If you happen to be in the mindset for a long, leisurely, spiritual cinematic rumination about the fragility of life, the futility of our professional pursuits, the power of femininity, and the sheer bliss of living in the moment, then delve right in. The writer and director’s aim is not to shock or devastate, nor elicit any strong reaction, but to make one ponder the Meaning of It All.

The Djinn is scary and harrowing with a shocking and impactful ending. The acting is perfect, and the visuals are a masterclass in creating tension.

The Columnist is that rare mix of comedy and horror that isn’t too cheesy or over the top.

For a sci-fi feature, it’s certainly not visually-stimulating; perhaps it would’ve worked better as an audio-book.

Diving into Sam Harris’ life was fun, and you will have fun too… unless you hate musicals.

Due to outstanding writing, stylish, dazzling direction, and a breathtaking, radiant performance from Kelly McCormack, the drama never lets the audience go and proves to be a searing examination of its young protagonist and the society she lives in.

While there are some serious themes at play, the movie still has plenty of gooey gory fun for horror fans.

It’s a story of very flawed people who followed the pied piper to a new world that doesn’t exist.

The performances are serviceable, but character decisions are so frustratingly ill-advised, it is difficult to muster an ounce of interest in any one of them.

While I can understand and accept poor writing, it is deeply offensive to me that Wittock brushed under the rug the extensive abuse that Jeanne faces from Margarette and Marc. It normalizes non-consensual sexual behavior and parental abuse, both prevalent and very traumatic experiences. Therefore, despite all the good present in Jumbo, it would be immoral of me to recommend it.

Safer at Home starts on an off-putting note, and the epilogue muddies the timeline to the point of confusion. But, nestled between those two baffling sequences lies a gripping thriller brought to life by astute direction, an intelligent screenplay, and a great cast. While not perfect, this independent production is still worth an adventurous audiences’ time.

Through countless interviews with whistleblowers, historians, and people who have survived Agent Orange, the filmmakers craft a searing portrait of unchecked government oversight and corporate greed at the expense of people’s lives.

It’s a huge task to cover a man’s entire journey to finish one piece of work, and The War and Peace of Tim O’Brien does an adequate job of giving an objective eye into Tim O’Brien’s life.

Klein’s decision to pull a Kramer vs. Kramer and provide his heroine with next-to-no discernible rationale for bailing on her family both pays off and becomes a minor hindrance.

While his previous drama, The Road to Mandalay, showcased his keen eye for social realism, Nina Wu is suffused with visual poetry – all stark-reds and grainy yellows – and a dream-like (or nightmarish, depending on how you view it) atmosphere. It’s a portrait of a country experiencing significant sociopolitical changes. By focusing on its filmmaking industry, Z takes advantage of the opportunity to experiment visually, thematically, and narratively – at times, to the film’s detriment.

The best laughs of Boys vs Girls come at the end, so be patient, and you’ll have fun.

Perhaps the fact that the film is so inspired has something to do with the established camaraderie between fellow Marvel veterans. The franchise’s influence – the ebb and flow of the film, the swooping camera shots, the scope – is evident; only in this case, instead of the System’s victim becoming a superhero, a potential hero falls victim to the System. In the Russo brother’s capable hands, Cherry will speak to both millennials and older generations alike.

It feels timely and urgent, and its phenomenal young heroine ensures it doesn’t become overly mawkish, preachy, or prosaic.

Consisting of three segments, this hit-and-miss cinematic jumble imagines our world being taken over by the titular otherworldly gateways. Their origins and purpose remain ambiguous throughout, which some may find tantalizing, while others will deem infuriating.

Donny’s Bar Mitzvah just works from start to finish.

The Good Traitor is still a solid movie for history buffs and does contain several moments of genuine style, making it well worth the watch.

As a celebration, the documentary is an uplifting and joyous experience filled with amusing stories and engaging anecdotes.

The Hunt for Planet B delivers a captivating viewing experience, showing the sometimes-thin line between science fiction and the true scientific future.

Despite struggling with a thematic focus, the film presents a woman who is well worth getting to know.

Instead of stitching together interviews and footage into a chronological plot, Wharton goes with the proverbial flow.

[A] mind-blowingly thorough and epic documentary.

Most importantly, Introducing, Selma Blair is the story of a mother desperately trying to keep it together and be the best parents she can be to her son while dealing with a disease.

Fraught with all-consuming dread and familial mystery, Here Before is an emotionally and psychologically demanding thriller surrounding the loss of a child.