If "Models'" comedy is a bore, the characters' redemption is sheer agony – not to mention the shameless pop-cultural referencing that repeats like a bad taco.

This version of Hamlet is raw in its emotion, incredibly natural in its performances, and heartbreaking in its conclusion. Even after centuries of retellings, the story still cuts deep, and Aneil Karia’s version proves that its power has not diminished. At the center of it all is Riz Ahmed, whose incredibly raw performance ensures this adaptation will be remembered.

Can be fun. Just don’t think about it too hard.

While Buffaloed is light on laughs, it’s Deutch as Peg that is the real joy to watch. She creates a character that is unique, energetic, and thoughtfully developed.

The Oak Room is a movie that purports to be seen as a dark and twisty backwoods noir but takes so much time getting to where it actually wants to go that by the time the story winds itself up, we’ve lost interest.

Camera style aside, the subject matter of Sagawa’s atrocious crimes are pretty fascinating. But it’s the pace and moments of complete dead silence that kills (no pun intended) the tension you would think would be obvious when making a documentary about a living cannibal.

In the end, don't go see this if you are looking for an intellectual film. If you're into seeing some fun, mindless action in a faithful Marvel comic adaptation for a couple hours, then go see the Hulk smash some stuff.

Every line of dialog, every camera angle, every beat is precisely engineered.

Nuremberg is a competently made, overlong, corny, entertaining, poignant epic made by the filmmaker responsible for writing classics like Zodiac and duds like Independence Day: Resurgence — a jumble of the man’s best and worst tendencies. Scattershot? Yes. Way too long? Sure. Predictable? Yes. Cheesy? Yes. Did I secretly kinda love it? No comment, your honor.

It's pretty basic here. You have a Bill Plympton movie. You know what to expect – complete rampant insanity from the mind of a mad genius.

If you like unconventional indie comedies, this one can’t be missed.

Godzilla, King of the Monsters! is the story that began it all, laying the themes of Japanese kaiju that would endure for decades.

Delgado’s script is keenly aware of the world she is sharing. With the utmost humanity, each frame conveys the lives of those living in limbo, working for the mere hope of something better.

If you want to see the shark device used with the precision of a scalpel, watch Beast of War. It is knock-out entertainment with many rows of teeth that won’t let go.

Every so often you catch glimpses of a better movie behind the simplistic structure and formulaic plot.

If you persevere, Stargirl will grow on you and ultimately pays off.

Blue Beetle is worth seeing, but it has many missed opportunities.

The Persian Version is a comedic and beautiful portrait of a Muslim immigrant family caught between the struggles of two cultures and two generations, featuring two outstanding performances that should not be missed.

Playing like a video coffee table book displaying some of the man’s most notorious work.

Depending on your expectations for Transformers, rear-ending theaters this July 4th, you’ll either be ecstatic or horrified to learn that the movie hits on all three cylinders in convincing fashion.

Wil Wheaton is the true star of this film. His creepy therapist/creepy children’s TV show host take on his character was exactly what Rent-A-Pal needed.

In the end, you’re entertained, but not so invested in the characters that you’re hooked to every word. It’s enjoyable, but not memorable, and certainly, nothing that lingers in the mind or makes you want to gush to your coworkers the next day.

When You Finish Saving the World offers unique insight into family dynamics in a modern society where the shallowness of a virtual world collides with real-life based on purpose and reason.

If Dogville has a reason for importance, it is the astonishing all-star ensemble who try very hard to put life into their cardboard characters and make this silly film work.

Radio Silence needed to make Scream their own, and they did it in a blaze of blood and guts glory.

Seeing stories about politicians like this that are so strongly passionate and enduring uplifts our feelings of dread towards politics. If only more politicians followed her example, perhaps we wouldn’t be in the current state we are in today.

The Machinist is so brave and visually impressive, it should demand an audience.

It’s every kids dream to fight monsters, and in some ways The Monster Squad helps us live out that fantasy. And it’s a damn good film chalk full of horror movie references, and nods to classic films that only the discernible eye can catch.