Super Size Me 2: Holy Chicken is not only informative in the same way Super Size Me was, but his story about opening a fast-food restaurant and the journey he took to get there is entertaining and telling.

Woo and Benson don’t underestimate their young audience’s intelligence, subtly layering in complexity, which comes off as a mini-miracle.

The increasingly creepy plot is counter balanced by a genuinely tender romance, which makes the film impossible to categorise, and will no doubt limit it to obscure arthouses and cinephiles who have very strong stomachs. They won't be disappointed.

The great thing about this documentary, other than seeing some very provocative dancing, is that it goes beyond the superficial and talks about the socioeconomic situations that most black people in America face.

Who thought that New Kids On the Block would turn out to be the most influential group of the ’90s? Anyone who was paying attention to history, of course. That’s why The Idolmaker is so fascinating. Based on the guy who gave us Fabian and Frankie, it understands the inevitable pattern that repeats itself time and time again.

Song Sung Blue is one of my favorite movies of the year. It all has to do with Hugh Jackman and Kate Hudson’s performances, along with a touching script by Craig Brewer and Greg Kohs. What makes this story so compelling is not only that it is true, but also that Mike Sardina and Claire Stengl are us. They are normal people who want to perform and bring happiness to the world.

Before You Know It comes off as pharmaceutical-grade Hallmark Channel, which means that Utt and Tullock take the same familiar elements and end up finding some absolutely hilarious scenes that remind us why we love the movies, to begin with, just not consistently.

Ultimately, it’s fine. Yet, considering its cinematic history, fine is never good enough.

It looks like Williamson threw five old scripts in the air and Rodriguez shot the first 90 pages he picked up. I'd like a little more meat on my burger because all I can taste is the cheese.

The film tells an engaging swashbuckler on its own terms, and that's what director Kevin Reynolds has done with this old-fashioned romp of revenge.

Willard doesn’t try to be great art (although if you really think about it, there are plenty of themes borrowed from “Hamlet,” “The Birds” and “Frankenstein” to name a few). Willard just is.

Botko and Gurland's bleak and caustic comedy gets off to a slow start and struggles to overcome the handicap of having three main characters who are, by design, highly unpleasant individuals.

The Universal Theory works in fits and starts but is bound to leave the audience not entirely convinced by its logic.

Has some nice touches. Cheadle is capable as always, and Paula Newsome kills as his acerbic receptionist.

Despite all the flaws, Sputnik has one chief thing going for it: it holds your attention, from the first (and arguably best) twenty minutes, to the last (and arguably worst) twenty.

LX 2048 has some very funny moments of black comedy thrown in, especially in the latter half, which throws off the nihilistic tone that the movie has held up until then. However, some truly thought-provoking concepts, interesting production design, and a knockout performance from James D’Arcy make LX 2048 well worth a look.

With Babylon, Chazelle laments and condemns; he documents and romanticizes. There’s truth beneath the embellishments. The filmmaker gives this project his all. Luckily, it all works. Bravo.

Skincare is the perfect vehicle for Banks’s style, the cinematic equivalent of a Barbie-mobile with 60s Cadillac fins. The audience gets to ride shotgun as she speeds through the flashy, splashy visuals to get to the long tunnels of persecution.

While The Bluff isn’t perfect, it is fun, and Priyanka Chopra Jonas excels at the action, so for an entertaining streaming option, this will do nicely.

It’s thoroughly engrossing, entertaining, and a lot of fun from beginning to end.

The stunts are great but they make sense and don't blow the sense of reality of the whole movie.

What began as an interesting character study ends in convention, offering only the most clichéd platitudes in summation. You can't find true love until you love yourself? Hasn't Dr. Phil been telling us that for years?

When Romper is firing on all cylinders, it is potent indeed.

All the household changes give the film an episodic quality that leads to a certain start-and-stop dramatic momentum. But fresh face Lohman holds the film together emotionally, more than matching up to the bigger name stars that turn up in supporting roles.

This is the work of professionals acknowledging a good story and knowing better than to get in the way.

A meandering and disappointing documentary about one of Africa's most beloved yet elusive musical giants.

For those who appreciate uplifting stories with spiritual undertones, it delivers exactly what’s expected—and sometimes, God’s blessing is enough.

Two Women showcases the rampaging wit of expert writing with the jaw-dropping technique of expert directing.