Film Threat's Scores

  • Movies
For 5,427 reviews, this publication has graded:
  • 60% higher than the average critic
  • 6% same as the average critic
  • 34% lower than the average critic
On average, this publication grades 3.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Xanadu
Lowest review score: 0 The Twilight Saga: New Moon
Score distribution:
5427 movie reviews
    • 32 Metascore
    • 60 Critic Score
    This film does cause shivers, creeps, scares, and jumps. It may even make you scream a bit.
  1. A decent film, but not a great romantic comedy.
    • 58 Metascore
    • 70 Critic Score
    A small but excellent cast supports McKellen in what is a beautiful and intelligent film.
    • 31 Metascore
    • 30 Critic Score
    Christopher Munch wrote and directed this feature and it is nearly impossible not to feel deep-seated anger towards him for what he has wrought on screen.
    • 59 Metascore
    • 60 Critic Score
    A harmless little charmer with a uniformly fine cast, played by the numbers for full tear-jerking effect.
  2. This well-crafted documentary shows us that getting old isn't all that terrible.
  3. It's difficult at first to tell whether this is a documentary or a fictional work and this makes Assisted Living all the more involving.
  4. A tedious, snail-paced mess.
    • 9 Metascore
    • 10 Critic Score
    Tedious, derivative exercise, stolen from a dozen or so horror/action films.
    • 35 Metascore
    • 20 Critic Score
    Polson offers up a few chilling scares, but the underwritten screenplay really does show off its weaknesses.
  5. Should become required viewing for all troubled youth, their uncertain parents, the military establishment and their detractors or supporters.
  6. All the excessive slapstick and juvenile antics keep the audience from making any kind of connection with the characters and prevents Are We There Yet? from being anything more than another disposable January release.
  7. A magical vision of the ring of the imagination.
  8. Playing like a video coffee table book displaying some of the man’s most notorious work.
  9. It doesn’t surpass the original, but neither does it disgrace its lineage.
  10. A stale and poorly researched documentary.
  11. Unfortunately, the accompanying story threads tend to bog down the action rather than provide contrast between the games.
  12. Elektra isn't just poorly executed, it's emotionally false and makes absolutely no narrative sense.
  13. A beautifully crafted documentary.
  14. Isn’t very effective as a thriller.
  15. Good ensemble performances in front of the camera are supported by clever shooting and cutting, which work, not just deftly but unobtrusively so, with and within the readily apparent technical limitations at hand.
  16. More of a hangnail sketch -- no one can come away from this offering with a clue on what makes Wall Street click.
    • 53 Metascore
    • 80 Critic Score
    Deliberately aiming to put Korean animation on the map, [this] is a tour de force blend of CGI, traditional cell animation, miniatures and live footage.
    • 66 Metascore
    • 70 Critic Score
    The guy (Grace) simply steals the show here. He's at once goofy and hammy, yet so lost, sad and sensitive you buy into his performance from the get go.
  17. The single worst Shakespeare film ever made.
    • 48 Metascore
    • 80 Critic Score
    Johansson is a stunningly charismatic actress. She gives Travolta a serious run for his money.
    • 63 Metascore
    • 50 Critic Score
    The primary problem with The Assassination of Richard Nixon comes in its attempts to make drama out of a minor man's minor stab at infamy.
    • 15 Metascore
    • 10 Critic Score
    It's just a murky, dark mess where no one wins. Especially those of us watching it. Simply put: Darkness fails. It's about as chilling as an unplugged refrigerator.
    • 72 Metascore
    • 80 Critic Score
    Bacon's performance is so riveting that you no longer see the 46-year-old actor.
  18. Director Jay Roach continues his regrettable "Austin Powers" habit of beating the same shtick to death until nothing of comedy value remains.

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