise has come a long way from its humble beginnings as a school project and it’s brilliant to see just what this indie studio is capable of at its full capacity. It’s definitely worth playing if you have a friend to play with. Despite the loss of simplicity the previous games were known for, this doesn’t spoil an otherwise unique and interesting puzzler.
    • 79 Metascore
    • 90 Critic Score
    The Quarry is a fascinating mix of gameplay, story, and casting which brings the teen drama horror experience to life on multiple levels. Suspense and the ever-feeling sense of danger is what we often love most about horror films, but even then, much of that can dissipate after the first viewing.
    • 79 Metascore
    • 90 Critic Score
    Putting it under the scope, Rebellion Developments has delivered a coherent, open-ended stealth experience filled with plenty of freedom. This is peak Sniper Elite, with so much about the game inspiring tactical, sneaky gameplay that makes you feel like a real wartime marksman.
    • 76 Metascore
    • 75 Critic Score
    Despite its faults, I think I’ll be coming back to Evil Dead: The Game quite often. It’s got a solid foundation for asymmetrical multiplayer that doesn’t tread on the toes of its competitors, while also remaining a fun and cohesive adaptation of the source material.
    • 85 Metascore
    • 90 Critic Score
    Kirby and the Forgotten Land is a joyous, colourful adventure that bursting with invention at the seams. It’s a magically daft time, perfect for those nights when the world just looks a little too bleak. With its gorgeous level design and inventive approach to gameplay, a waltz through the Forgotten Lands is a charming way to spend your evenings. The only issues I found were that some of the mini bosses felt slightly repetitive, and the co-op limitations. But, despite this, Kirby and the Forgotten Land is a triumph that Nintendo should not forget so easily.
    • 82 Metascore
    • 80 Critic Score
    Altogether, LEGO Star Wars: The Skywalker Saga is the best LEGO game I’ve played in years. It rightly innovates far beyond the standardised formula that this series has built over the years with some fresh ideas. With such strong source material, however, there are so many sequences that feel hung out to dry. Star Wars fans will find it to be a little undercooked as an adaptation.
    • 39 Metascore
    • 65 Critic Score
    Abermore is a fantastic idea with lots of potential. I love the writing, the comedy that comes through in gameplay, and the whole vibe as a modern Thief. But just like the classic games that inspire it, Abermore comes with its fair share of jank and bugs. Right now that makes it a frustrating experience.
    • 78 Metascore
    • 75 Critic Score
    I’m going to be honest here and say that Tiny Tina’s Wonderlands doesn’t make the best impression. Despite a fantasy-themed facelift and a bigger emphasis on character freedom, the issues that plagued previous entries in the series are still too numerous for it to feel like a substantial change. However, I’m still finding things to enjoy in it which, even as a Borderlands skeptic, at least makes it worth the price of admission for anyone playing this with friends.
    • 75 Metascore
    • 75 Critic Score
    For those that like the supernatural and action-adventure games you’ll have a great time with Ghostwire Tokyo. If you’re coming into it expecting a terrifying horror experience you’ll be disappointed but there are still moments there that will get under your skin. Bethesda’s PlayStation swan song might not hit all the right notes but it still delivers a melody that’ll be stuck in your head for a while.
    • 72 Metascore
    • 70 Critic Score
    When paired with the “so bad, it’s good” story and dialogue, Stranger of Paradise: Final Fantasy Origin is a good time for the partly the wrong reasons. Critically, it’s not great. You’ve still got a car crash of a game on your hands. But, it’s a car crash you can’t look away from. In the meantime, the combat and job system is a rollercoaster ride which takes you right past it, being a wild ride in its own right.

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