Bolstered by two formidable leads, the film is bound to resonate with anyone who has tried to make a fresh start, rediscover themselves, but also maintain a grasp on the past that keeps slipping away.

This is absolutely Eli Roth’s best film. It’s scary, poignant, thrilling, and just a ton of fun.

The motorcycle film genre is one that has all but been forgotten, but if any film could start the resurrection of this cinema genre's corpse, it's Larry Bishop's Hell Ride.

Hero is not a CTHD clone; it’s a wonderful movie in its own right, staking its own territory as a dreamlike meditation on motivation and love.

To me, the story is the reason to see The Matrix Resurrections. Lana Wachowski brings unexpected freshness to this new evolution of Matrix stories.

I don't want to say any more about the plot, it's just too much sick fun.

Adam Sobel’s 2017 documentary, The Workers Cup is a maddening heart-wrenching inside look into a group of construction workers in Qatar, building facilities in preparation for the 2022 FIFA World Cup.

Exciting, but not completely original.

Probably the best comment I could give it is that after sitting through the first two and 1/2 hours, I would have happily sat through another five. How long am I going to have to wait for that DVD Box Set?

There is no shortage of remarkable moments.

Brosnan's best mission as Bond yet, and the most satisfying installment of the franchise in recent memory.

For the UFO believers, Ariel Phenomenon is precisely the film you’re looking for as proof of alien existence. But for the unbeliever, Nickerson’s film is a mandatory watch to either chip away at your beliefs or make them stronger.

Writer-Director Paul Etheredge-Ouzts has a clear understanding of the beauty of a slasher film. A formulaic genre, it’s not the blueprint that’s important, it’s what you do inside it that matters.

Serious actors will find a whole new respect for these women and their individual contributions to film and theater, who fought through way through a system made for men and blazed a path for those who followed. And fans of one or all the dames will see the object of their fandom be real, open, and honest.

The filmmaker’s careful modulation of tone and rhythm, how gradually he reveals mysteries, and the mere fact that this is a dialogue/character-driven horror tale make it hard to believe that this is O’Brien’s feature-length debut.

It's a love story without all the verbal hooey and it hits harder than most.

No Future is unassuming, truthful, and absorbing by virtue of the deeply sensitive performances from Charlie Heaton, who exercises rigid body language and a weary demeanor, and Catherine Keener, whose sadness and shock are softly expressed.

Let the Corpses Tan is a fiendishly clever, meticulously stylish, lean, comedic thriller. Its sole purpose is to grab you by the lapels and entertain the living hell out of you, boy does it.

In Making Montgomery Clift, you see how brilliant an actor Clift was. You see his love of the art of storytelling, developing characters with depth and dimension, and his willingness to put the final product over his own ego. He loved living life just as much as portraying it on screen.

The quiet pace of The Road Dance, along with the ebbs and flows of the events around the characters, give it an authenticity and space to feel the impact. You may be captivated just as the filmmaker and I were.

Rude, crude, gaudy and often hilarious.

While PP does contain the lesbian-toilet-poo-poo-homo-butt kind of humor you would expect, (Ba Ba Booey) underneath that, there is a real movie there with fully developed characters and engaging conflict. It's an absolute must-see.

Shang-Chi and the Legend of the Ten Rings is an origin story, and director Destin Daniel Cretton, working from script he wrote alongside Dave Callaham and, Andrew Lanham did a masterful job telling a story that’s not only Asian-American but a Marvel movie at the same time.

Sure, Blindspotting can feel a bit rough around the edges. Diggs and Casal have so many ideas they want to explore, and they aren’t always able to articulate them in a concise, economical way. But even if they haven’t quite honed their craft as screenwriters yet, theirs is a story that desperately needs to be told and they continue to find compelling ways by which to convey its urgency.

Documentaries exist for many reasons. In the case of Ink & Linda, it’s to take us to a world that we may not be familiar with and show us something new, something interesting. Not only do we meet two unique artists, but we get to see them collaborate and create.

Infinitely impractical, consistently unique and vastly imaginative.

Billie Piper’s first feature-length movie as screenwriter and director may have bitten off more than it could chew, but it is a daring debut that marches to the beat of its own drum. I respect it for that and enjoyed it more often than not.

The art direction and attention to detail in The Boys in the Boat are beautiful and well done, especially capturing the feathering of the rowing, the splashing and pools of water, and the creek of the rigging as the team of eight turns the oars with muscle and unison.