This masterful documentary from David France weaves high-stakes storytelling and investigative reporting to expose the ongoing situation, resulting in an unforgettable film.

It is a compelling, powerful, and engaging drama that demands to be seen.

If you want to know more about cult cinema, Time Warp: The Greatest Cult Films of All Time is a great place to start.

Masterpiece.

I dare you to find Aita and press play, especially if you are resistant to giving it a try. You will be caught in an excitement flood from which there is no escape.

Hit the Road is a gut-punch of a film, strikingly gorgeous, as tender as a mother’s touch, as uncompromising as an aggrieved father. Panahi is acutely, painfully aware of the infinite nuances of family, how humans interact, and how to slow down the pace for things to sink in, or simply take a breather, or even sing a song. It’s the best film I’ve seen this year.

My favorite horror offering of the year so far. It’s smart, uncompromising, inventive and just downright hilarious.

Every square inch of this picture is fascinating, whether for the fresh faces or those who have been fans of Cheech and Chong for years.

Sword Of Trust is one of the most well-written and acted comedies I’ve seen in quite some time and definitely the best I’ve seen so far this year. It has a high absurdity factor but simultaneously the set, costume, and production design is so life-like, you willing go along for this truly weird adventure that really only could happen in the south.

Willard doesn’t try to be great art (although if you really think about it, there are plenty of themes borrowed from “Hamlet,” “The Birds” and “Frankenstein” to name a few). Willard just is.

Celebrities. Privilege. Debauchery. Hedonism. We’ve all heard the stories about the most infamous (and legendary) nightclub of all time, Studio 54, but we didn’t have all the facts…till now.

Erotic, sensual, and nostalgic, Tommaso showcases the sweetest side of Hollywood’s enfant terrible. As far his collaborations with Dafoe go, this marks the creative peak of their symbiosis.

Joon-Ho's epic is a masterpiece of monster cinema that's intelligent, innovative, and reaches down to the basic core of family unity to propel its story beyond mere conventions of science fiction.

That’s it! I’ve had it! I’m packin’ up my shit and I’m movin’ to a trailer park down in…down south…somewhere. Apparently, there’s a lot more interesting people in these places than one could ever imagine meeting in their Starbucks bruised metropolitan areas or crosswalk guarded suburbs.

At once an astonishing feat of advocacy filmmaking and a white knuckle eco-thriller; think Michael Moore meets Michael Mann.

The uninitiated may wonder what the fuss is about, but for the true Fassbinder Heads out there, Peter von Kant is a revelation. Ozon has made one of the best homages to a master filmmaker ever made.

Adult Children is funny and dramatic in equal measure.

Breathtakingly inventive story.

All hyperbole aside, “When the Levees Broke” is one of the most important film documents ever made. It’s an honest, fair and unflinching look at one of the greatest, and saddest, natural disasters to hit our shores.

An extraordinary achievement on all possible levels.

To watch Midnight Cowboy is to find one of the great rewards of the movies, two of the finest performances ever seen, and a city made new every time you watch it.

It’s yet another piece of Coen Brothers’ gold that just makes me curious about what kind of magic they’re going to make next.

A towering achievement in cinema, music, and life art. Funnier and more prescient every time I see it.

Once Upon A Time In Uganda is a triumph on all levels. It is filmed with style, follows immensely likable people, and has an infectious, exuberant spirit that is impossible to resist.

Caged Birds is a masterpiece from start to finish. The directing is strong, balancing a lot of tones at one time. The writing is strong, with two likable, engaging characters at the forefront. The visuals and music are excellent, elevating the characters and atmosphere masterfully.

It’s a great comedy, and a deeply touching one, too.

I have a feeling Echo in the Canyon will be watched for decades into the future as the essential document of a very specific time and place that changed music forever.

Are You Lonesome Tonight? is a masterclass of cinematic storytelling. Every element works together to enhance and build up each other. This might be Wen’s first feature film, but it heralds a top-notch director with a lot of swagger and much to say.