Film Threat's Scores

  • Movies
For 5,429 reviews, this publication has graded:
  • 60% higher than the average critic
  • 6% same as the average critic
  • 34% lower than the average critic
On average, this publication grades 3.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Xanadu
Lowest review score: 0 The Twilight Saga: New Moon
Score distribution:
5429 movie reviews
  1. Gerbase studies how loneliness brings out the worst, and sometimes the best, in us. She examines how some of us are more adaptable than others; how we are the products of our environment, creatures of habit. The film can also be viewed as a parable about autocracy, ruthlessly dissecting the abide-or-die mentality. Whatever you take from it, the drama is bound to hover over you for days.
    • 57 Metascore
    • 80 Critic Score
    Dark, disturbing and original throughout. You know that you’re going to see something a little different than your usual studio crap.
    • tbd Metascore
    • 80 Reviewed by
      Alan Ng
    Framed may not be the thriller you want, but it’s a fine drama and morality play.
  2. From the performances of its first rate cast to the infectious score and Audiard's deft direction, this is one of the most accomplished movies you'll see anytime soon-old, new or, as is the case here, combining the best of both.
    • tbd Metascore
    • 80 Reviewed by
      Alan Ng
    You feel the horrors of those 12 hours. Abeckaser tells the right stories, from innocent festivalgoers to military-trained fathers, and to the mothers and children who perish. Before you utter the words, “Yeah, but…,” 12 Hours in October is pretty one-sided, and I’m not blind to the protests that have occurred in the streets and on university campuses in the U.S.
    • 58 Metascore
    • 80 Reviewed by
      Alan Ng
    Jumanji: The Next Level is a fast-paced thrill ride, and fans of the original will not be dissatisfied. The writing is just as smart as the first, and the main cast revives its original magic.
    • 85 Metascore
    • 80 Critic Score
    Reflection is a great war drama for those who like slow cinema. It is also a contemplative experience for those who love a deep and multi-layered cinematic experience. It does not bombard the audience with anti-war propaganda; neither does it drive to a conclusion. It just paints a picture of the war and lets the audience reflect on it.
  3. These actors and many more make What We Do Is Secret an absolute blast to watch and they do an undeniably perfect job of recreating this notorious scene.
  4. The Irish humor and setting make for a lovely time with the film as we get a droll glimpse of daily life in Ireland, and things that are lost and found again.
  5. Bad Press is a resounding documentary because of its quietness. It considers all the topics of the day — misinformation, government overreach, election scandals, and the list goes on. The filmmakers do so by showing that even the smallest, quietest town matters and that moral decay is always allowed to fester in the little places first.
  6. This is brilliant filmmaking.
    • 75 Metascore
    • 80 Critic Score
    As with the Jarmusch’s best work, it is kept simple and taken very slowly and is just sort of allowed to happen. The magic lies in the lulls.
  7. Overall, this is a strong feature debut for Alexander and Ford, but perhaps next time they can let a third set of eyes glance at the script.
  8. This well made, slightly cornball and riotously comical romantic comedy not only extols the old fashioned American dream, but charmingly celebrates the virtues of the great American melting pot as well.
    • 76 Metascore
    • 80 Reviewed by
      Alan Ng
    It’s Odessa Young that does much of the heavy lifting acting-wise, though overshadowed by Moss, as she is the one who ultimately transforms throughout the story. It wouldn’t be fair to leave out director Decker’s visual vision for the film or Sarah Gubbins’ screenplay as they continually keep you off balance from the start and second-guessing almost everyone and everything to the end.
  9. The true-to-life repartee between the leads – at times tender, at others snappy, one minute heated, brutally cold the next – is a joy to behold.
  10. Sean Penn's scenes are still so stunning...His Jeff Spicoli is an unabashed kick every second he is on the screen.
  11. With an incisive script that trifles with emotional and thematic transparency, Krippendorff authentically captures what it is like to grapple with one’s burgeoning maturity and identity.
  12. For all of its shortcomings, Wanted is a strangely enjoyable flick.
  13. When done well, they are scintillating cinematic brain teasers, and Timecrimes is one of the best time travel films to come along in, er, quite some time.
  14. An intelligently written, well-acted, and thoughtful film about adult relationships. I’m surprised it came out of Hollywood.
    • 68 Metascore
    • 80 Reviewed by
      Alan Ng
    If there was one reason to see 40 Years in the Making: The Magic Music Movie is for its music. Constantly playing in the background, you’ll find an appreciation for how good this band was, how a band this good could never find success, and how the group’s dynamic tore it down.
  15. If you want to see a movie that explores grief and death with a very unique and interesting twist, watch An Unquiet Grave. I doubt you’ll regret it.
    • 66 Metascore
    • 80 Critic Score
    Bronco Billy is an odd salute to those clean hearted good guy cowboys like Gene Autry and Roy Rogers, and Clint manages to revel in the glory of that myth despite the fact that he is probably more responsible for making that kind of Western unworkable in modern cinema than anyone else I can think of.
    • 55 Metascore
    • 80 Critic Score
    In the end, Jack, Kyle and director Liam Lynch ("Sarah Silverman: Jesus is Magic") have created more than just a low-brow comedy, they've created a comedic saga, a film more rock show than movie.
  16. Ozon knows his camera placements, musical cues, and, of course, actors, and here he barely steps wrong, pulling us into the narrative, even while dialing back on his usual extravagance.
  17. At its core, Come Closer is an unexpected reality check in a coming-of-age story about handling loss. Israeli writer-director Tom Nesher’s debut feature pushes emotions and reveals the underside of life, delivering a universal snapshot set in Tel Aviv, Israel.
    • 66 Metascore
    • 80 Reviewed by
      Alan Ng
    It has to be said that the best thing about The Report is Adam Driver and Annette Benning.
  18. Montreal Girls is as much a visual and sonic poem as it is narrative storytelling.
  19. The strength of the film comes from the symbolic devices that decorate the strikingly illustrated social ladder.

Top Trailers