Stunningly animated, cleverly scripted, and genuinely humorous.

I would very much recommend everyone watch this and make their own decisions. There are times when Walsh gets a little corny, but overall, he presents many facts and opposing arguments that are, at the very least, something to think about.

The filmmaker confidently guides us to a conclusion that really isn’t a conclusion at all but a new beginning. These men may not be all that wild, but Daneskov’s film is just loopy and daring enough to qualify as such in the best way possible.

As far as horror goes, Anything For Jackson turns up the tension as well as the best of them.

If you’re intrigued by watching Jack Quaid and Jeffrey Dean Morgan come together to solve a mystery, then Neighborhood Watch will not disappoint. When you get a comedic pair together like Laurel and Hardy, Jackie Chan and Chris Tucker, or Jack Quaid and Jeffrey Dean Morgan, it’s timeless.

You either get it or you don't.

A low-key, warm-hearted-but-razor-sharp study of ambition, friendship, and humanity’s inherent differences – be it between two friends or two cultures – The Saint Bernard Syndicate leaves a lasting impression and is eminently rewatchable.

A haunting score and beautifully atmospheric cinematography by Kim Hyung-gu round out the achievements of this unique and engaging Korean thriller.

Kalki 2898 AD is the kind of widescreen majesty that makes the butter of your popcorn shine in the dark. There isn’t anything else like it in the movies right now, so jump right in.

Full of looming symbolism, House of Sand is a brilliant tale following a family that brings a group of settlers into the middle of the desert to start a new life.

While director Alison Reid tries to be a bit more engaging than a simple talking-head documentary, with varying success, the movie has earnestness and heart. So, even with its issues, it is still a solid good time.

A fun time and a must-see.

Would that we could extract the essence of this utterly enjoyable film and distill its creativity, intelligence and originality into a serum which we could then inject into all the tapped-out Hollywood screenwriters and directors out there.

Funny, uncomfortable and cleverly insightful.

Meditations on the toll of waiting, the damage of estrangement and the fickleness of trust echo in a well-acted, assuredly directed, sometimes brutal, watch.

You & I is a fantastic tale of modern romance.

Kai Luke Brummer is a revelation in the central role, his introverted performance buoying the plot with nuance and charisma. We navigate through the horrors right alongside him, and we root for him, and in the end, despite a striking and sad realization, we gaze at the ocean and wonder if there’s hope for humanity yet.

Romantic comedies have become something of a tired staple in indie filmmaking, these days. Yet, odd as it may seem, it's the unlikely interracial geriatric chops on display in The Annihilation of Fish that breathe new life into the genre.

If you’re in the market for a great slasher film or even just a movie about how people used to make movies, seek out MaXXXine. It’s absolutely a great two hours at the theater.

As a documentary, Rodents of Usual Size makes good use of animation illustrating how Louisiana got itself into this environmental disaster. The filmmakers interview a wide variety of citizens who come at the problem from their own unique perspective. They also capture some of the most once beautiful and now devastating images of Louisiana itself.

One of those films that makes you walk out muttering dark things about the future of the human race.

The Racer will attract fans of cycling and those who enjoy a good drama, as it’s a fresh take on the sports drama formula.

Crime 101 will get your pulse pounding on a wild ride.

Ready or Not 2: Here I Come may not be as sharp as the first film. But what it lacks in precision it makes up for with enthusiasm. The kills are inventive, the pacing rarely slackens, and most importantly, it remains tremendous fun.

And Then We Danced works because of a tender and heartfelt performance by Levan Gelbakhiani.

While it would be impossible to end A Thousand Cuts on a positive note, Diaz holds fast on her subject and Ressa’s determination to fight for what she believes in. This lights a path towards hope and the belief that truth and justice will ultimately prevail in a climate where lies spread faster than facts.

Strange Harvest is a brutal, well-crafted descent into depravity that walks a tightrope between realism and horror fantasy. For fans of found footage, true crime, and occult horror, this is a grisly treat.

Watching how it was a struggle to get people into the seats even before the pandemic and all the stress that Greg and Tish Laemmle endure is a little tough to watch at times, but Only in Theaters is essential viewing for every filmgoer.