An original and utterly unconventional tragedy of fantasy and reality, and the potential lethal results of worlds colliding. Ed, glad to have you back.

Featuring a mix of fiction and real life, Touch Me Not explores intimacy in an experimental feature film that manages to make sex seem unlikely and tiresome.

Those seeking more adventurous, cerebral, inspired stuff will get a helluva kick.

The average viewer will be satisfied with the product, even if the film offers hardly any new information. The doc buff will witness a film that can't surface above the steady nonfiction output at the art house.

The cast playing these eccentric characters is magnificent...This is definitely one of the most unique comedies you’ll see all year.

It’s an exhilarating experience, and raises the bar for the use of digital technology in film.

Reports of boos at the film's debut at Cannes are more understandable now, not because Marie Antoinette is an inaccurate or indifferent look at French history (it is), but because it's self-indulgent shit. Booing - and beheading - are too good for it.

Hanging by a Wire emphasizes the self-reliance of the people of Battagram, who are accustomed to solving problems on their own. Naqvi brings us along to witness their strength and determination on display.

This film is very much of our current era, but you can even be *gasp* over 30 and enjoy CRSHD, even if it is a little reminiscent of a lot of the college movies that came before it.

To their credit, Miller and Buscemi engage the audience’s interest in what is essentially an extended conversation for an extraordinarily long time.

A thoughtful and skillfully developed story and a true Independent film.

Danny Boyle still creates an impressive world, visually rich and yet cold and claustrophobic.

Much of the animation is stunning and all of the vocal performances are good to great. It's just much of the passion seems to be in not stepping on anyone's beliefs or interpretations, instead of in telling the story in the most compelling way possible.

Lee makes a great looking film, though the soap box message about greed becomes exhausted and overplayed early on.

A Desert is a solid neo-noir with excellent visuals, good characterizations, and fantastic acting.

If you’re looking for a good scare, or at least an Alien sequel that is willing to be a sweaty blue-collar fable, seek out Alien: Romulus. This is a very fine flick.

What you get out of Frozen II over the original is Anna and Elsa’s stronger relationship. They are together throughout most of the film, and their sisterhood is strong, fun to watch, and remains the heart of the film. Frozen II is a worthy sequel, and you’ll be glad Disney got greedy and made it.

The Damned is an oppressive film filled with static images of ice fields, dark, almost chiaroscuro moments in cabins, and thoughtful, if not over-indulgent, dialogue.

If you’re in the market for a great slasher film or even just a movie about how people used to make movies, seek out MaXXXine. It’s absolutely a great two hours at the theater.

So immodestly unripe; yet so horrendously tempting you’ll find it hard to resist.

It's in the characters that the film works beautifully, right up to the clever and tender final sequence.

I’m not suggesting Cherry should have a laugh track, because it is not funny at all, despite several attempts at humor.

For all of its shortcomings, Wanted is a strangely enjoyable flick.

Thanks to the incredible editing and score, the story never loses momentum. In fact, due to real-world parallels (as a part of the plot is based on true events), Enola Holmes 2 offers more intrigue and danger than the original.

Gaia uses its atmosphere to great effect.

Tessa Thompson answering phone calls is not enough to justify a feature-length film. A short film absolutely would have knocked this out of the park, but there is just nothing holding your attention here.

The film also has some hilarious moments and some that tug at your heartstrings.

Without much help from a weak script, and barely in need of some carefully tuned cinematography, Mol fuels so much of the film that a handful of lackluster elements seem to work.