Film Threat's Scores

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For 5,429 reviews, this publication has graded:
  • 60% higher than the average critic
  • 6% same as the average critic
  • 34% lower than the average critic
On average, this publication grades 3.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Xanadu
Lowest review score: 0 The Twilight Saga: New Moon
Score distribution:
  1. Positive: 3,510 out of 5429
  2. Mixed: 1,487 out of 5429
  3. Negative: 432 out of 5429
5429 movie reviews
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    • 63 Metascore
    • 90 Reviewed by
      Alan Ng
    This Land
    Empathy and balance is the reason you must see This Land.
  2. Bombay Eunuch
    Fairly mundane and frequently boring.
  3. Suddenly
    This isn't a straight-on comedy by a long shot. It's a quirky character study that will make everyone in the audience laugh at different places.
  4. I Capture the Castle
    Nighy is superb as usual in a much meatier role than even he usually gets. And Byrne makes her character far more three-dimensional than the shallow creature she could have been.
  5. The Hole in the Ground
    The Hole In the Ground surprised me, took me on a fun ride, and returned me, almost unshaken. This was a brilliantly satisfying monster movie.
    • 63 Metascore
    • 70 Reviewed by
      Alan Ng
    Chef Flynn
    The most intriguing aspect of Chef Flynn is its honesty.
    • 63 Metascore
    • 60 Critic Score
    The Upside of Anger
    A reasonably intelligent timekiller.
    • 63 Metascore
    • 60 Reviewed by
      Alan Ng
    We Have Always Lived in the Castle
    While having all the key elements of a mystery, director Stacie Passon’s film is more a character study focusing on themes of the safety of sisterhood and self-imposed alienation.
  9. The Dreamers
    Gorgeously shot, cleverly directed, smartly scripted and convincingly performed, The Dreamers is itself something of a movie puzzle.
  10. This Christmas
    Impressively stays away from the cheese and the sap that ordinarily accompany holiday pictures.
  11. How to Get Ahead in Advertising
    Robinson is more adept at the surrealism than the satire, and when the latter takes hold toward the end, the film falters; however, Grant doesn’t, and the film is worth a look if only for his fearless, funny work.
    • 63 Metascore
    • 80 Critic Score
    The Rip
    In a world where there is no shortage of cop thrillers, The Rip is sheer popcorn entertainment from start to finish.
    • 63 Metascore
    • 75 Reviewed by
      Alan Ng
    The Devil Wears Prada 2
    The Devil Wears Prada 2 succeeds because David Frankel trusts his cast and Aline Brosh McKenna’s script to handle both nostalgia and modern complications without preaching to the audience.
  14. In the Earth
    It’s one of the most exciting genre mashups I’ve seen in years.
  15. A Haunting in Venice
    A Haunting in Venice marks the best, most succinct, and humorous adaptation of an Agatha Christie story by Kenneth Branagh yet.
    • 63 Metascore
    • 80 Critic Score
    The Signal
    If you’re tired of zombie films or rabid people films, Signal is like a cool drink of water on a hot day. It’s got all the goodness from the best of those genres while creating its own niche at the same time.
    • 63 Metascore
    • 90 Critic Score
    Burn After Reading
    A roller coaster of emotions that will have you laughing one moment and gasping in shock the next.
  18. Invincible
    A touching, stirring story even if it has been given the Hollywood treatment.
    • 63 Metascore
    • 80 Reviewed by
      Alan Ng
    The Matrix Resurrections
    To me, the story is the reason to see The Matrix Resurrections. Lana Wachowski brings unexpected freshness to this new evolution of Matrix stories.
  20. Peter von Kant
    The uninitiated may wonder what the fuss is about, but for the true Fassbinder Heads out there, Peter von Kant is a revelation. Ozon has made one of the best homages to a master filmmaker ever made.
  21. Diamonds and Rust
    Engrossing and brilliantly insightful production.
    • 63 Metascore
    • 100 Critic Score
    Allegro
    An existential masterpiece. Merging the stylistic direction of Jean-Pierre Jeunet with the existential sensibilities of Charlie Kaufman, creating one of the most memorable films ever made.
  23. The Golem
    The Golem is creepy, as the cinematography is awash with atmosphere and the use of such a creature is interesting. The dramatic side of things mostly holds up as well, and when combined with the excellent acting, the movie turns out to be very effective and memorable.
  24. The Beautiful Summer
    To picture the depth of visuals in The Beautiful Summer, imagine a hundred beautiful moments in time standing out in sharp contrast like a string of Christmas lights.
  25. Bubble
    Bubble is among his (Soderbergh) worst films. What in the world was he thinking with this?
  26. ATL
    House definitely put a smile on an insider's face, but outsiders can enjoy the ATL too. The only prerequisite here is the ability to laugh.
  27. 18½
    Mixing dark comedy and mild suspense, Dan Mirvish’s 18 ½ is not the movie many would expect it to be. But the unpredictability of it all makes this madcap political fiction thoroughly diverting.
  28. Thanksgiving
    Fans of Roth will gobble, gobble this up.
  29. Stander
    That all the events filmed actually took place make Stander a highly entertaining ride.
    • 62 Metascore
    • 80 Reviewed by
      Alan Ng
    Amerikatsi
    In Amerikatsi, Michael Goorjian channels his inner Roberto Begnini and even Charlie Chaplin to bring humor and levity to a solemn subject. But the best part is he shines a light on the Armenian people and their resurgence to re-establish their culture after great tragedy.
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