Misses the boat by essentially acting as a positive press release for the now-defunct Kozmo.com.

The film is short on plot, and any form of character development, but I am sure the target audience of children will find plenty to enjoy even though most adults may find it a bit boring. All in all, Jimmy Neutron is a nice holiday diversion for the family.

While bearing many similarities to Shakespeare’s Midsummer Night’s Dream in look and theme, the film covers Maddin’s traditional themes of failed romance. While much brighter than his other films, if you like Maddin’s other works, you’ll probably dig this. If you don’t, this film will not convert you to the cause.

A Good Woman Is Hard To Find is an extremely harrowing, tense movie that has such an unbelievably satisfying payoff.

Kalki 2898 AD is the kind of widescreen majesty that makes the butter of your popcorn shine in the dark. There isn’t anything else like it in the movies right now, so jump right in.

As clever as the plot is, how it comes to life is something to behold — a command to witness awesome splendor is really the only word that fits here.

Despite the cast's capable portrayals, it's difficult to connect with or care about any of these characters as, one by one, each stabs another in the back.

A film that depends entirely on whether you feel empathy for its characters.

Girl On The Third Floor has enough carnage and bloodshed to satisfy all gorehounds. Director Travis Stevens gets terrific performances from an excellent cast, and the atmosphere is consistently foreboding.

Almost emblematic of the nonsense and insanity that pervades university campus life, Night Is Short, Walk On Girl is a fun and entertaining ride, though its dissatisfying conclusion and weak ability to transition between ideas may leave audiences feeling a little underwhelmed.

If you liked Children of Men, chances are you will enjoy this film. It has the same blend of despondency and lyricism, hope and despair, beauty and violence.

Yes, this "Harry" does indeed fly -- just don't expect the movie to soar into the higher altitudes of imagination.

The best thing about The Slaughter Rule -- is that the film refuses to succumb to the temptation of a glorious Hollywood feel-good happy ending.

An intelligently written, well-acted, and thoughtful film about adult relationships. I’m surprised it came out of Hollywood.

This is a truly disturbing work that makes the mind race with worry, and the heart pump with fear, though thankfully not in a way that tests a viewer's unease every minute. Gradually. Ever so gradually.

Director Billy McMillin does a great job showing the true stories of these teams, and from where I grew up, these stories are very relatable.

One of the best films of 2007 but I wonder if it’s difficult message will turn away filmgoers. Haggis has constructed a very bitter pill that needs to be swallowed, especially by hardcore pro-war Americans.

What Black Christmas retains is the competent pacing and pure chaos that’s dealt in whispers and brutality, and what it lacks is a younger audience who just can’t quite understand that some horror films require imagination, suspense, and no explanation to hold our hand with.

More a celebration of movement and music than a parable for our over-communicative, friend-lite, acquaintance-rich society.

It’s how Harry Chapin, the artist, and advocate described by so many and presented by Korn that makes Harry Chapin: When In Doubt, Do Something an important film. As a troubadour, Harry’s folk roots and his ability to visualize a story through his music—stories so many of us have lived and continued to do so—is personal and universal, all at the same time.

Jack Hawkins is convincing in the lead role, while Joan Collins does what she does best, playing a ruthless, self-obsessed queen with no redeeming qualities – but we can’t help but love her.

A lopsided effort which is part-thriller, part-social commentary, and totally forgettable.

Szabo could have made a conventional melodrama...The director takes an alternate route and offers his viewers a drama burnished with a coat of comedy.

Akin to a bus that provides temporary shelter from the cold, Drunk Bus is cozy and familiar, but 100 minutes proves to be just enough. I was ready to pull the cord towards the end of this fun, somewhat bumpy ride.

For the most part, Fleck doesn't seem particularly intrigued on finding the banjo’s African heritage – the film offers little in the way of historic value in understanding the origin of the instrument.

Rounding doesn’t offer answers, but it does offer a deep, unsettling dive into the fragility of the human mind and just how far someone can go when pushed to their limits.

Now the big question: Does this whole thing actually work? Some of the time.

With an incisive script that trifles with emotional and thematic transparency, Krippendorff authentically captures what it is like to grapple with one’s burgeoning maturity and identity.