Film Threat's Scores

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For 5,429 reviews, this publication has graded:
  • 60% higher than the average critic
  • 6% same as the average critic
  • 34% lower than the average critic
On average, this publication grades 3.1 points higher than other critics. (0-100 point scale)
Average Movie review score: 68
Highest review score: 100 Xanadu
Lowest review score: 0 The Twilight Saga: New Moon
Score distribution:
  1. Positive: 3,510 out of 5429
  2. Mixed: 1,487 out of 5429
  3. Negative: 432 out of 5429
5429 movie reviews
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    • 71 Metascore
    • 70 Critic Score
    Horton Hears a Who!
    Even if Horton's world can't shine like Whoville, this movie's visuals keeps things vivid, while digital animation is so often crisp, precise, and cold.
  2. The Wonder
    The drama is a mostly compelling watch, but we’re left wanting more from a film with such an impressive assemblage of individual pieces.
  3. Emma.
    For being a period piece, Emma is not stodgy at all. The lightning-paced repartee is incredibly funny, and the tit for tat dialogue is full of fierce wit thanks to Elanor Catton’s script, and obviously Jane Austen.
  4. The Disappearance of My Mother
    The Disappearance of My Mother is rife with grand philosophical questions about beauty, capitalism, love, life, and death, while still maintaining the intimacy of a family connection.
  5. Disco Boy
    Disco Boy is not your average war drama, or sociopolitical study, or character dissection, or psychedelic trip. It’s all of those things, and Giacomo Abbruzzese wouldn’t have it any other way.
    • 71 Metascore
    • 60 Critic Score
    Deadline
    Deadline contributes reason and passion to the ongoing debate about whether civilized nations should employ the ultimate punishment and how justly it is administered.
    • 71 Metascore
    • 70 Reviewed by
      Alan Ng
    No Date, No Signature
    Amir Agha’ee shines as the film’s lead. His portrayal of grief and guilt is heartfelt and his emotional performance is perfect.
  8. Watchmen: Chapter I
    Watchmen: Chapter 1 is a delight for fans, and great follow up for those who enjoyed the comics and want to see more. Future chapters promise to be just as amazing.
  9. Ms. Purple
    Ms. Purple was an honest love note to the flawed amalgamation of dreams and nightmares that Angelenos call home. It is also another promising piece from Chon that has us on notice.
  10. Disappear Completely
    Under the veneer of a blood-curdling horror venture with heightened narrative beats, Disappear Completely is a thrilling film about unchecked ambition.
    • 71 Metascore
    • 30 Critic Score
    Against All Enemies
    There is certainly an issue here worth isolating and examining: that of veterans finding their oaths at odds with the state. How the movie considers this theme is dangerous and confusing. It’s an out-of-touch and partisan documentary, wasting its talents to stir mud.
    • 71 Metascore
    • 90 Critic Score
    Where the Wild Things Are
    His film captures the wonderment of dreaming - and the reality of waking.
  13. All My Friends Hate Me
    Uproarious. Disturbing. Melancholic. Shrewd. All adjectives that the marketing teams behind Andrew Gaynord’s terrific dark comedy All My Friends Hate Me are welcome to use for promotional purposes.
  14. Revoir Paris
    Those individual, deeply felt, beautiful moments sadly fail to add up to a deeply felt, beautiful whole. As such, Revoir Paris gets a B- for effort.
  15. A Woman Is a Woman
    What may have seemed energetic and innovative four decades ago is fairly enervated today, and only the most rabid Godard fanatics will find reason to seek out its new theatrical re-release.
    • 71 Metascore
    • 60 Critic Score
    Carandiru
    A large, magnificent cast brings this story vividly to life, supported by superb art direction and technical contributions. Capped by Babenco's vigorous, often ferocious direction, the film is a towering achievement, offering an unforgettable portrayal of the lives and plight of the forgotten.
  17. Collateral
    After a solid hour and a half, the climax almost seems to have come from a different movie. Collateral is still a hell of a ride, but could've used a smoother landing.
  18. Wild Men
    The filmmaker confidently guides us to a conclusion that really isn’t a conclusion at all but a new beginning. These men may not be all that wild, but Daneskov’s film is just loopy and daring enough to qualify as such in the best way possible.
    • 71 Metascore
    • 75 Reviewed by
      Alan Ng
    The Third Wife
    Mayfair’s The Third Wife is a powerful reminder that the oppression of women is not strictly a Western problem and everyone—women or men—want to be free to choose their own path in life.
  20. House of Sand and Fog
    Exceptional performances and unexpected twists of plot keep the story from descending into overwrought melodrama.
  21. Alien on Stage
    True creativity is not always found in creating something new but figuring out ingenious solutions to seemingly insurmountable obstacles, and these people are very creative.
    • 71 Metascore
    • 80 Reviewed by
      Alan Ng
    Kusama - Infinity
    Filmmaker Heather Lenz pieces together a fascinating story of this little-known, yet wildly popular artist.
  23. The Reckoning: Hollywood's Worst Kept Secret
    Please see this film, if only to hear victims speak truth to power.
  24. Training Day
    Bit of melodramatic grandstanding that it is -- is made irrelevant by Washington's volcanic energy and fierce conviction.
    • 71 Metascore
    • 100 Critic Score
    Mayor of the Sunset Strip
    Compulsory viewing for anyone with the slightest interest in rock history or the power of celebrity.
  26. Blinded by the Light
    This is a feel-good movie that tackles a bunch of tough topics, from politics, race, family traditions, social frustrations, and romance. It never feels preachy or overly cheesy.
    • 71 Metascore
    • 85 Reviewed by
      Alan Ng
    Come As You Are
    With Come As You Are, the laughs are good and abundant, the characters are well-defined, and the story takes us on a wild trip to its heartfelt destination.
  28. The Woman Who Loves Giraffes
    While director Alison Reid tries to be a bit more engaging than a simple talking-head documentary, with varying success, the movie has earnestness and heart. So, even with its issues, it is still a solid good time.
    • 71 Metascore
    • 75 Reviewed by
      Alan Ng
    Yes, God, Yes
    Yes, God, Yes is a good movie overall. The narrative is strong and takes a more serious tone than Saved!.
  30. Bob Trevino Likes It
    There really needs to be more stories told like Bob Trevino Likes It, about the good that people can do in the world for strangers. It’s heartwarming and eventually heartbreaking with where the story goes, but the purity that Leguizamo gives off is so strong that it’s a career-defining role (in a lifetime of memorable performances). Kudos to Tracie Laymon for bringing it all together to make a modern classic.
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