If you enjoy learning about the Holocaust and how dark a time it was, or you just like a good love story, then check this documentary out.

What I can say is Jake Gyllenhaal is fantastic in this movie. I was skeptical about bringing in Mysterio as the potential antagonist (villain), and he exceeded my expectations. The FX-team transferred Mysterio’s powers from comic book page to the big screen beautifully.

Tell Me Who I Am is an incredible real-life mystery.

Not terribly engaging, but surprisingly moving.

This isn’t exploitation; this is a look at how things may have been with Harris and Klebold, and how something like this could easily happen again.

Although Penn is the focal point of Citizen Penn, the real citizens of this story are the Haitians. They are resilient, optimistic, and refuse to be labeled as victims. I do wish that we got to meet some of them a bit more intimately, that Hardy delved a little deeper into Haiti’s sociopolitical history. As it stands, it functions as a perfectly serviceable call to action, an extended, heartfelt PSA that neither glamorizes nor demonizes the actor.

I have a feeling Echo in the Canyon will be watched for decades into the future as the essential document of a very specific time and place that changed music forever.

One of Spike Lee's greatest films -- seamlessly merging personal drama against a canvas of larger social significance on a level worthy of "Do the Right Thing."

See You Then isn’t perfect, but it is sincere. Its aim is true, and the message of evolution, healing, and growth is sorely needed.

Greener Grass is over-the-top hilarity. It’s grounded. It’s smart. It’s downright disgusting.

The film's leisurely pacing is often too slow for its own good, and many scenes meander endlessly with no true payoff.

The level of craft in Poe’s feature debut exceeds that of directors with more experience and portends a long career with more wonderful art to come. In Selah and the Spades, she has created a new classic tale of power, love, hate, loyalty, and betrayal featuring a stunningly talented cast.

Blood Relatives is a blast from start to finish. Noah Segan orchestrates a strong sense of atmosphere while still focusing on well-developed characters. His screenplay is whipsmart, while he demonstrates an excellent command of tone.

A very funny comedy. It’s a very funny comedy that almost made me cry.

It’s a pastiche of all the good anthologies we had back in the day, such as Tales From The Crypt, Creep Show, and more. It’s a perfect Halloween watch.

Fraught with all-consuming dread and familial mystery, Here Before is an emotionally and psychologically demanding thriller surrounding the loss of a child.

To both the filmmaker and subject’s credit, neither feel that the transition to Zoey should excuse past behavior, and the director lets her sit with her thoughts. She processes her actions in front of the camera as she surveys the wreckage of her life. This is what makes Whirlybird such a wholly unique story, ultimately resonating as a portrait of a deeply flawed person.

The movie stylishly portrays the story of the Chicago Seven with archival footage and animated sequences. Without reference to or retrospection from the present, Morgen crafts a film that is as pertinent as ever.

Without a doubt, making the most substantial impact is Thurman. While she has proven her versatility over the years, her work as The Bride shows that her talent is matched by her fearlessness.

A visually exhilarating trip through the darker regions of the subconscious.

Fahrenheit 11/9 is a call to action and a powerful one at that. It really brings something to the table that we’ve been missing, and something that most of the mainstream media is not well equipped to deliver, but Michael Moore is — emotion about injustice.

Every moment of the film is emotionally enthralling, perfectly bittersweet, and calculatedly daring, leading viewers down a beautiful path of hope and love that should award Happiest Season the success that it deserves.

Doff balances tones amazingly and directs visually striking scenes with gusto and confidence. His writing subverts expectations while remembering to be a story about humans, all the while being an exciting, nonstop laugh riot. All that makes the film more than worth watching. Then you add this truly outstanding cast who effortlessly embody their characters, and you have nothing short of a masterpiece.

The archival footage, reenactment, well-executed cinematography, and stunning wardrobe and makeup allow Framing Agnes to linger in your thoughts much past its ending. Joynt created an exquisite beauty that banishes the notions that trans is wrong or dirty and highlights how it is wildly misunderstood.

With Larroy, Texas, Atkinson proves himself a confident filmmaker and screenwriter with an ear for dialogue and skill in designing intriguing characters and situations.

Moore’s outstanding direction (seriously, how is this his first feature-length effort?) is stylish, subtly reeling one in, as the suspense and thrills slowly boil over.

Cha Cha Real Smooth is a series of reflections on life.

All told, Crazy Love is a rarity in documentaries; it's fun.