If you’re a fan of the likes of Overcooked and you’re looking for a new title to spice up your games night, Cannibal Cuisine is certainly worth your time. Despite its familiar aspects, it adds a little of something new to the formula via its darkly funny theme. It’s not as polished or as packed with content as the genre leaders but it’s still a dish worth tucking into.

OlliOlli World is exactly what you want from an arcade game: it's quick, it punishes mistakes, but it embodies the spirit of trying again. Pair that with some Saturday morning cartoon visuals and characters, an overly-sweet level of charm, and the sense that Roll7 are having a fun time making this, and you've got a perfect recipe for frustrating fun.

Featuring a well crafted, mystery fuelled plot informed by an intriguing cast of characters, Unforeseen Incidents is a distinctive and engrossing point and click adventure. You can tell a lot of work has gone in to making the Nintendo Switch version of this title and it pays off in a fluid, accessible experience. A few foibles here and there are the only blemishes on an otherwise very enjoyable game.

While it’s the best game yet from ‘The Voices Games’, Ayleouna is still a sub-par experience. During its surprisingly short 15 minute run time, there’s slim glimpses of potential that shine through. There’s just too many rough edges, poorly thought out design choices and unimpressive visuals for this gravity bending platformer to make anything other than a bad impression.

A dire lack of features, peculiar physics, grating music and camera angles which make accurate play feel impossible, 8-Ball Pocket is amongst the worst pool games on PlayStation consoles. This might be the only native billiards game on PS5 right now but you would do well to swerve this for older, better games.

Mr. Prepper doesn’t turn out to be the nuclear catastrophe it initially convinces you it will be. It survives the radioactive onslaught by the skin of it’s dank, burrowed out teeth. There’s something strange in this that can be recommended, but only to those who have a penchant for the suvivalist, resource-management genre. For everyone else, the threat of impending destruction on the surface is likely more preferable to the solitude and depression of the bunker.

Unreal Life is a charming indie game filled with story, adventure, discovery and a talking traffic light. It’s unique as you’ll be comparing timelines to discover what happened to the protagonist Hal on one fateful night. It’s a game that invokes curiosity and keeps the player intrigued through storytelling and puzzle, presented in a gorgeous pixel art of blue hue. Although feeling like it ended abruptly, there is a lot within Unreal Life to invoke emotion.

Despite a few positives, Phlegethon is a poor example of the retro inspired FPS genre and can’t hold a candle to the 90’s classics its attempting to emulate. This is a step in the right direction for Random-Spin Games as its certainly better than their previous titles but uninspired design, poor AI and half-baked mechanics mean this as an ‘also ran’ in a genre filling up with quality.

A turn-based strategy game with remarkably solid, pretty and entertaining foundations, Reverie Knights Tactics is a good if unspectacular entry into the genre. Its gameplay and design could have benefitted from additional depth, but this compact package offers a pleasantly enjoyable romp with even more hope for future entries. Completely usurp other tactics games it likely won’t, but there’s enough here to have you entering your own reverie in this tale.

Like a combination of South Park and Superstore, Negative Nancy is a smart but short visual novel that balances whacky buffoonery with cutting and deft real world observations. Centred around the power of the word “no”, it’s a unique hook that’s not just a pun for the title. There’s some repetition involved if you want to see everything that this game has to offer, which does take some of the sheen off of it, but Negative Nancy is still worth your time.

Even with its issues though, Gravity Chase has enough content and verve about it to keep fans of Ballistics, WipEout or Radial-G entertained for a few evenings. For a budget title, it’s an admirable attempt to capture the spirit of the zero-g racing greats that came before it. In the long run though, it just can’t keep pace with the luminaries of the genre.

Failing to stack up anywhere near it’s contemporaries, Blackwind is a hollow exosuit complete with unengaging combat, mind-numbing exploration and puzzle elements, repetitious presentation, poor story and baffling design choices. There are plenty of potentially great ingredients to this package, but unlike the age-old adage, the sum is certainly no greater than the parts. A meek gust of breeze as opposed to the promise of a gale-force wind.

Its issues mean that Rover Mechanic Simulator is a middling experience. There’s a solid core to this game surrounding some impressive 3D rover models. It offers that methodical game play that accommodates gratifying ‘flow state’ sessions to really get engrossed in. It gets repetitive quickly though because of clunky controls, limited depth and a lack of personality.

Headland is an action adventure journey into the imagination. Although not breaking any new ground in the genre, the story, gameplay and combat is exciting and suitable from any age player. It’s full of vibrant colour, an endearing story and secrets to uncover that are worth spending your time on.

A modern day twist on a neglected classic, Horatio Goes Snowboarding is a budget, simplistic but addictive arcade game. It’s not quite on the level of other Infinite State Games but it’ll still fill an evening or two with enjoyable twitchy action. Maybe longer if you take on the leaderboards.

While it’s not pushing the genre any further forward, Scarf is a perfectly pleasant way to spend 6 hours of your life. As a non-combative puzzle platformer, it lacks originality. Thankfully, a clever two sided narrative carries the game as it tells both sides of a tale and positions the player in the centre. Just make sure you play this game with a guide so you don’t have to replay whole levels again.

A darkly funny, emotionally engaging and poignant interactive visual novel, Stilstand is a relatable story that’s worth experiencing. With the implementation of touch screen input, the Nintendo Switch version of the game is the definitive console version of a game which I feel most people will see at least a small part of themselves in.

Sumptuously animated, Greak Memories of Azur draws you in with its high-end artwork. However, the game is an exercise in frustration and bad design choices. A central mechanic of three characters controlled by one player with no co-op option, hinders platforming and renders combat nigh on impossible. I’m out here trying to forget Azur.

Santa’s Workshop is the video game equivalent of a lump of coal in your stocking. Lacking any of the features that make the idle clicker genre’s best so moreish, it’s a thoroughly hollow affair that’s trying to cash in on holiday spirit with an experience without artistic merit and entirely devoid of intelligent game design.

Finally making its way onto PlayStation, Among Us is still the very best that the social deduction genre has to offer. Using some inventive workarounds to support controllers, this game loses little to nothing in the port away from its natural home on phones and tablets. With a group of strangers, it’s easy to have a great time with this game. With friends, Among Us comes alive in one of the best multiplayer experiences on the market today as you attempt to stab your pals in the back. Both figuratively and literally.

If you want to step in the world of fairy tale, gothic fable whilst throwing in crafting spells and a linear simplistic story set within an explorable world, Wytchwood is for you. Beautiful visuals and an alluring soundtrack. This game could be seen as mundane and repetitive, with little combat or puzzle, however Wytchwood casts a spell on the player that will have you immersed into the art of enchantment for hours.

While Firegirl has more than a few singed edges, there’s definitely potential here. The visual style, an evocative combination of 3D world and 2D pixel art characters, is very easy on the eye and the core concept is solid. If Dejima Games are given the time to patch out the bugs, fiddle with the balancing and smooth out the plot pacing, Firegirl will be a good game eventually. Right now though, it’s distinctly average.

White Shadows is a dark and oppressive experience, but don’t write it off. It’s reminiscent of Limbo and the like, but homages can be a good thing at times. It is criminally short, however, and would have really benefited from a bit more challenge and/or length in its puzzles. If you enjoy your misery in small bursts, this will be for you.

Nestling nicely among the raft of indie gems, Aspire: Ina’s Tale excels with a gorgeous art style, subtle yet engaging story-telling and excellent musical score. While you can largely solve the puzzles without much effort, your journey with Ina will be a compelling and rich adventure. It may not hold the loftiest aspirations, but Ina’s dreams are worth embracing.

While Battle Rockets is an inventive use of the PSVita to facilitate local multiplayer Shmup battles, it’s just not very fun. That’s especially true of the single player content. The offensive abilities, different for each character, will keep the multiplayer fresh for a little while. In the end though, this game is far too bare bones and lacks depth or longevity.

Unfortunately falling victim to the giants of rogue-likes it provided the shoulders for, Collapsed is an entertaining if poorly balanced rogue-like. Solid action and gunplay can only carry you so far when repetition slowly wears away your enthusiasm, and you know that other games in the genre offer so much more in comparison. Collapsed is despairingly trapped under the rubble of those who have surpassed it.

A visually impressive racer, Super Impossible Road is tough but fair. Randomised levels, frustrating “one more go” gameplay, coupled with a classic PlayStation-era soundtrack, there’s fun to be had here. It’s a bit bare bones outside of its Career Mode, but that is deep enough to keep players going. Or annoy them in equal measure.

Ultra Mission might be remembered as the very last game for the PSVita, but it’s not a memorable game in and of itself. A budget top down shooter that’s clunky and shallow, it’s an hour of content that’s quirky but has a number of design issues that make it a forgettable farewell to Sony’s handheld.