As Dusk Falls has a strong start and players will find the game hard to put down for the first two chapters, like a great binge-worthy TV show. Unfortunately, its pacing issues become apparent by the end of Book 1, and it never recovers in Book 2.

McPixel 3 is mercifully short, clocking in at around three to five hours depending on how familiar one is with point-and-click adventures, but those few hours do drag. Some fun can be had finding the game's more clever solutions but overuse of low-effort jokes and nonexistent sound effects outside repetitive music make it difficult to recommend to most.

I think if Rogue Incursion trimmed down its back-half, had a proper ending, and drastically reduced the xenomorph encounters so that they were more meaningful, it would be easier to recommend. But while I mostly enjoyed the first half of the game, the second half was a headache-inducing chore. Alien: Rogue Incursion successfully captures the Alien movie franchise atmosphere and there is a novelty to exploring this horrifying sci-fi universe in the virtual reality space, but its problems are way too big to ignore.

Atomic Heart's story, gameplay, and world design have promise, but the payoff is lacking across the board.

Strong post-launch support like this only really matters if the game itself is worth playing, and we can't really say that about Marvel Ultimate Alliance 3. At its best, the game is a mediocre brawler, and at its worst, it is an incoherent mess with a nightmare camera, frustrating battles, and ugly graphics. Anyone hoping for a return to form for the franchise will be disappointed, to say the least.

There's a lot of work to be done to make Nintendo Switch Sports even half as fun as its predecessors, and as it stands now, it's a game that Switch owners can safely skip.

While The Centennial Case has an interesting story to tell—and it's quite an enjoyable story at that—it's better told in a different medium. As a game, it struggles to balance the narrative with gameplay. Because it hands players the solutions, it then has to butcher reasonable logic or outright lie to prevent them from stampeding through each case. Had it just been a TV show, the red herrings could've been used as diversions that the protagonist cleverly dispels to find the truth. Instead, The Centennial Case feels like a TV show providing pop quizzes with only wrong answers.

There are glimpses of brilliance in Blue Fire when completing Voids and making one's way through dungeons, but it's all overshadowed by technical issues and some frustrating design choices. Blue Fire lifts a lot from Dark Souls and Zelda, but is unlikely to appeal to diehard fans of either franchise.

Cibele is much more of an interactive movie than it is a game, but neither the plot nor gameplay engage on enough of a level to make the short title – which we finished in an hour – worth the $7 price it comes with.

While Dead Synchronicity could have been something great, it misses the mark with depressing, difficult gameplay that will make any player feel hard pressed to stick around for at least five or six hours.

Finishing Scorn does not leave players with a sense of satisfaction; it's not scary and it's not fun. Most will be glad that it's over, and at least it's mercifully short. It only takes about five hours to beat Scorn, and our playthrough ended with us earning 11 out of 12 of the game's achievements. Scorn gives players absolutely no reason to return to it, and quite frankly, it doesn't offer much reason to play it even once.

Unless one is really desperate to unlock a bunch of easy achievements, there is no real reason to play Scars Above. It's like a video game rough draft. Some games have been accused of being half-baked, but Scars Above is like raw dough. It has some interesting concepts and weapons, but it never grows into anything resembling a full-fledged gaming experience. Its budget price of $40 is still asking way too much, even for the most diehard third-person shooter enthusiasts. Scars Above may mimic games like Returnal and Dark Souls, but it is highly unlikely to please fans of either game.

While it's fun at first, The Blackout Club just doesn't have enough going for it to keep players engaged for longer than a couple of hours. The game becomes a boring, repetitive slog that gets less scary and more annoying the longer it's played

Unfortunately, even getting through the game once can be a struggle, as 9 Monkeys of Shaolin is plagued by technical issues - at least when it comes to the Nintendo Switch version. The game crashed on numerous occasions during our time with it, and there was one stage in particular where enemies kept glitching off the screen and we were forced to restart to the level repeatedly.

It's consistently dull and its new ideas fail to make it any more compelling than previous games in the series.

Kukoos: Lost Pets has personality, some funny dialogue, and looks gorgeous, but can’t seem to find its footing as a new platformer with its myriad of issues. Its intended audience will enjoy how pretty it is and will definitely enjoy using the Kukoos’ pets to traverse the various areas, but the game's technical issues will chase everyone else away. Fighting through the crowded 3D platformer category, its graphics and local multiplayer will only be able to carry it so far, which is unfortunate since the Kukoos could be a breath of fresh air in a genre that can always use new faces.

It seems that most of the game, though, is riddled with sloppily animated and questionably voice-acted cutscenes, and level design that doesn't play to the game's strengths. The good parts are too few and far between.

Some of the problems in MythForce could be forgiven if the core loop stayed fresh and fun, but, sadly, it doesn't. And with services like Game Pass offering up several solid roguelikes, it's tough to justify the $29.99 price tag. Yet, the core idea of an 80s cartoon homage is a lot of fun, and a couple elements of the game succeed brilliantly. A project like this could only have been birthed out of passion, so hopefully MythForce has its day in the sun. The developer has stated it plans to support the game going forward, and further content has been hinted at. But in its current state, there's just not enough to recommend MythForce, both in terms of quantity and quality.

Dustborn’s rhythm mini-game is just another way the game demonstrates how underdeveloped it all is. Its terribly paced narrative is married to an elementary view of authoritarianism and stars an irritating crew that never stops talking. Combat is woefully simplistic and lacks the necessary smooth controls. None of its systems fit together coherently, either, because they’re all underbaked in one way or another and, in some cases, plagued by glitches. It’s hard for Dustborn to fight the power when it’s too busy fighting with itself at every turn.

Session: Skate Sim is a skate simulation that was very clearly designed with skaters in mind. From the extremely involved control scheme to the perfectly captured recreation of skate culture, the game seems like it was never intended to be a gateway for non-skaters to get into the sport. But the bugs, difficulty, general lack of fun, and incomplete state of the game make it difficult to recommend Session to its target audience as well. Some gamers may be able to break through the learning curve and appreciate the thoroughness put into creating such an involved skate sim, but at the end of the day, it's simply not fun.

Fatal Frame: Maiden of Black Water is a disappointing Wii U exclusive horror story that is more likely to put players to sleep than it is to scare them.

Aliens: Fireteam Elite has an interesting premise: co-op shooter set in the Alien universe where players must push their abilities, refine their build, and face a continuous onslaught of enemies. In reality, though, it’s a bug-filled slog that proves to be a one-trick pony.

With future updates, Payday 3 may even be a game that surpasses its predecessor, but it has a seriously long way to go.

Call of Cthulhu wants to be scary. But instead of invoking a sense of fear in the player, Call of Cthulhu is almost relaxing to play, especially during the detective sequences, which is the exact opposite way a horror game should make players feel. Fans of the genre shouldn’t bother seeking it out for that reason alone, but for many other reasons, it’s not worth playing in general, horror fan or not.

Players experienced in this genre and fans of F-Zero will likely love Redout 2. It's appropriately challenging and adrenaline pumping. When players struggle with control there's little fun to be had.

Ultimately, Mineko’s Night Market is a melding of boredom and frustration, and a lot of that frustration stems from the fact that the game could have been good. It had the graphics, music, story, and the makings of a gameplay loop that should have been thoroughly engaging. Instead, it just feels like nothing was pushed to its full potential, leaving both the game and the player wanting more.

Monster Truck Championship's controls are the one thing that stands out from an otherwise repetitive and dull gameplay loop, thin content, and questionable game physics. Many monster truck fans may have been waiting for that "next good monster truck" game that manages to deliver on all fronts, and unfortunately this is not it.

Golden Force makes too many missteps to recommend it, especially on the Nintendo Switch. It's entirely possible that other versions of the game run better, as was the case with Bloodstained: Ritual of the Night when it first released, but that remains to be seen. But even if the game ran perfectly, Golden Force would still be saddled with an unrewarding progression system and frustrating level design meant to bombard players with cheap deaths. Those looking for their retro gaming fix should look elsewhere.