Pig takes itself way too seriously, making some interesting storytelling choices.

Much like the dynamite ladies that Mumolo and Wiig wrote and refreshingly bring to life, Barb and Star Go to Vista Del Mar is shimmery, vibrant, and as welcoming as a great big hug.

WITCH: We Intend to Cause Havoc is a wonderful history lesson, as well as a lovely introduction to a band and their music that, perhaps, most people would never have heard otherwise.

We may not learn about Casanova the gambler or the spy, but we get to see a vulnerable side previously unexposed.

None of the set pieces are inventive, and the dialogue is either overly serious or hacky ha-has. In addition to the bland everyman at the center of the story, all the supporting characters are soulless mouthpieces.

Anyone familiar with the global gender-gap problem will find nothing surprising about the themes presented in Platform. However, where Mossayebi’s documentary sets itself apart from other similar stories is how he captures the drive and determination of the three sisters and their good luck and misfortune along the way.

While the presentation is somewhat basic, Mosely: It’s Complicated is still interesting, if just because its subject was so much larger than life. So, if you don’t mind a talking heads-style doc, then this will be right up your alley.

One cannot deny that the director provides all the clues possible, while still leaving it to the viewers to decide if this is a film, as one of the many lawyers featured mentioned, about “people being paranoid or is the system really out there to get them.”

If you want to make an indie comedy, watch and study Eat Wheaties!

The gravity and tragedy of each shooting examined are intensely felt. While the subject matter is heavy, by looking at the grassroots movements that have cropped up to fight against this injustice, the director offers a glimmer of hope that change is possible.

Though I may not have connected with the final product as intended, if the idea of a psychological thriller about pregnancy appeals to you, then the movie might be your cup of tea.

It is sweet, engaging, and has a great message.

Like all of its predecessors, its overtly political message can’t decide whether its violence is justified or glorified. This means it sits right at average.

Although Soderbergh complicates his cinematic dish with too many flavors, No Sudden Move still offers plenty of bites to savor.

Stolakis presents the facts in a studied but engaging manner. The testimonies from her subjects are genuine and heartfelt, especially as they continue to struggle with their faith in light of what is seen as God’s “failings” in their lives.

Fast 9: The Fast Saga is a stupid, stupid movie. It lacks the fun and humor of some of the better entries, and it also lacks in the character development department.

I loved Roadrunner: A Film About Anthony Bourdain because, like Bourdain himself, the film pulls no punches. It’s fearless in that it’s not looking to beatify its deceased subject.

Wolfgang examines the life and game-changing career of Wolfgang Puck in a visually engaging and charming way. While it repeats itself every so often, the food on display is delectable, and every interview is a trove of information.

Hadaway indicts this country’s misguided preoccupation with being first, scrutinizing America’s twisted values via the prism of her uber-competitive protagonist. As a result, The Novice officially claims the title of The Best Film About Rowing Ever Made.

For me, the relevance outweighs my enjoyment of Ailey, but this relevance bears a massive weight. Alvin Ailey has a fantastic story, but this might be a narrative that lends itself more to a bio-pic than a detail-oriented documentary.

The script for this film is absolutely incredible.

The story, centering around family, culture, and identity, comes from a unique perspective. Some sub-plots go unaddressed, yet Tedaishivili’s excellent performance always brings you back with the worn gaze of a battle-weary wrestler.

It empowers Chinese citizens while also shining a light on the exploitation and oppression they face in the workplace and job market.

Streetlight Harmonies manages to conjure up some compelling and highly evocative vignettes.

The Lost Leonardo tells the tale of the most scrutinized painting of all time in fascinating, exhaustive detail.

While a bit disjointed, the film does offer hidden beauty in a world of seemingly discontent and boredom.

In the hands of a less capable director and actor, the thriller elements would be squeezed out to the very last drop; the film would be yet another tired exercise in suspense. That is not what Sweat is going for. It is not trying to make you breathless from cheap tension; its goal is to leave you breathless from an aesthetic and storytelling perspective. Without a doubt, it achieves that goal.

Catch The Fair One is a fantastic and engaging effort across the board. The direction is lean and ably brings forth the emotional truth of each scene.