Ant-Man and the Wasp is a hilariously, fun action-flick that takes the edge off the tragic ending of Avengers: Infinity War.

Full of looming symbolism, House of Sand is a brilliant tale following a family that brings a group of settlers into the middle of the desert to start a new life.

At once entertaining and depressing -- it exposes politics raw.

Of all the teen films released this year, this one is, by far, the best.

This isn't a new spin on Bret Easton Ellis, it's more like a 90-minute "Saved By The Bell" episode with better music.

An intensely moving and oftentimes haunting film; a compelling look at the unique life paths of three totally different women.

Post-personality switch, the picture does come to life somewhat but proves a one trick pony.

Moon, 66 Questions is a movie made for adult children reluctantly forced into the care of their parents. Lentzou brings their struggle to the big screen with great empathy and introspection in that says you’re not alone.

I love Together Together because it’s a sweet and straightforward story surrounding surrogacy. It’s void of Hollywood dramatics and firmly places Ed Helms into that older best friend category on screen.

Dead-on for Cronenberg fans though the mutant reptile and amphibian factory might be a tad(pole) too much for the squeamish at heart.

Zhang Yimou is seriously off his game with the utterly ridiculous Curse of the Golden Flower, a new epic that feels like "Hero" meets "The Lion in Winter" meets "Peyton Place." The film is worthless as a serious work of art, but it may offer the jaded viewer a surplus source of MST3K-inspired wisecracks.

LaBruce dresses up kink in priestly robes and biker leather and raw skin and sets it out on a runway walk in open daylight.

You may think you know what to expect from Nebbou’s gem, but as it unfolds, the tragic, hilarious, deeply cynical, and oddly uplifting film proves to be as multidimensional and expectations-defying as its formidable protagonist.

Grabsinski doesn’t waste the audience’s time with all the nuances of how the time machine works. He just gets to the story, the purpose of why Nick uses it, and the fun, crazy antics that come from it.

If anything, one wishes the film would have spent even more time with Peebles in his personal life.

If anything saves Elling, it is the trio of supporting performances that are closer to the real world.

Given their lack of training, nearly all the young performers do a commendable job. It's the director who slips up by, among other things, dividing his cast into such predictable phyla.