Kena: Bridge of Spirits lands on Switch 2 in good condition, but the feeling can't be shaken that it could be much better. Whilst the heart, story and the fantastical wonder remains, technically we've seen far better on the hybrid system, and this port does a disservice to a game that should be treated with more care.

Dosa Divas isn't without some ingredients missing to create a robust RPG, but it's a well-seasoned narrative adventure that's exciting your senses. The story and characters are heartfelt and impressively written, the combat system although not expansive is fun to engage with; and the cooking minigames, whilst not perfect, are an excellent detour to round out the gameplay loop.

Rich gothic atmosphere and solid roguelike, inventory management puzzling give Fortune Seller a promising sales pitch. The ever-increasing payments and frustratingly imbalanced economy demands, however, mean its a hard sell thanks to overzealous haggling. Once this promising antique is better tuned and polished, it'll be ready for more bartering.

Easy Delivery Co. is a laid back low poly vibes based game, until it isn't. The core gameplay loop of delivering packages, whilst thinking about your resources, is a fun couple of hours. However, the gameplay becomes stagnant as no real progression is felt until you've almost beaten it. There's an iceberg to delve into post-game, probably found on message boards, but none of it is earned in-game.

A poor attempt at a Vanillaware style game, Ariana and the Elder Codex is not the dark academia tale I wanted. Instead its a sad and shallow mix of frustrating combat, dull narrative vignettes, and tiresome level design, that left me wishing I had borrowed it from the library and could take it back. Do not judge this book by its cover.

Bearing the legacy of Left 4 Dead and Back 4 Blood, John Carpenter's Toxic Commando lands with an almighty bang when it comes to gunplay and spectacle defence sequences against armies of undead numbering in the thousands. It's unfortunately saddled with lame writing and meagre fresh ideas, which can thankfully be ignored as you unleash armageddon with bullets and explosions with your friends.

A compelling and atmospheric story of twin girls exploring a haunted village is marred by its gameplay. Had Fatal Frame II Crimson Butterfly Remake been a more straight forward third person combat adventure I may have enjoyed it more, but I found the first person camera-based combat disorienting, cumbersome, frustrating and repetitive.

Reanimal is a whole beast of its own from Tarsier Studios, but only vaguely beyond the surface. It's a dark yet tasteful turn into more mature horror, with a striking art style, and a tremendous level of world building. However, its gameplay doesn't quite feel like the improved pivot every other aspect Reanimal has, as it's what we've come to expect from the studio. It's still an unnerving spectacle to trudge through, but it just feels a little too familiar to be impactful.

Nioh 3 expands the series from tight bitesized focus to expansive open world design over multiple time periods. And while the third samurai soulslike still plays incredibly, its structurally compromised by recycled enemies, easy difficulty, too much loot and a nonsense plot. Bigger is not always better.

Overall, Visions of Four Heroes is a good quality expansion to Dynasty Warriors: Origins, but may feel too pricey for the lack of fresh material. The two new weapons and early prototype for strategy battles are interesting, while the core gameplay remains excellent. However, the storytelling continues to tread water and the expansion doesn't take much of a risk with its ideas, which may leave some feeling short-changed by its asking price.

Desolate but beautiful metroidvania MIO: Memories In Orbit nails the fundamentals of a lot of inspiration. Whether its precision platforming, finding shortcuts, soulslike bosses or wonderful evocative soundscapes, this one is well worth your time if you are a fan of the genre.

Amidst the sea of rogues and Survivors, Devil Jam rocks up with its effort. With solid gameplay, colourful visuals and a neat beat mechanic, it can be fun. But it doesn't offer much in terms of substance, and is subsequently more for the hardcore genre fans only.

Two Point Museum's Switch 2 port retains the games gloriously entertaining mechanics, hilarious dialogue and addictive gameplay loop. It stutters in the visuals when the crowds pile up though, and the lack of mouse controls is a strange thing to miss for such a big port. As such, there are far better places to experience this terrific game.

An atmospheric detective mystery, The Last Case of John Morley is a compact tale with surprisingly high production values for a game of this size. Unfortunately, it undermines itself by telegraphing its twisting narrative and lacks those 'eureka' moments you'd find in other, similar titles. Still, if you're in the mood for a one-and-done 'whodunnit' that you can start and finish in a single sitting, this is still worth your attention.

A.I.L.A is a game of two halves. The first promises an intriguing and mind-bending narrative with gameplay experiences pulling from various inspirations for an exciting, evolving horror experience. The second unfortunately drops much of what makes the game feel unique and special, with a dampened finale and some overly drawn out, familiar experiences. Despite this, it still shines with the glow of an enigmatic A.I machine ready to take the world by storm, even with some technical hiccups.

R-Type Delta HD Boosted offers tight gameplay and nostalgic strategy, but muddy visuals and collision bugs hold it back from greatness.

It fails to deliver a compelling group of characters or a plot with any interesting hook, and doesn’t live up to the games that it’s clearly inspired by. It is a lot like The World Ends with You, which I also felt failed to give its characters any real depth, but it is not Persona 3, for example, that delves deep into its characters and their motivations to the point you feel you know them. All I knew, even after many hours with Demonschool’s cast, was that they were snarky and annoying, and they couldn’t accept plainly obvious things for hours on end.

SpongeBob SquarePants: Titans of the Tide is a fun, familiar dip back into the world of Bikini Bottom packed with charm, ghostly goings on but a fair bit of repetition. It’s comfort food for the nostalgic, but if you’re looking for something fresh beneath the waves, you might not find much treasure here.

S.T.A.L.K.E.R 2: Heart of Chornobyl ventures into the uncharted territory of the PS5 in a much better technical state, though the odd bug is still common. Boasting a huge apocalyptic landscape to explore, impressively long main story and some great gunplay, its destructive charm is easily noticeable. Sadly, it feels caught between two parallel genres and is unable to commit to either, suffering from tedious survival mechanics and superfluous decision making. The mysteries of the Zone pale in comparison to the mystery of what could have been if it had had a unified vision.

Winter Burrow is a charming, storybook survival adventure that swaps stress for serenity, wrapping its cozy world in warmth and heart. It’s a delight to explore, but without a map or fast travel, that long trudge home can start to feel frostier than it should.

Tattoo Tycoon is a tycoon game where you can run a tattoo shop and it's fine. Amongst what's currently being released there's every chance it will get a little lost in the shuffle and unfortunately, it's not doing an awful lot to make itself stand out from the crowd. Try it on PC where it's meant to be played.

Boasting an impressive commitment to a versatile sandbox of hack-and-slash and retro FPS action, Rebel Engine has the fundamentals for a fast-paced and exhilarating time with vibrant visuals. It breaks at the seams thanks to cumbersome controls, a flat story and lack of punch in feedback to the action, but stylish hunting thrill seekers should find something worth blasting through.

Ion Fury: Aftershock holds nothing back with its intention. It's as old school an expansion pack as you can get, with more of the same and a smattering of new features to justify the price tag. It won't appeal to anyone who hasn't played the first Ion Fury, but it's a solid continuation for those that have.

While it's impossible to recommend Extremely Powerful Capybaras over any of the giants in the genre, it could act as a competent "my first auto-roguelike-bullet heaven" game. It's light on content and the repetitive nature may grate on some, but the colourful art style and inclusion of co-op are a saving grace, and I could see if added to the rotation for family game night.

Anomaly hunting in the style of Cabin In The Woods sounds like a great premise on paper, but The Cabin Factory falls foul of malfunction thanks to overly repetitive and bland gameplay, with too small an environment to maintain any form of tension. It does attempt some semblance of a story and it may do well as a quick experience for streamers, but there's little else beyond that to recommend it above established cult classics like Exit 8.

A sweet cosy automation game, Little Rocket Lab brings life back to a small little town with style. It may not be for everyone, but those that get a kick out of this kind of peaceful, stress-free experience will find plenty to enjoy.

Little Nightmares III still looks incredible, but clunky controls, an awkward camera, and a watered-down sense of dread stop it from fully reaching its potential. Co-op brings a fun new twist to this entry, but some of the fear and magic that made the series special seems to have slipped through the cracks.

Twinkleby is a charming, whimsical take on the decorating sim, offering creativity without consequence. It’s light on challenge and sometimes drifts into slow territory, but for those who find joy in arranging, customising, and soaking in cosy vibes, it’s a floating-island daydream.